Six youth criminals are chosen to participate in a social experiment, named "Guesthouse Objectivity" (Pensionatet Sakligheten), where they are assigned to live together in an apartment ... See full summary »
Somewhere in the jungles of South America mercenaries stop a truck which has allegedly loaded fruit. The cargo turns out to be six young women. Apprehended and handed over to the custody of the local women's prison.
Oliviero is a burned-out writer, living at his estate near Venice, his dead mother dominating his imagination. He is also a degenerate: sleeps with his maid and his ex-student, hosts ... See full summary »
This successor to "Faces of Death" collection is a collection of archive film and borrowed stock footage. In its opening you see the death of a woman named Maritza Martin, who was gunned ... See full summary »
Maritza Martin Munoz,
A young girl is brutally murdered somewhere in France. Sometime later, the same thing happens to the daughter of a well-known sculptor. This time the parents (the sculptor and his wife) ... See full summary »
A women's prison camp is located deep in the tropical rain forest. Sadistic guards and a warden from hell make life almost unbearable for the inmates, and any infraction of the rules is ... See full summary »
A Jewish family, that just arrived in a new neighborhood, are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-crazed Neo-Nazi lunatics.
James Cullen Bressack
Nicholas Adam Clark,
In late XIX century, rich and bored Maria is after a more sexually interesting life and gets involved with Alessio who shows her other kinds of love. She soon becomes his sex slave but some... See full summary »
They're Italy's notorious "Ladies of the evening" catering to the strange cravings of their kinky, high-paying clients. But suddenly, the girls of the street find themselves being stalked ... See full summary »
An extended sequence in which a man tortures a woman psychologically, physically and sexually. The woman is bound and restrained throughout and the man in question is in a position of ... See full summary »
Some very clean prisoners in a pretty mediocre movie
Although this is basically a WIP movie, it differs greatly from both the popular Corman produced US/Filipino versions and the much sicker European variant typified by the work of Jess Franco. It is a mid-70's Italian film, so about half of it is a crime thriller with the usual car chases and violent Mafia intrigue involving a missing load of heroin. The WIP subplot comes in when the daughter of kidnapped Mafia boss (the not-even-remotely-Italian-looking Anita Strindberg)goes undercover in a woman's prison to protect and get information from the "new fish" (Jenny Tamburi), whose dead boyfriend was transporting the heroin. However, this surprisingly complex plot still leads to the usual shower scenes, catfights, lesbian groping, and everything else audiences have come to expect from these type of films.
This movie has touches of realism, featuring for instance a lot of secondary characters who look like they could be actual female prisoners (director Rino DeSilvestre would later pioneer a kind of "neo-realist sleaze" with his follow-up film about prostitution "Red Light Girls"). But, of course, it also features the familiar torsos of Gabriella Giorgelli and future porn star Paola Senatore. Certainly no one will complain about a lack of nudity in this movie, from the opening scene where the lovely Tamburi is graphically "probed" by a lesbian prison guard to probably the most ridiculous prison riot ever where the guards turn fire hoses on barely rioting prisoners (which turn out to just be regular hoses for some reason) and the prisoners respond by stripping off and taking yet another impromptu shower (these have to be the cleanest prisoners in the history of the penal system).
But as much as I enjoy seeing Tamburi,Strindberg, et. al. butt-naked, there is a total lack of character development in this movie and the acting is very sub-par, which is unfortunate because Tamburi and Strindberg at least are capable of much better. And aside from his alleged realism, DeSilvestri doesn't demonstrate any real style in any of his films I've seen. I'd maybe recommend this, but it really depends on what your looking for.
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