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Fritz the Cat (1972)

6.2
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Ratings: 6.2/10 from 6,727 users  
Reviews: 74 user | 38 critic

A hypocritical swinging college student cat raises hell in a satiric vision of various elements on the 1960's.

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Cast

Cast overview:
Skip Hinnant ...
Fritz the Cat (voice)
...
Bertha / Additional Female Crows (voice)
John McCurry ...
Blue / John / Additional Voices (voice)
Judy Engles ...
Winston Schwartz / Lizard Leader (voice)
Phil Seuling ...
Pig Cop #2 (voice)
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Storyline

A persiflage on the protest movements of the 60s. Its hero is the bold and sex-obsessed tom-cat Fritz the Cat, as created by the legendary underground artist Robert Crumb. Quitting university Fritz the Cat wanders through the hash, Black Panther and Hell's Angels scenes to find to himself. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Taglines:

We're not rated X for nothin', baby! See more »

Genres:

Animation | Comedy

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

16 October 1972 (Sweden)  »

Also Known As:

El Gato Fritz  »

Box Office

Budget:

$850,000 (estimated)

Gross:

SEK 1,463,315 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(end credits)|

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The first animated film to receive an 'X' rating from the MPAA. The rating was surrendered for the 2001 home video release from MGM. See more »

Goofs

During the scene when Winston and Fritz are out in the desert, Winston's shirt color consistently changes from being light red to being dark purple, during the entire scene. See more »

Quotes

[first lines]
Narrator: Hey, yeah - the 1960s? Happy times, heavy times.
See more »

Connections

Referenced in Comic Book Confidential (1988) See more »

Soundtracks

Yesterdays
(1952)
Written by Jerome Kern & Otto A. Harbach
Performed by Billie Holiday, vocal
Joe Newman, trumpet
Paul Quinichette, tenor sax
Oscar Peterson, piano/organ
Freddie Green, guitar
Ray Brown, bass
Gus Johnson, drums
See more »

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User Reviews

Bad Trip
13 January 2006 | by (Virginia Beach) – See all my reviews

The bad thing about the past is that it is designed to fool you.

The idea is supposed to be that the past stays fixed, as a sort of "truth." And we change. But viewed from ourselves, often the illusion or even the truth is the reverse. We know who we are. We think we recall who we were -- which we envision is some state on the way to who we are. Something relatively static, which means that the past changes. Radically.

Or at least artifacts from the past change, artifacts like movies. All this is complicated by the fact that movies are a key tool we use to define ourselves.

So it is a strange trip indeed to encounter something that DID define us, that we allowed to tell us who we were. And to find it so vacuous, so superficial it shocks.

If you were not a hippie in that era you may need to know the great schisms at work. (I mean the era depicted here -- 1969 -- not the actual date of the movie.)

You had the east coast hippies who were the sons and daughters of the beat generation. We were interested in ideas and art, and life as both. You had the "political" hippies, who were motivated by unhappiness and determined to change what they didn't like in the name of the values of more "genuine" hippies.

And then you had the west coast hippies. These were the ones captured by drugs, "free" sex and dropping out. To differentiate themselves, they adopted the icons of death.

At the time, there was as much confusion among these three as between any one of them and the Nixonites. (This was in the days of the "moral majority" and before the rise of the religious right which evolved from it.)

And where there is is identity confusion, art rushes in. The Beatles of course, and central. Eastern "religions."

And R Crumb.

Crumb was a magnet, pulling many from the other camps into the west coast sphere. He made it seem less radical than it was -- more about cruising (which he called "truckin") and simply enjoying the cornucopia of round women God places there only for pleasure.

We bought it, all of us. It was a sort of commercial identity, sort of like what you see today that surrounds Valentine's day. A vague notion of self and others and satisfied living.

Now, we look at this and it seems the past has moved away from us, away from truth. Was this ever good, or did we only pretend it so because we were so hungry to be defined?

I recently saw a Mickey Rooney movie where he introduces himself to Judy Garland as "white, free and available." I recoiled. I rejected that past. I had nearly the same feeling when watching this, even though it is/was my past.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.


8 of 14 people found this review helpful.  Was this review helpful to you?

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