IMDb > Deliverance (1972)
Deliverance
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Deliverance (1972) More at IMDbPro »

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Deliverance -- Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.

Overview

User Rating:
7.8/10   68,171 votes »
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Down 11% in popularity this week. See why on IMDbPro.
Director:
Writers:
James Dickey (screenplay)
James Dickey (novel)
(more)
Contact:
View company contact information for Deliverance on IMDbPro.
Release Date:
30 July 1972 (USA) See more »
Genre:
Tagline:
Deliverance from evil See more »
Plot:
Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 3 Oscars. Another 2 wins & 10 nominations See more »
NewsDesk:
(214 articles)
The Forgotten: John Boorman's "Leo the Last" (1970)
 (From MUBI. 20 November 2014, 5:17 AM, PST)

Top 100 Horror Movies: How Truly Horrific Are They?
 (From Alt Film Guide. 31 October 2014, 3:21 PM, PDT)

The Definitive Scary Scenes from Non-Horror Movies: 10-1
 (From SoundOnSight. 30 October 2014, 6:32 PM, PDT)

User Reviews:
One of the most disturbing films of all time See more (327 total) »

Cast

  (in credits order) (verified as complete)

Directed by
John Boorman 
 
Writing credits
James Dickey (screenplay)

James Dickey (novel)

John Boorman  additional dialogue (uncredited)

Produced by
John Boorman .... producer
Charles Orme .... associate producer (uncredited)
 
Cinematography by
Vilmos Zsigmond (director of photography)
 
Film Editing by
Tom Priestley 
 
Casting by
Lynn Stalmaster 
 
Art Direction by
Fred Harpman 
 
Set Decoration by
Morris Hoffman (uncredited)
 
Makeup Department
Michael Hancock .... makeup artist
Donoene McKay .... hair stylist
 
Production Management
Wallace Worsley Jr. .... production supervisor (as Wallace Worsley)
 
Second Unit Director or Assistant Director
Al Jennings .... assistant director
Miles Middough .... assistant director
Skip Cosper .... assistant director (uncredited)
Charles Ziarko .... second assistant director (uncredited)
 
Art Department
Sidney H. Greenwood .... property master (as Syd Greenwood)
Jerry Kobold .... prop assistant (uncredited)
Don Pringle .... greensman (uncredited)
H. John Ramos .... props (uncredited)
James Van de Vort .... painter (uncredited)
 
Sound Department
Jim Atkinson .... sound editor
Walter Goss .... sound mixer
Doug E. Turner .... dubbing mixer (as Doug Turner)
Jerry Smith .... boom man (uncredited)
Gary Stahl .... cable man (uncredited)
 
Special Effects by
Marcel Vercoutere .... special effects
Bob Dawson .... special effects (uncredited)
Joe Day .... special effects assistant (uncredited)
 
Stunts
Bill Couch .... stunts (uncredited)
Ralph Garrett .... stunts (uncredited)
Claude Terry .... stunt double: Jon Voight (uncredited)
Gene Witham .... stunts (uncredited)
 
Camera and Electrical Department
James O. Blair .... electrical supervisor (as Jim Blair)
Arthur Brooker .... key grip (as Art Brooker)
Bill Butler .... photography: second unit
Earl L. Clark .... assistant camera (as Earl Clark)
Sven Walnum .... camera operator
George Boulette .... camera operator (uncredited)
Paul Caven .... electrician (uncredited)
James Coe .... still photographer (uncredited)
John J. Connor .... assistant camera (uncredited)
Bob M. Farnsworth .... grip best boy (uncredited)
Alan Heather .... electrician (uncredited)
Daniel R. Jordan .... grip (uncredited)
Alexander Klein .... camera mechanic (uncredited)
George Kohut .... camera operator: second unit (uncredited)
Robert Moore .... grip (uncredited)
Aaron Pazanti .... electrical best boy (uncredited)
Donald Schmitz .... grip (uncredited)
James O. Schori .... generator operator (uncredited)
 
Costume and Wardrobe Department
Bucky Rous .... wardrobe master
Pat Kelly .... wardrobe assistant (uncredited)
 
Editorial Department
Ian Rakoff .... assistant editor
William Neel .... assistant film editor (uncredited)
 
Music Department
Michael Addiss .... banjo playing: Billy Redden (uncredited)
 
Transportation Department
James Cross .... driver (uncredited)
Pat Desmond .... driver: studio van (uncredited)
Ed Dutton .... transportation gaffer (uncredited)
Pat Miller .... transportation captain (uncredited)
 
Other crew
Sue Dwiggins .... production secretary
E. Lewis King .... technical advisor
Rospo Pallenberg .... creative associate
Ray Quiroz .... script supervisor
Charles Wiggin .... technical advisor
Tony Adams .... tutor (uncredited)
Frank J. Ayre .... craft service (uncredited)
Hershey Cohen .... timekeeper (uncredited)
John Fowler .... company doctor (uncredited)
George C. King .... location doctor (uncredited)
Janey Lampros .... first aid (uncredited)
Barbara Pallenberg .... secretary to director (uncredited)
Ken Ryan .... location auditor (uncredited)
Vernon White .... publicist (uncredited)
Harry Williams .... production accountant (uncredited)
 
Thanks
Earl 'Preach' Parsons .... thanks
Frank Rickman .... thanks
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
110 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.20 : 1 See more »
Sound Mix:
70 mm 6-Track (70 mm prints) | Mono (35 mm prints)
Certification:
Argentina:16 | Australia:R | Australia:MA (cable TV rating) | Brazil:14 | Canada:18A | Finland:K-12 (2012) (Blu-ray) | Finland:K-16 (1987) | Finland:K-18 (1972) | France:-12 | Iceland:16 | Ireland:18 | Italy:VM18 | Netherlands:12 (video rating) | New Zealand:R16 | Norway:18 (1973) | Peru:18 | Singapore:M18 | South Korea:18 | Sweden:15 | UK:X (original rating) (cut) | UK:18 (video rating) (1987) (uncut) | USA:R | West Germany:16 (f)

Did You Know?

Trivia:
Billy Redden, the boy with the banjo, liked Ronny Cox and hated Ned Beatty. At the end of the dueling banjos scene, the script called for Billy to harden his expression towards Cox's character, but Billy couldn't pretend to hate Cox. To solve the problem, they got Beatty to step towards Billy at the close of the shot. As Beatty approached, Billy hardened his expression and looked away.See more »
Goofs:
Crew or equipment visible: When Ed comes down the cliff right after the mountain man is shot with an arrow, a crew member's hands and arms are visible, feeding the rope down the cliff.See more »
Quotes:
[first lines]
Lewis:You w- you wanna... you wanna talk about the vanishing wilderness?
Bobby:Lewis, listen - what are you so anxious about this?
Lewis:Because they're buildin' a dam across the Cahulawassee River; they're gonna flood a whole valley, Bobby, that's why. Dammit, they're drownin' a river; they're drownin' a river, man.
See more »
Movie Connections:
Soundtrack:
MoonshinerSee more »

FAQ

How closely does the movie follow the novel?
Why didn't they rearrange Drew's distorted arm?
How much sex, violence, and profanity are in this movie?
See more »
227 out of 269 people found the following review useful.
One of the most disturbing films of all time, 13 September 1999
Author: eastie from Tokyo, Japan

Unlike many other films, which are disturbing either by dint of their naked unpleasantness (Man Bites Dog) or their sheer violence (most Peckinpah films), Deliverance shocks by its plausibility. Certainly, the buggery scene is pretty straightforward in its unpleasantness, but the film's effect derives far more from its slow build-up and the tangible sense of isolation surrounding the four leads, both before and after everything starts to go wrong. The moment when the canoes pass under the child on the bridge, who does not even acknowledge the men he had earlier played music with, let alone show any sign of human affection towards them, is among the most sinister in modern film. The tension increases steadily throughout the canoe trip, and perseveres even after the final credits - the ending makes the significance of the characters' ordeals horrifically real. The movie's plausibility is greatly aided by the playing of the leads, particularly Ned Beatty and Jon Voight as the victim and reluctant hero respectively. Burt Reynolds, too, has never been better. The film's cultural influence is demonstrable by the number of people who will understand a reference to 'banjo territory' - perhaps only Get Carter has done such an effective hatchet-job on a region's tourist industry. I can think of only a handful of movies which put me into such a serious depression after they had finished - the oppressive atmosphere of Se7en is the best comparison I can think of. Although so much of it is excellent of itself, Deliverance is a classic above all because there are no adequate points of comparison with it - it is unique.

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See more (327 total) »

Message Boards

Discuss this movie with other users on IMDb message board for Deliverance (1972)
Recent Posts (updated daily)User
Ever notice that the hand... nonnymowz
Did Bobby tell Ortho the truth? Cultfilmfeverforever
surprised they haven't tried to remake this yet... syclone1931
Question from a girl.... CraigsGirl
Lewis was an a-hole alexlarge
Is'nt this all just snobbish? emmaclarke781
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