In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
The world is shocked by the appearance of two talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
Cornelius and Zira's son Caesar leads apes to revolution in this installment of the apes saga. Dogs and cats have been wiped out by a plague and now apes are household pets that are treated like slaves. Caesar has the intelligence to fight this oppression. Written by
Josh Pasnak <firstname.lastname@example.org>
The jumpsuits worn by the apes were leftover costumes from the 1964-68 Fox TV series Voyage to the Bottom of the Sea (1964). The Ape Management men's insignia patches and computer and electronic cabinets, all came from the Irwin Allen series, The Time Tunnel (1966). The large set that comprised Ape Management Center (where apes are processed and trained to become docile servants) is a re-dressed set of Adm. Matthew's office and the Triton Control complex from City Beneath the Sea (1971). Governor Breck's Ape Auction throne was first used in Taylor's spaceship in Planet of the Apes (1968). The same style chair is also used by passengers on the space-plane in Land of the Giants (1968). See more »
When Caesar is being tortured, you can see a small rectangular hole in his mask at the rear of the upper lip, presumably for the actor to breathe through. See more »
[referring to cigarettes]
Funny, now that I know these things won't kill me, I don't enjoy them.
See more »
These movies are a mixed bag to say the least and it doesn't pay to scrutinise several incongruities...but they are enjoyable none the less.
Conquest for the Planet of the Apes, the fourth in the series, covers the 'pre-history' of the first movie, where the apes first start to gain some ascendancy in the world of humans. And like the first movie (and to a lesser degree the second) it actually strives to make a social statement AND does a decent job. Parallels are drawn between the apes struggle against slavery to humans and the struggle for civil rights of black people in America with the ape riot scene intended to imitate a famous riot in the sixties. The point is well made considering the censorship restrictions on violence and the touchy nature of the underlying subject matter - a topic well discussed today but not overtly talked about in 1972. The result is daring, well-made (the riot is stunning) and well-meaning, but sometimes a little clumsy.
Some fairly elementary things are overlooked, as well, such as the fact that in the first movie the apes were evolved by 2000 years thus excusing their very human bearing, but here, in the 'future' of 1991, they are just supposed to be apes with clothes on...doesn't quite work.
All in all, though, an entertaining film and a good showcase for Roddy McDowall's real acting abilities. 7 out of 10.
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