| John Marley | ... | Charles Brooks | |
| Lynn Carlin | ... | Christine Brooks | |
| Richard Backus | ... | Andy Brooks | |
| Henderson Forsythe | ... | Dr. Philip Allman | |
| Anya Ormsby | ... | Cathy Brooks | |
| Jane Daly | ... | Joanne | |
| Michael Mazes | ... | Bob | |
| Arthur Anderson | ... | Postman | |
| Arthur Bradley | ... | George, Army Captain | |
| David Gawlikowski | ... | Truck Driver | |
| Virginia Cortez | ... | Rosalie, diner waitress | |
| Bud Hoey | ... | Ed, diner cook | |
| Robert R. Cannon | ... | Drunk in diner | |
| Raymond Michel | ... | Policeman in Diner | |
| Jeff Becker | ... | Young Boy | |
| Scott Becker | ... | Young Boy | |
| Greg Wells | ... | Young Boy | |
| Kevin Schweizer | ... | Young Boy | |
| Jeff Gillen | ... | Bartender | |
| Alan Ormsby | ... | Bystander | |
| Mal Jones | ... | Sheriff | |
| Edward Anderson | ... | Deputy | |
| George De Vries | ... | 1st TV Announcer | |
| Bob Noble | ... | 2nd TV Announcer | |
| rest of cast listed alphabetically: | |||
| John Bonney | ... | Helicopter Pilot (uncredited) | |
| Bob Clark | ... | Officer Ted (uncredited) | |
Directed by | |||
| Bob Clark | |||
Writing credits | ||
| Alan Ormsby | (written by) | |
Produced by | |||
| Bob Clark | .... | producer | |
| Gerald Flint-Shipman | .... | executive producer | |
| Peter James | .... | producer | |
| Geoffrey Nethercott | .... | executive producer | |
| John Trent | .... | producer | |
Original Music by | |||
| Carl Zittrer | |||
Cinematography by | |||
| Jack McGowan | |||
Film Editing by | |||
| Ronald Sinclair | |||
Casting by | |||
| Jessica Levy | |||
Art Direction by | |||
| Forest Carpenter | |||
Set Decoration by | |||
| Albert Fisher | |||
Costume Design by | |||
| Dyke Davis | |||
Makeup Department | |||
| Alan Ormsby | .... | makeup effects | |
| Tom Savini | .... | makeup artist | |
Production Management | |||
| John 'Bud' Cardos | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jeff Gillen | .... | assistant director | |
Art Department | |||
| Ralph Weir | .... | props | |
Sound Department | |||
| Jim Clark | .... | assistant sound | |
| Gary Goch | .... | sound | |
| Kenneth Heeley-Ray | .... | sound editor | |
Special Effects by | |||
| Tom Savini | .... | special effects | |
Camera and Electrical Department | |||
| Randy Franken | .... | camera operator | |
| John McGowan | .... | assistant camera | |
| Michael McGowan | .... | camera operator: second unit | |
| Don Piel | .... | assistant camera: second unit | |
Other crew | |||
| Jamie Chastain | .... | production assistant | |
| Winton Churchill | .... | video production assistant | |
| Rodger Kobzina | .... | video production assistant | |
| George Livingston | .... | video production assistant | |
| Sandra Marley | .... | script supervisor (as Sandra L. Ulosevich) | |
| Bill Vergis | .... | animal owner and trainer: "Butch" | |
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| The Deer Hunter | Freeway | Slaughterhouse-Five | The Last Days | Tales from the Crypt |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
This is a horror film that expands the boundaries of the genre.
Put simply, it is a film about a dead man walking, but this dead man "died" in Vietnam before he returned home and his unexpected arrival opens many wounds within his family and amongst old flames and acquaintances.
Director Bob Clark is not satisfied depicting returned vet "Andy" as a zombie. Although he does crave human flesh and speaks infrequently, part of the film's charm is the reaction of people to the dead man's less-than-chipper mood.
Shots of Andy rocking like an autistic child are priceless, as is a "conversation" Andy has with the mailman who laments the returned boys "we should have lost". The family pet is not exactly Andy's best friend anymore, either.
John Marley as Charles Brooks, Andy's dad, is really great here. Although he tries hard to accept the new Andy, we really experience his gradual realization and disappointment that Andy is not the same Andy anymore.
Jim Backus is brilliant as the undead vet. He uses his voice to convey Andy's apparent indifference to life back home and adopts a strange, somnambulistic gait.
Technically adequate for a low budgeter, the film's richness of character and situation never shifts our attention to any production deficits.
One of the best horror films ever.
Truly creepy and, ultimately, very sad.