When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
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Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
In the early years of the 20th century, Matt Masters takes his rambling Wild West Show to Europe. His decision is prompted by his desire to find Lili Alfredo, who disappeared fourteen years... See full summary »
Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither Andersen nor the boys know that a gang of cattle thieves is stalking them. Written by
Jim Beaver <firstname.lastname@example.org>
Despite their political and social opinion differences, John Wayne and Roscoe Lee Browne shared a love of poetry. They sometimes quoted their favorite verses between takes. See more »
It appears that the Double O ranch has two different brands. During roundup and later in the film, the cattle wear a brand of two distinct O's separated by about 12 inches. In the scene before they start the drive, one of the horses appears to have a brand consisting of two Os connected horizontally. This brand should be the same as the brand the cattle wear. In addition, the connected Os might be called a lazy 8. See more »
Wil, if yer neck was any stiffer, you couldn't even bend down ta pull yer boots on!
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This movie, for all that it's a fairly straight forward, shoot-em-up western, has some unique points that make it extremely artful. The boys were well-cast (though A. Martinez seemed to struggle in a role that was not fully developed), and those difficult psychological moments which were so important to the book translated to the screen without too much trouble. As is always the case, the book is able to take more time to expand upon the characters more thoroughly; if the movie left you a bit dry, visit the library to find the rest of the story!
The reasons I watch this show repeatedly are two of my favorite fellows: Roscoe Lee Browne and John Williams. Roscoe Lee Browne is able to sell lines that simply wouldn't work coming from somebody else (his dialogue with Coleen Dewhurst is priceless), and he is the unique feature that makes this film work. He graciously shares the screen with his co-actors as necessary, but he easily walks off with the movie nonetheless. John Williams' fantastic score could stand alone; though it is occasionally a little too cheery for the moment (after all, this is a pretty gruesome film, if you really think about it), it covers all the bases of the movie. Youthful innocence, becoming men, sorrow, success -- it's all right there in the score. Don't expect Star Wars music; frequently understated, the music carries a supporting role. As both John Williams and Roscoe Lee Browne displayed here, it is often the supporting actors that make the show a success!
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