A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
London is terrorised by a vicious sex killer known as the neck tie murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence. Written by
Col Needham <email@example.com>
This was the first Alfred Hitchcock film to show nude scenes, three in total. Barbara Leigh-Hunt (rape of Mrs. Blaney) and Anna Massey (after she's spent the night in the hotel with Blaney) each had nude models as stand-ins. The third nude scene is a last blonde victim. See more »
When the driver of the potato truck stops after spilling his load, the locking pins on the tailboard differ between shots. See more »
You can stay at my place 'til you get something sorted out, if you want. I won't be in your way; I'm going up north for a few days.
Now do I look like that sort of a bloke?
All blokes are that sort of bloke.
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The Universal Pictures logo does not appear on this film. See more »
Those who blame Hitchcock for the intensity of the rape/strangulation scene should realize that he wrote neither the screenplay (which was written by playwright Anthony Shaffer, best known for his marvelous comic/mystery "Sleuth") nor the novel upon which it was based ("Goodbye Piccadilly, Farewell Leicester Square" by Arthur La Bern)...and that the scene in the film runs exactly the same course, with precisely the same detail as the scene in the book. In fact, now that I think of it, the scene in the film is actually tamer. Hitchcock's film does not, after all, make any reference to the post-mortem insertion of a letter opener. If anything, Hitch showed restraint with his version of the scene. Not as much restraint as is usual for him...but restraint, nonetheless. And he achieved what he set out to do. The scene is absolutely chilling. And not only is it memorable...it's the most unforgettable scene of its kind.
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