Francis Barnard goes to Spain, when he hears his sister Elizabeth has died. Her husband Nicholas Medina, the son of the brutest torturer of the Spanish Inquisition, tells him she has died ... See full summary »
The moon rises at a predestined angle and awakens the sleeping Dr. Phibes three years later. To his dismay, he finds his house has been demolished and his papyrus scrolls stolen, the scrolls he needs to find the Pharoah's Tomb in Egypt, where the River of Life flows. After identifying the source of the papyrus theft, he packs and leaves for Egypt with his assistant Vulnavia, still intent upon awakening his dead wife Victoria. The parties responsible for the theft of Phibes' scrolls suffer an attrition problem as Inspector Trout chases him across the world. Written by
Ed Sutton <firstname.lastname@example.org>
Dr Phibes' return isn't quite as good as it was first time round
Dr Phibes Rises Again is the sequel to the magnificent 'The Abominable Dr Phibes'. The original film achieved cult classic status through a magnificent performance from Vincent Price as the vengeful doctor of the title, and an over the top, absurd, camp styling that set it apart from most other films in it's field. Both of these ingredients are present for the sequel, but it doesn't succeed like the first one did because there's just something missing. The sequel sees Dr Phibes 'rise again' upon the moon aligning itself in a certain way (or something) and travelling to Egypt to find a river that will grant him and his neither living, nor completely dead beloved, immortality. However, things aren't so simple because the scrolls that lead the way to the river have been stolen and Phibes has a contender; someone that needs to find the river just as much as he does out there in Egypt with him.
What's basically missing from this film is assurance. The first film obviously knew what it wanted to do and so was able to do it and not let anything get in the way; this one is very muddled, and it never completely gives the impression that it knows where it wants to go. Just like the first film, this one delivers some very imaginative and very grisly methods of dispatch for it's lesser characters. However, these death scenes almost appear superfluous to the plot, and appear to only be there to continue what the original started, as Phibes probably could have gotten where he wanted to go without them but I'm not one to complain about a film that sees a man trapped in a giant gold scorpion while being eaten to death by live ones, and another man killed via a sharp spike shooting out of the telephone, so whether they're needed or not; they're nice. The film also features, like the original did, a lovely camp feeling; but it's never on the same level as it was in 'The Abominable'. Perhaps it's the move to Egypt and the low quality of the set's (as opposed to the grand and lavish ones of the original) what's done it.
As mentioned, Vincent Price returns to take up one of the roles that have helped cement him in the minds of his fans - Dr Phibes himself. This role, frankly, was made for Vincent Price; and he excels at playing it. It can be said that he doesn't do quite as good a job here, but then again; he didn't have as much good stuff to work with. Also making an appearance is fellow horror legend - Peter Cushing. Cushing only actually appears for all of about two minutes, but it's nice to see him nonetheless. Robert Fuest returns to the director's chair, as you'd probably expect; but the most notable performance in the film (other than Price) comes from Peter Jeffrey, in the role of the inept Scotland Yard inspector - Inspector Trout. Jeffrey delivers his lines with impeccable comic timing and steals every scene he's in. I'd even go as far as to say that Jeffrey is just as important a part of these two movies as Vincent Price is.
Overall, this film isn't nearly as good as 'The Abominable Dr Phibes', but fans of the original will find lots to like and despite the fact that it's a lesser film and has many flaws; I love this kind of stuff so it gets a big thumbs up from me.
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