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We were all hoping that the London production of Lillian Hellman's The Children's Hour would mark Keira Knightley's Broadway debut (she got great reviews in 2011 starring opposite Mad Men's Elisabeth Moss), but we'll take her however we can get her. Next fall, she will make her Broadway debut in Roundabout Theatre Company's adaptation of the tragic novel Thérèse Raquin, continuing with Knightley's affinity for period dramas. In other news, Big Brother standout Frankie J. Grande (the bro of another famous Grande, Ariana) will take on a supporting role in Rock of Ages for two months beginning Nov. »
- Jason Clark
Realizing you’re about to watch a new movie by the director of Point Blank, Deliverance and Zardoz is an odd experience. In his 81st year, we find John Boorman in a reflective mood, gazing into his own past and trying to assemble fragmented memories into a coherent whole. The result is Queen & Country, a loose sequel to his award-winning 1987 classic Hope & Glory.
That film followed Bill, a fictionalized childhood analogue of Boorman, through the chaos of London Blitz. Queen & Country picks up his story a decade later in 1951. Bill (Callum Turner) has just turned 18, making him eligible to be conscripted for two years of national service. Though just six years since Ve Day, the mood in the country has perceptibly shifted; the vague rumblings from Korea feeling inconsequential in comparison to the previous threat of wartime bombardment.
The majority of the film takes place within a training camp for conscripts somewhere near London. »
- David James
Judging by Michael Douglas’ presence as producer and star, “The Reach” must have been some sort of passion project for the aging Hollywood icon. Well, as Pascal observed, the heart has its reasons — which, in Douglas’ case, remain impenetrable at the end of “The Reach,” for upwards of 90 minutes, while the audience looks on in quiet disbelief. A hopelessly misguided mashup of Cornel Wilde’s 1955 cult favorite “The Naked Prey” and “The Most Dangerous Game,” with Douglas playing a mutant hybrid of Gordon Gekko and the Glenn Close character from “Fatal Attraction,” this inauspicious English-language debut for promising French helmer Jean-Baptiste Leonetti doesn’t look to reach far from its Toronto premiere (where Lionsgate paid a surprising $2 million for the U.S. rights).
If there were a festival prize for most Chekovoian use of a handgun, it would surely go to “The Reach” for the early scene in which small-town »
- Scott Foundas
English filmmaker John Boorman returned to Cannes this year with Queen and Country, his autobiographical sequel to Hope and Glory. At 81 years old, Boorman claims this is his very last movie, and after such an illustrious career — with films including Point Blank, Deliverance, Excalibur, and The Emerald Forest — he ends on a very high note. In 1952, young Bill Rohan (Callum Turner) must leave his idyllic countryside home on the River Thames for two years’ Army conscription. Rather than being shipped out to fight the Chinese in the Korean War, Bill is enlisted with his friend Percy (Caleb […] »
- Ariston Anderson
Known for modern classics from Deliverance to Midnight Cowboy, Runaway Train and Heat, Voight brings his own particular chutzpah to the role of Mickey Donovan, a "dangerous, child-like, clever survivalist" and father to Liev Schreiber's eponymous L.A. fixer.
Here's a short video of Voight discussing the role of Mickey, how to approach playing dangerous characters, and his career to date (with bonus mention of Voight's good pal, 'Dusty' Hoffman).
Just to warn those of you with sensitive dispositions, the language is a little er, fruity from the off...
Ray Donovan season one is out to own on Blu-Ray & DVD from today, June the 2nd.
Follow our »
Vilmos Zsigmond, Asc was given the “Pierre Angénieux Excellens in Cinematography” award at this year’s Cannes Film Festival. It was a fitting tribute to the 83-year-old director of photography, who chronicled the events of the 1956 Hungarian revolution before leaving his country soon afterwards. In 1962 he became a naturalized citizen of the United States, settling in Los Angeles. During the ’70s Zsigmond established himself as one of the world’s great cinematographers, working on Robert Altman’s McCabe & Mrs. Miller and The Long Goodbye, John Boorman’s Deliverance, and Steven Spielberg’s The Sugarland Express and Close Encounters of the Third Kind, […] »
- Kaleem Aftab
We here at Tfh have always thought of the great Vilmos Zsigmond as one of "our" movie icons, having begun his distinguished cinematographic career in the humble swamps of low budget exploitation before rising on his own merit to a justly celebrated mainstream career. So it is with fond memories of the likes of The Sadist, The Name of the Game is Kill, The Time Travelers and Five Bloody Graves that we congratulate him on this latest award: From The Daily News - The legendary Hungarian-American cinematographer Vilmos Zsigmond, director of photography of the soon-to-be-released film ‘Atatürk,’ will receive a Life Time Achievement Award today from the 67th Cannes International Film Festival 2014.
In an extraordinary, Academy Award-winning career spanning some six decades, Zsigmond’s outstanding credits include “The Deer Hunter” and “Heaven’s Gate” directed by Michael Cimino, “Close Encounters Of The Third Kind” and “Sugarland Express” by Steven Spielberg, »
- TFH Team
It's a shock to go back and watch "Midnight Cowboy" 45 years after its debut (on May 25, 1969) and see how raw and otherworldly it looks. After all, the X-rated Best Picture Oscar-winner has been so thoroughly assimilated into American pop culture that even kiddie entertainments like the Muppets have copied from it.
The tale of the unlikely friendship between naïve Texas gigolo Joe Buck (Jon Voight) and frail Bronx con man Enrico "Ratso" Rizzo (Dustin Hoffman), "Midnight Cowboy" was initially considered so risqué that it's the only X-rated movie ever to win the Academy's top prize (though after it won, the ratings board reconsidered and gave the film an R). Still, the film featured two lead performances and a few individual scenes that were so iconic that homages (and parodies) have popped up virtually everywhere. (Most often imitated is the scene where Ratso, limping across a busy Manhattan street, is nearly »
- Gary Susman
Revered Hungarian-American cinematographer Vilmos Zsigmond, winner of an Oscar in 1978 for lensing “Close Enounters of the Third Kind,” will be honored at Cannes with the Pierre Angenieux Excellence in Cinematography award.
Cannes will pay tribute to Zsigmond’s career during a ceremony tomorrow, May 23, at 7.30 pm in the Palais des Festival’s Bunuel Theater. Plenty of industryites and talents he worked with are expected to attend, including Catherine Deneuve, Jerry Schatzenberg, and John Boorman.
Born in 1930 and trained at the Academy of Drama and Film in Budapest, Vilmos Zsigmond went into self-imposed exile in the United States in 1956 after Hungary’s failed uprising against the Soviet regime. His career in Los Angeles took off after he worked with Robert Altman on “McCabe & Mrs Miller.” He has also lensed Michael Cimino’s “The Deer Hunter,” John Boorman’s “Deliverance” and three Woody Allen features, among many other works.
Angenieux is a »
- Nick Vivarelli
Pulp Fiction has become so canonized as a modern classic, it's easy to forget how transgressive it was on its release twenty years ago. But when Quentin Tarantino's film debuted at the Cannes Film Festival in May 1994, it thrilled and shocked the audience in equal measures.
'Pulp Fiction,' A to Z
No scene upended more expectations than the pawn shop sequence (Spoiler Alert — if you haven't ever seen the movie, this is the moment when you should stop reading and go do that. Really! It's streaming on Netflix! »
The director of “Excalibur” and “Deliverance,” John Boorman was first invited to Cannes in 1970 with the film “Leo the Last,” for which he won the director prize. His latest film, “Queen and Country,” premieres in Directors’ Fortnight.
How has the festival changed since you first attended?
Well, it was very modest and much more intimate in 1970. The Grand Palais didn’t exist yet. I’ve been back a number of times with pictures either in or out of competition, and I’ve served on two juries, so one way or another, I’ve probably been to Cannes at least 20 times. As it’s developed, it really has maintained that potent mixture of serious cinema and sleazy people, plus of course the market, which I’m hoping to exploit this time.
How has the business side evolved since you first attended?
Making independent films used to be much easier than it is today. »
- Peter Debruge
To mark the release of The Beast Within on 12th May, we’ve been given 3 copies to give away on Blu-ray.
Late one full moonlit night, a woman stands alone on the roadside waiting for her husband to return to their broken-down car. All of a sudden she’s pounced upon, dragged into the dark woods and savaged by a barely-glimpsed assailant. But this is only the beginning of the terror in The Beast Within…
Seventeen years on, and the devoted parents of teenager Michael are at their wits’ end. Their son lies in a hospital bed, his body wracked by a mysterious illness. With doctors unable to offer any diagnosis, Michael’s desperate parents are forced to seek out the answer themselves – by digging up traumatic past events and confronting the true nature of their son’s conception.
The Beast Within stands apart from other creature features due to »
Nickelodeon gets no love. And yet its place in the popular, Biskind-approved narrative of The Decline and Fall of Everyone in the 1970s New Hollywood is a bit uncertain. It comes after the despised At Long Last Love (1975), which ought to mark the same point in Peter Bogdanovich's career as Sorcerer for Friedkin, Heaven's Gate for Cimino and especially One from the Heart for Coppola. True, critics didn't go for it, except in the sense of savaging it, and the public didn't go to it, in any sense, but it certainly didn't attract the tsunami of opprobrium that P-Bog's Cole Porter musical, sung live, brought down upon the heads of the director and his entire cast.
Like his musical, his comedy about early Hollywood (it climaxes with the premiere of Birth of a Nation) now exists in two versions, as Bogdanovich revisited the film, inserting a few deleted moments »
- David Cairns
Australia... it's a vast, beautiful, welcoming country. It's also full to bursting with things that can kill you, if the big screen is to be believed. Inspired by Mia Wasikowska's plucky 1,700-mile trek across the Outback in Tracks, we flag up the traps and tropes she should watch out for.
Exotic wildlife proliferates Down Under, most of it deceptively lethal. Witness the baby stolen by a dingo in horrifying Meryl Streep-starrer A Cry In The Dark (1988). The same – real – tragedy loosely inspired Razorback, a mullet-tastic 1984 horror about a giant marauding pig, directed by Highlander's Russell Mulcahy (mooted tagline: 'There Can Only Be Oink'). The less said about the ballet-dancing were-roos of The Marsupials: The Howling III (1987), the better.
The trailer for The Beast Within, upon its initial release in 1982, warned that the final 30 minutes were so horrific that viewers might not survive to see the end credits roll. Scream Factory has already released the movie on Blu-ray in the Us, but UK residents who survived a viewing of the grim coming-of-age flick, or those who want to check it out for the first time, will be happy to learn that Arrow Films will soon be releasing The Beast Within in a dual Blu-ray and DVD format in the UK:
“Kill Me, Please Kill Me… Before It’S Too Late
Late one full moonlit night, a woman stands alone on the roadside waiting for her husband to return to their broken-down car. All of a sudden she’s pounced upon, dragged into the dark woods and savaged by a barely-glimpsed assailant. But this is only the beginning of the terror in The Beast Within… »
- Derek Anderson
The big payoff moment. The money shot. The Omg/Wtf/Nsfw scene in horror. These are the moments that define films. The moment that either grosses and disgusts or shocks the audience in such a way that they have to come back for the sequel. Here are our Top 13 Wtf Moments in Horror.
We're going to try to keep this to relatively mainstream films. That's not to say that some lesser known indies haven't had some shocking moments, but things seem that much more disturbing when the movie in question reaches a wide audience.
Beginning with our honorable mentions, we've got to include I Spit on Your Grave, one of the most censored and banned films of all times. Camille Keaton played Jennifer Hills who was raped for the better part of the first half of the film. Plenty of Nsfw moments there. Also those infamous shit-eaters in Salo: 120 Days of Sodom were certainly shocking. »
- Scott Hallam
When the Cannes Film Festival's Official Selection was unveiled last week, many were surprised not to see one carry-over from the Sundance fest in the Un Certain Regard section -- in recent years, it's been something of a tradition for a Park City sensation (often the Grand Jury Prize winner) to compete again there, with the likes of "Precious" and "Beasts of the Southern Wild" getting a second surge of festival buzz on the Croisette. This year, Thierry Fremaux's team clearly thought nothing from Sundance 2014 was suitable, but the Directors' Fortnight sidebar has made up for it, including both Damien Chazelle's "Whiplash" and Jim Mickle's "Cold in July" in a name-heavy lineup. Starring Miles Teller as a young jazz drummer, "Whiplash" won both the Grand Jury Prize and Audience Award in the Us Dramatic section at Sundance, while Mickle's uproarious retro genre mash-up -- starring Michael C. Hall »
- Guy Lodge
Have you ever watched Archer? I had tuned in here or there but hadn't ever committed. This weekend I binge watched about 10 episodes and now I'm madly in love. I'm beginning to think it's one of the great sitcoms, each character is so fully defined and there are jokes of so many varieties, not just verbal but visual and physical and recurring and always true to character. One of my favorite recurring gags is Archer's obsession with Burt Reynolds. In the Season 2 episode "Pipeline Fever" he keeps talking about Gator (1976) since he and his ex-girlfriend/coworker are going to the swamp. They're arguing about the element of surprise when Archer gets distracted.
Which is why mobility is key. And how will we achieve mobility, huh? An airboat, Lana. Just like Burt Reynolds in White Lightning. Not to mention Gator! Which... even though it's a sequel I think it's the stronger of the two films. »
- NATHANIEL R
Golf Hsbc Women's Championship | Inspector George Gently | Brushing Up On… | Jumbo: The Plane That Changed The World | The Storms That Stole Christmas | Junior Paramedics | No Subtitles Necessary | Storyville: Coach Zoran And His African Tigers
Golf Hsbc Women's Championship
10.30am, Sky Sports 4
Coverage of play from the first day at Sentosa Golf Club. Billed as "Asia's Major", the tournament sees the cream of the Lgpa make the trip to Singapore. Last year's winner and current world no 3 Stacy Lewis will look to defend her crown (which she won by a shot last year from Na Yeon Choi), but she'll have her work cut out. The field also boasts world no 2 – Norway's Suzann Pettersen – plus South Korean sensation and current world number one Inbee Park. Lanre Bakare
- Lanre Bakare, Rachel Aroesti, John Robinson, Ben Beaumont-Thomas, Bim Adewunmi, Jonathan Wright, Ali Catterall
The Warner Archive Collection is really starting to put out some great DVDs that feature titles you aren’t going to find anywhere else, and the latest to be made available is Search. A massively fun show from the early 70s, Search starred Hugh O’Brian, Doug McClure, and Tony Franciosa, and was (although I’m testing my memory) a show that pulled great tech ideas into the espionage drama realm, at a point when some of the ideas were practically sci-fi.
The complete series is available now, and it’s a lost classic that deserves a look. Unfortunately, it’s hard to get a taste of it to know if you’re interested in buying, but for those who remember the series, this is a real treat.
Catch the full info below, and don’t let this one escape your notice.
Look no further: You can now find Search »
- Marc Eastman
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