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Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Arthur La Bern | (novel "Goodbye Piccadilly, Farewell Leicester Square") | |
| Anthony Shaffer | (screenplay) | |
Produced by | |||
| William Hill | .... | associate producer | |
| Alfred Hitchcock | .... | producer | |
Original Music by | |||
| Ron Goodwin | |||
Cinematography by | |||
| Gilbert Taylor | (director of photography) (as Gil Taylor) | ||
| Leonard J. South | (uncredited) | ||
Film Editing by | |||
| John Jympson | |||
Casting by | |||
| Sally Nicholl | |||
Production Design by | |||
| Syd Cain | |||
Art Direction by | |||
| Robert W. Laing | (as Bob Laing) | ||
Costume Design by | |||
| Julie Harris | (uncredited) | ||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Patricia McDermott | .... | hairdresser (as Pat McDermott) | |
| Peter Frampton | .... | makeup assistant (uncredited) | |
Production Management | |||
| Brian Burgess | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Colin M. Brewer | .... | assistant director | |
| D. Howard Grigsby | .... | third assistant director (uncredited) | |
| Ben Harrison | .... | second assistant director (uncredited) | |
Art Department | |||
| Simon Wakefield | .... | set dresser | |
| Leon Davis | .... | construction manager (uncredited) | |
Sound Department | |||
| Rusty Coppleman | .... | sound editor | |
| Peter Handford | .... | sound mixer | |
| Gordon K. McCallum | .... | sound recordist | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
| Michael Hickey | .... | sound camera operator (uncredited) | |
| David Stephenson | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
Camera and Electrical Department | |||
| Paul Wilson | .... | camera operator | |
| Peter Taylor | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Dulcie Midwinter | .... | wardrobe supervisor | |
| Charles Guerin | .... | wardrobe master (uncredited) | |
Editorial Department | |||
| Alan Strachan | .... | assistant editor (uncredited) | |
Music Department | |||
| Ron Goodwin | .... | conductor | |
Other crew | |||
| Angela Martelli | .... | continuity | |
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Ron Allday | .... | production accountant (uncredited) | |
| Ian Goddard | .... | location manager (uncredited) | |
| Dan Slater | .... | publicist (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Those who blame Hitchcock for the intensity of the rape/strangulation scene should realize that he wrote neither the screenplay (which was written by playwright Anthony Shaffer, best known for his marvelous comic/mystery "Sleuth") nor the novel upon which it was based ("Goodbye Piccadilly, Farewell Leicester Square" by Arthur La Bern)...and that the scene in the film runs exactly the same course, with precisely the same detail as the scene in the book. In fact, now that I think of it, the scene in the film is actually tamer. Hitchcock's film does not, after all, make any reference to the post-mortem insertion of a letter opener. If anything, Hitch showed restraint with his version of the scene. Not as much restraint as is usual for him...but restraint, nonetheless. And he achieved what he set out to do. The scene is absolutely chilling. And not only is it memorable...it's the most unforgettable scene of its kind.