3 items from 2012
By David Savage
One of the most idiosyncratic and inventive voices of genre filmmaking to emerge in the 1970s was Jeff Lieberman (born 1947), whose three best known films, Squirm (1976) Blue Sunshine (1978) and Just Before Dawn (1981) have become classics of horror and sci-fi. Cited as an influence on such directors as Eli Roth and Quentin Tarantino (the latter lists Squirm as an essential viewing if he’s to take you seriously), Lieberman’s filmmaking captures the low-budget resourcefulness of Roger Corman and combines it with a singular point of view -- one that seems both quirky and at times, deliriously demented.
Here at Cinema Retro, these are exactly the types of directors we enjoy tipping our hat to. So I’m excited to announce that I’ve organized a tribute to Lieberman built around these three films with the generous participation and hosting of Anthology Film Archives in New York City, »
- firstname.lastname@example.org (Cinema Retro)
By the 1970s, mankind had finally realized that, as species go, we were pretty much the worst thing to ever happen to the planet – what with treating the natural world as our own personal dumping ground, pumping pollution into the air, and poisoning the waters with chemicals – and so the modern environmental movement was born. Not only was this a hopeful development for the survival of the Earth but it was also terrific news for connoisseurs of B-movies as “eco-horror” became a popular trend and the ‘70s became a decade when – on screen, at least – nature had finally had enough of man’s bullshit.
In Frogs, directed by George McCowan and written by Robert Hutchison and Robert Blees, a young Sam Elliott stars as Pickett Smith, a freelance photographer busy taking pictures of the trash-strewn Southern swamplands surrounding the island estate of the wealthy Crockett family. While paddling around the Crockett’s property, »
Happy Friday, little darlings! It's been a long week, so let's all take a trust fall back into the marshmallowy softness of Ae Movie Club.
This week I'm starting things off with a Reviewlet of the new real-time indie horror flick Silent House, which then kickstarts a discussion of other "parlor trick" movies that successfully used sleight-of-hand to create a unique and engaging filmgoing experience.
It Came From Instant Queue looks under the fur of one of our most beloved playtime pals, our Movie Confessional asks which movies have gotten you out of your seat and out the door before the credits rolled, and of course we've got the usual heapin' helpins of Vintage Beefcake, new posters and trailers, and more movie talk that you can stuff in Jiminy Glick's underpants.
5 ... 4 ... 3 ... 2 ... 1 ...Start!
Elizabeth "Don't Call Me Mary Kate and/or Ashley" Olsen
Reviewlet: Silent House
This week a horror »
3 items from 2012
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