When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
In the early years of the 20th century, Matt Masters takes his rambling Wild West Show to Europe. His decision is prompted by his desire to find Lili Alfredo, who disappeared fourteen years... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither Andersen nor the boys know that a gang of cattle thieves is stalking them. Written by
Jim Beaver <firstname.lastname@example.org>
Mark Rydell originally sought George C. Scott for the role of Wil Andersen because he despised John Wayne's views on the Vietnam War and other aspects of U.S. foreign policy. Ironically, some critics in 1972 believed that the way in which Wayne's character drafts the children out of school was a pro-war allegory for Vietnam. See more »
After burying Charlie Schwartz, he walks by in the next scene on his horse while Cimmaron and Mr. Anderson talk. See more »
You know, trail driving is not Sunday school picnic. You got to figure you're dealing with the dumbest oneriest critter on God's green earth. The cow is nothing but trouble tied up in a leather bag - and the horse ain't much better.
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This is that is by far one of the finest Westerns ever made. The script is superb, with lines like Wayne's toward Bruce Dern, "I've broke my back once and my hip twice and on my worst day I could beat the hell out of you," classic Wayne. His performance is one of the most honest of his career. As his relationship with the boys grows it is both tender and tough. You get everything with this film. From the boys proving they belong on the drive to Rosco Lee Brown's magnificent counterpoint to Wayne. The cinematography is great and the music score outstanding. It embraces every aspect of the Western. Each time I watch it I find another reason to move it up the ladder in my list of favorites. It is truly the last of the great Westerns before the advent of such movies as "The Outlaw Josey Wales" and others forever changed the way Westerns were written and produced. It's an old school movie, but school was never any better than this.
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