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César et Rosalie (1972)
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Overview
User Rating:
Director:
Writers:
Release Date:
27 October 1972 (France)
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Plot:
Rosalie is amicably divorced, dividing her time between her mother's house, with her siblings and small daughter...
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Plot Keywords:
Love
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Artist
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Love Triangle
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Businessman
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Card Playing
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Awards:
1 win
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User Comments:
Excellent French cinema
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Cast
(Cast overview, first billed only)| Yves Montand | ... | Cesar | |
| Romy Schneider | ... | Rosalie | |
| Sami Frey | ... | David | |
| Bernard Le Coq | ... | Michel | |
| Eva Maria Meineke | ... | Lucie Artigues | |
| Henri-Jacques Huet | ... | Marcel | |
| Isabelle Huppert | ... | Marite | |
| Gisela Hahn | ... | Carla | |
| Betty Beckers | ... | Madeleine | |
| Hervé Sand | ... | Georges | |
| Jacques Dhéry | ... | Henri Harrieu | |
| Pippo Merisi | ... | Albert | |
| Carlo Nell | ... | Jérôme | |
| Dimitri Petricenko | ... | Simon | |
| Céline Galland | ... | Catherine - 4 ans |
Additional Details
Also Known As:
É simpatico, ma gli romperei il muso (Italy)
César and Rosalie (USA)
Cesar und Rosalie (West Germany)
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César and Rosalie (USA)
Cesar und Rosalie (West Germany)
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Parents Guide:
Runtime:
Argentina:107 min | France:110 min | USA:104 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Certification:
Filming Locations:
Fun Stuff
Trivia:
Vittorio Gassman was considered for the role of César and Gérard Depardieu for the role of David. Catherine Deneuve turned down the part of Rosalie.
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Movie Connections:
Featured in Claude Sautet ou La magie invisible (2003)
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Soundtrack:
Rosalie est partie
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FAQ
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| IMDb Drama section | IMDb France section | Add this title to MyMovies |

I was amazed from this film! Not only because I usually like Yves Montand and Romy Schneider, but because above all this is a film about human feelings and reactions.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.