Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a ... See full summary »
Mike and Danny fly a crop duster, but because of Danny's gambling debts, a local sheriff seizes it. Trying to earn money, they hitch-hike to the World's Fair in Seattle. While Danny tries ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about ... See full summary »
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
ELVIS ON TOUR (Pierre Adidge and Robert Abel, 1972) **1/2
As indicated by the title, the film is a documentary – edited by Martin Scorsese! – showing highlights of Elvis Presley touring the USA (with much use of the then-trendy split-screen technique); interesting in itself, this also served as the iconic singer’s cinematic swan-song. Of course, his inflated appearance by this time – a far cry from his lean early years, seen intermittently throughout via stock footage – is rather sad to witness but, at least, he seemed to be in good spirits.
We’re shown Elvis performing in front of several different hysterical audiences – at one point, even admitting to still getting stage fright before going on – but also get to see him relax with his backing musicians (generally by singing gospel songs). The musical numbers include very few of his hits (“Love Me Tender” and “Can’t Help Falling In Love”, while others like “That’s All Right”, “Mystery Train” and “Suspicious Minds” are only heard via original recordings) but there are two outstanding cover versions by The King of then-vintage rock classics – Creedence Clearwater Revival’s “Proud Mary” and Simon & Garfunkel’s “Bridge Over Troubled Water”!
The great final line of the film – “Elvis has left the building” – spoken by the compere (and which I suppose was uttered during most of his shows from this era) clearly attests to Presley’s legendary status even when he was still alive; this is followed by an inspired last shot of Elvis in pensive but evidently happy mood. Incidentally, the film won the Golden Globe Award as the year’s Best Documentary Feature – but, then, didn’t even make the list of nominees at the Oscars!
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