Dr. Phibes Rises Again (1972)

Director:

Robert Fuest

Writers:

Robert Fuest (writer) &
Robert Blees (writer)

Release Date:

July 1972 (USA)

Genre:

Adventure | Comedy | Horror | Romance

Tagline:

Flesh crawls! Blood curdles! Phibes lives!

Plot:

The vengeful Doctor rises again, seeking the Scrolls of Life in an attempt to resurrect his deceased wife.

Plot Keywords:

Egypt | Moon | Tomb | Inspector | Doctor

Awards:

1 win

Cast

Vincent Price	...	Dr. Anton Phibes
Robert Quarry	...	Darius Biederbeck
Peter Jeffrey	...	Inspector Trout
Fiona Lewis	...	Diana Trobridge, Darius' Girl
Hugh Griffith	...	Harry Ambrose
John Cater	...	Sir Wayne Waverley
Gerald Sim	...	Hackett
Lewis Fiander	...	Baker
John Thaw	...	Shavers
Peter Cushing	...	Ship's Captain
Beryl Reid	...	Miss Ambrose, Harry's Cousin
Terry-Thomas	...	Lombardo, Shipping Agent
Keith Buckley	...	Stewart
Valli Kemp	...	Vulnavia
Milton Reid	...	Biederbeck's Manservant

Runtime:

89 min

Country:

UK | USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:PG | Finland:K-16 | UK:15 | USA:PG-13 (re-rating) | USA:PG | West Germany:16

Filming Locations:

Elstree Film and TV Studios, Borehamwood, Hertfordshire, England, UK

Company:

American International Pictures (AIP)

Trivia:

Frankie Howerd was asked to be in this project.

Goofs:

Continuity: In several scenes Dr. Phibes speaks without being hooked up to his vocal apparatus, notably when he addresses his late wife while moving her coffin into the tomb in Egypt, suggesting that dialogue was later added to scenes that were originally shot in silence.

Quotes:

Dr. Phibes: The devil take me? Not for some considerable time, I trust.

Movie Connections:

Referenced in "Masters of Horror: John Carpenter's Cigarette Burns (#1.8)" (2005)

Soundtrack:

Over the Rainbow

Good to see more of Phibes and his magical/Gothic/Art Deco world.

Just saw the movie on DVD. I have never seen it before and I am glad I found it. Of course this is an almost unnecessary re-working of the first movie but it is great for those like myself who can't get enough of Vincent Price's Phibes.

The British cast is very stiff here and the almost chanting 'Harvard Univeristy drama teacher' voice of American actor Vincent Price (when he is thinking/transmitting to Vulnavia as opposed to the stark tone when he uses his electromechanical speaking apparatus) provides grandeur and menace. This is a very challenging role since the story is badly underwritten (everything just exists and appears, no explanations), the dialog is pompous and overwritten and Price must work with no facial expression (or better: with an absolute minimum). He did that with bravura in the first pic and he only slips during the opening close ups at the organ where his facial muscles move a little too much, but I still accept it.

I must admit that I had some difficulties watching such a low budget movie. First I didn's understand what happened. What? The house is in rubbles, torn apart by the villain who stole the papyrus? When? The house was there just a second ago. I thought it was meant to be some kind of theatrical language I didn't understand. To my embarrassment on second viewing I found out that Price says: 'Let's go upstairs' and the organ, like in the first movie acts as an elevator. I missed the visual explanation.

The shot which shows Phibes and the new Vulnavia (where the heck does the beautiful female servant come from? Is she a ghost? Sure not: the writers couldn't come up with any explanation.

Period) rising into the rubbles clearly is a camera moving downward and there is a pitch black background. I needed to re-learn to listen more to dialog. The visual overload of today is hazardous to these kind of films which of course have worked much better in their time.

I agree with most of the comments that state that the deaths are less imaginative than in the first movie but I like this fact that this sequel was made only two years after the original - the look and feel are similar even if some of the lushness is missing.

I like the two policemen acting as a semi working-class, people with a common sense and humor, counterbalance to the Gothic "Phantom of the Opera style" Phibes. I like the way they have given up trying to catch Phibes and these of course are the two we can identify with, yet there is too little material here and some of the scenes with the policemen look like a family gathering from the first movie and of course as in so many sequels: the acting becomes a little too self aware.

The villain, his hoping-to-be wife and his henchmen are all very dull characters so this is basically a Vincent Price/Peter Jeffrey movie with wasted but welcome guest appearances from Terry-Thomas and Peter Cushing. Both wonderful actors with careers mostly made of making the most of bad material.

The 1970s version of late 1920s British Art Deco (since the Paris-fair that introduced the Art Deco style was held in 1925, I'd say it should be rather early 1930s but the cars look more late 20s in both movies) plus the theatrical, magical, Gothic, deep menace of the price-less (pun not intended) Phibes as only Price could have played makes this very low budget film a little treasure, even if it's basically only for those, like me, who can't get enough of the magical world of the wonderfully abominable Dr. Phibes.