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Drive, He Said (1971)

Hector is a star basketball player for the College basketball team he plays for, the Leopards. His girlfriend, Olive, doesn't know whether to stay with him or leave him. And his friend, ... See full summary »

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Writers:

(screenplay), (screenplay) | 1 more credit »
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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Hector
...
Olive
Michael Margotta ...
Gabriel
...
Coach Bullion
...
Richard
...
Conrad
...
Easly (as Mike Warren)
June Fairchild ...
Sylvie
Don Hanmer ...
Director of Athletics
Lynette Bernay ...
Dance Instructor (as Lynn Bernay)
Joseph Walsh ...
Announcer #1 (as Joey Walsh)
...
Announcer #2
...
Jollop
Bill Sweek ...
Finnegan
...
Pro Owner (as David Stiers)
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Storyline

Hector is a star basketball player for the College basketball team he plays for, the Leopards. His girlfriend, Olive, doesn't know whether to stay with him or leave him. And his friend, Gabriel, who may have dropped out from school and become a protestor, wants desperately not to get drafted for Vietnam. Written by Jack Gattanella

Plot Summary | Add Synopsis

Taglines:

Don't Lie, Don't Cheat, And Don't Be Afraid! See more »

Genres:

Comedy | Drama | Sport

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 May 1971 (France)  »

Also Known As:

Aquellos años  »

Filming Locations:


Box Office

Budget:

$800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

First credited feature film role for Michael Warren, who was credited as Mike Warren. See more »

Goofs

Boom mics are visible in two scenes. First, when William Tepper / "Mike" is walking with a friend on a sidewalk and descends some stairs on a hillside. Second, when Tepper is in Karen Black / Olive's home, the low ceiling in the living room forces the boom mic into view. See more »

Crazy Credits

The opening credits are typed so small, one can hardly read them. Sometimes the letters in the names are blurred because of their ultra-small size. See more »

Connections

Referenced in The Last Picture Show: A Look Back (1999) See more »

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User Reviews

 
Counter-culture youth drama underlined with 'draft' paranoia...
16 June 2009 | by (las vegas, nv) – See all my reviews

Fashionably fragmented, yet infuriatingly half-realized character-study, an examination of the different personalities of two college roommates: a talented but undisciplined star basketball player, and a pot-smoking, womanizing rabble-rouser. We never learn why these young men are friends. They may share confusions about the world and their places in it, but they don't seem to have anything else in common. Making his directorial debut, Jack Nicholson--who also co-wrote the screenplay with Jeremy Larner, based upon Larner's book--doesn't introduce us to the characters with any clarity, nor he does shape the scenes to help us identify with anyone on the screen. There are some very decent performances here (particularly from newcomer William Tepper in the central role), but most of the picture is unformed (perhaps intentionally), sketchy or unsure. Bruce Dern plays the hard-driving basketball coach, Karen Black is the older, married lady Tepper is having an affair with, and Michael Margotta is Tepper's wayward friend (in an off-putting, over-the-top performance). Nicholson fails to set up the sequences with any particular flavor, preferring (I assume) to let the character interaction dominate the film's tone; his script is no help either, and as a result it is unclear whom we're supposed to sympathize with. Small, random moments do work (a supermarket fight between Tepper and Black, Dern visiting Tepper in his dorm-room, all of the scenes set on the court), however the entire third act of the picture is an excruciating mess. Hoping to juxtapose an all-important b-ball game with a sexual assault, Nicholson shows no style at his craft (nor does he earn points for chutzpah, as his staging of these events is squashy and ugly). When a director goes out of his way to humiliate his actors, one has to question his motives in doing so. Perhaps if "Drive, He Said" ultimately made some sort of powerful statement in the bargain, audiences could forgive the filmmaker for his lapses in judgment and taste. Unfortunately, the perplexing closer is as dumbfounding as is much of the rest of the movie. *1/2 from ****


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