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The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972)

PG | | Drama | 30 May 1973 (France)
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »

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Nominated for 1 Golden Globe. Another 3 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Beatrice
Nell Potts ...
Matilda
Roberta Wallach ...
Ruth
...
Nanny
...
Richard Venture ...
Floyd
Carolyn Coates ...
Mrs. McKay
Will Hare ...
Junk Man
Estelle Omens ...
Caroline
Jess Osuna ...
Sonny
Ellen Dano ...
Janice Vickery
Lynne Rogers ...
Miss Hanley
Roger Serbagi ...
Charlie
John Lehne ...
Apartment Manager
Michael Kearney ...
Chris Burns
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Storyline

From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for her life in the classified ads while all about her is the rubble of an unkempt house. All she needs is the right opportunity, she says puffing on a cigarette. Poorly equipped to survive the vagaries of modern life, she has nonetheless always managed to muddle through. Ruth, epileptic and making her way through the rebellious phase of adolescence, seems doomed to make the same mistakes as her mother. Quiet Matilda, on the other hand, seeks refuge in her animals and her schoolwork. "Jesus, don't you hate the world, Matilda?" Beatrice asks her youngest daughter. The title of the film is also the subject of Matilda's science project at school and serves as a metaphor for the way life affects each of us differently -- how some are able to find opportunity in adversity and thrive and how some succumb when ... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Add Synopsis

Taglines:

The Paul Newman Production of the 1971 Pulitzer Prize winning play See more »

Genres:

Drama

Certificate:

PG | See all certifications »

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Details

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Release Date:

30 May 1973 (France)  »

Also Known As:

A Influência dos Raios Gama no Comportamento das Margaridas  »

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Technical Specs

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(Westrex Recording System)

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Certain dialog from Paul Zindel's play remained in the script for the movie. Even though the movie was filmed in Bridgeport, Connecticut, certain references to the location of the play, which takes place in Staten Island, New York (Zindel's hometown) remain. Ruth mentions "Prince's Bay" when reading a classified ad about some property for sale, and Matilda tells her mother that a photographer is going to take pictures of the Science Fair finalists for "The Advance". Prince's Bay is a neighborhood located on the South Shore of Staten Island, and the Staten Island Advance is the local newspaper. See more »

Goofs

When Beatrice arrives at her sister-in-law Caroline's house, we see Caroline and her three bridge-playing friends in one shot. Later, when Beatrice yells at her brother-in-law through the bathroom door, we see the three ladies a second time in a reaction shot. Only one of them appears in both shots, although wearing a different outfit each time. The other two card-playing friends were played by different extras in each shot. See more »

Quotes

Ruth: Goodnight, Betty the Loon.
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User Reviews

They don't make em like this anymore...
1 September 2000 | by (Arkansas) – See all my reviews

This film has the same wonderfully subtle direction as "The Heart Is A Lonely Hunter," "Diary Of A Mad Housewife" and "Goodbye Columbus." The lost 60s/70s style for dialogue films with immediately profound social messages is probably best exampled in "EGROMMM" -- Newman's daughter (Nell Potts) plays the stoic, life-dampened child who refuses to let her drunken slob of a mother destroy her brilliance.. at least for now. We're just slightly distant observers in this style of filmmaking. You won't get under anyone's skin or into anyone's head. But you may have grown up in similar circumstances, god forbid. An excellent film about the subtleties of abuse without coming across preachy in the slightest. Deeply moving.


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