A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
London is terrorised by a vicious sex killer known as the neck tie murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence. Written by
Col Needham <firstname.lastname@example.org>
Margaret Nolan appeared as one of Rusk's potential victims though her footage was cut from the film. See more »
Jim tells Rusk in the pub that a lorry load of potatoes will be sent "back up to Lincolnshire tonight". Lincolnshire is 150 miles north of London. However, when a sack of potatoes falls off the back of the lorry it is seen passing a road sign which shows Iver Heath 2 (miles), Denham 4; left turn arrow: Wexham, Stoke Poges. The distances and left turn indicate that this road is the A412 Uxbridge Road, which is west of London, probably near the junction with Wexham Park Lane. The lorry should not be in this location if it is travelling north from London. See more »
After 30 years in the USA and after the disappointments of "Torn Curtain" (1966) and "Topaz" (1969), Alfred Hitchcock came back to his native Britain for this film -written by Anthony Shaffer from a novel by Arthur La Bern.
"Frenzy" is his penultimate movie, certainly the best one of his last period. The way the Master films is very classic -deliberately old fashioned; at the same time all the charachters are very modern -they belong to a more and more decadent and neurotic London.
Almost from the beginning we know who the criminal is, and Hitchcock enjoys himself in showing how the man tries to escape and how he betrays people. Director's trademarks are also back in force: suspense (a lot!) and humour -more sarcastic and sharper than ever.
For "Frenzy" the Master doesn't get movie stars, instead he chooses local stage actors. In my opinion he does this because, first, he wants the film to be very English. Furthermore, he wants this time more ordinary faces for making the story more shocking (with famous actors in the main roles, the plot -in a certain way- could be identified mostly with them and loose strength, instead Hitchcock avoids that "paradox"...).
Maybe "Frenzy" is not an unforgettable masterpiece like "Psycho", "Vertigo", "Birds" or many other works. But it is a great movie indeed.
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