Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she ... See full summary »
Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life. Simon does not want any further medical tests, but the couple are forced to ... See full summary »
A celebration of working class leisure activities at Hindle, Lancashire, during "Wakes Week", an annual week still observed in parts of Lancashire and Yorkshire when all factories and ... See full summary »
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A... See full summary »
Jacek is a handsome, charming young Pole who belongs to a drama company.One day, in the streets of Gdansk, he meets Marguerite a beautiful, charming French girl, Marguerite. He falls for her but the young lady is whimsical...
This sensation could hardly have come more unexpectedly, but from the minute we see our narrator, director, writer, composer and, if you will, lead of this essayesque autobiography stand before a mirror, all in negative, shaving his blue face - I was captivated beyond belief. Already from the first second he contemplates about life and the function of time, all while turning colors on their head and in his sink, via a magical combination of shaving cream, water and distortion of reality - creates patterns representing not only the movement of time - but also also looks pretty damn dope.
Jerome Hill is the perfect narrator, bringing a massive amount of wit - and going to so many different lengths of dissecting the power of time. He hypothesizes his future - all in comic sketches - but then we move away from potential and impossible futures and all the way back to his childhood. It's incredible what emotions he manages to convey, as instills both nostalgia and the true spirit of childhood wonders, recreating his childhood through multiple animation techniques, from cut-outs, to drawing on film, to more traditional animation - to shooting at the presumed locations, recreating some of his pastimes in real life. Pictures and very early home video also plays an extreme part - and together these all form one of the most unique cinematic experiences I have had.
Each effect and image, coupled with Hill's own thoughts, wits and insights invokes an ever-lasting sense of magic and wonder - one line that particularly stands out is: "My father didn't have the skill of a professional cameraman. Result? Avant-garde cinema" - and it was quite true. The off, over-exposed images he shows us are effective in their own right. It's remarkable how much of the flaws in the material he presents us becomes strengths and qualities in the context he presents it. Soon he himself begins to be in charge of the projects he presents
and he shows how youthful experiments with film directly affected his
He even shows two full shorts, one his largest experiment as a youth, and the second his first true short, the 12 minute La cartomancienne from 1932 - which blends perfectly in, and really shows the magic he had in his heart. Some of the magic withered as the film started to focus on his career and the level of experiments decreased, but he quickly won it back as his contemplations returned to those of the beginning. A unique experience. A wonderful masterpiece. And what a beautiful note it managed to end on. 10/10.
0 of 0 people found this review helpful.
Was this review helpful to you?