| Ray Brooks | ... | Mike | |
| Jenny Hanley | ... | Julia Dawson | |
| Luan Peters | ... | Carol Edwards | |
| Robin Askwith | ... | Simon | |
| Candace Glendenning | ... | Sarah | |
| Tristan Rogers | ... | Tony Weller | |
| Judy Matheson | ... | Jane | |
| David Howey | ... | John | |
| Elizabeth Bradley | ... | Mrs. Saunders | |
| Rodney Diak | ... | Warner | |
| Penny Meredith | ... | Angela | |
| Sally Lahee | ... | Iris Vokins | |
| Raymond Young | ... | Insp. Walsh | |
| Carol Allen | |||
| Alan Curtis | ... | Jack Phipps | |
| Brian Tully | ... | Willesden | |
| Jane Cardew | ... | Lady Pamela | |
| Tom Mennard | ... | Fred | |
| Stewart Bevan | ... | Harry Mulligan (as Stuart Bevan) | |
| Michael Knowles | ... | Curran | |
| Kent Baker | |||
| John Yule | ... | Gerry | |
| Jess Conrad | ... | Young Actor | |
| Patrick Barr | ... | Major Bell / Sir Arnold Gates | |
| rest of cast listed alphabetically: | |||
| Pete Walker | ... | (uncredited) | |
Directed by | |||
| Pete Walker | |||
Writing credits(in alphabetical order) | ||
| Alfred Shaughnessy | screenplay | |
Produced by | |||
| Pete Walker | .... | producer | |
Original Music by | |||
| Cyril Ornadel | |||
Cinematography by | |||
| Peter Jessop | |||
Film Editing by | |||
| Ron Pope | |||
Makeup Department | |||
| Bill Lodge | .... | makeup artist | |
Production Management | |||
| Robert Fennell | .... | production manager | |
| Matt McCarthy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Paul Fell | .... | second assistant director | |
| Brian Lawrence | .... | assistant director | |
| Terry Madden | .... | third assistant director | |
Sound Department | |||
| Tony Anscombe | .... | dubbing mixer | |
| Nick Flowers | .... | boom operator | |
| Peter O'Connor | .... | sound recordist | |
Camera and Electrical Department | |||
| Jim Davis | .... | gaffer | |
| John Metcalfe | .... | camera operator | |
| Tim Ross | .... | follow focus | |
Editorial Department | |||
| Jim Roddan | .... | assistant editor | |
Music Department | |||
| Cyril Ornadel | .... | conductor | |
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| The Unseen | Single White Female | Shadow of the Vampire | Silent Madness | The Howling |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
The plot is a familiar one. A bunch of people go to an abandoned building to stay there, and some of them start dying.
Even taken more specifically, this is a group of young actors who go to an old theater, and are killed for reasons relating to the theater's past. The Clown at Midnight (1998) is similar.
The movie has a lot of dialog, which isn't of much interest. People go off wandering, and sometimes they come back and sometimes they don't. They visit an older couple, and I didn't get a sense of where their house was in relation to the theater, which seemed to be on an island. Police actually are contacted fairly easily early on. The actors continue to stay at the theater far beyond what is sensible.
There's a fair amount of female nudity, even some full frontal nudity. There is even some full frontal nudity from one of the men. Deaths are not depicted very graphically, to the extent they are barely on screen at all. The killer is a heavy breather, with a black mask and gloves.
The music throughout reminded me of the incidental music from the original Scooby Doo series!
There's a flashback scene which is rather surprising, that has a couple having sex in front of a young girl. The girl's scenes were quite obviously edited in (i.e. she wasn't in the room with the nude actors), but it was still a little shocking. That scene was a little better than the rest of the movie, although it started off with a staging of Othello, which was not too involving. There's another good scene in which some of the actors think one of them is shining a spotlight, but it then shines on the person they though was handling it, who was nude. Being a little thick, they don't immediately realize the spotlight must be handled by someone else, nor do they notice how the nude figure doesn't appear to have any life in it.
At the end of the Monterey Home Video, there were trailers for The Slasher is the Sex Maniac, Night After Night After Night, and The Grim Reaper, all of which looked much better. Although I've seen a cut version of The Grim Reaper AKA Antropophagus (1980), and didn't think it was all that hot, but then the trailer for it was all of five seconds long or so. The other trailers were of ordinary length.