In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
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The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
Cornelius and Zira's son Caesar leads apes to revolution in this installment of the apes saga. Dogs and cats have been wiped out by a plague and now apes are household pets that are treated like slaves. Caesar has the intelligence to fight this oppression. Written by
Josh Pasnak <email@example.com>
The jumpsuits worn by the apes were leftover costumes from the 1964-68 Fox TV series Voyage to the Bottom of the Sea (1964). The Ape Management men's insignia patches and computer and electronic cabinets, all came from the Irwin Allen series, The Time Tunnel (1966). The large set that comprised Ape Management Center (where apes are processed and trained to become docile servants) is a re-dressed set of Adm. Matthew's office and the Triton Control complex from City Beneath the Sea (1971). Governor Breck's Ape Auction throne was first used in Taylor's spaceship in Planet of the Apes (1968). The same style chair is also used by passengers on the space-plane in Land of the Giants (1968). The same chairs were used in the Earthforce Spaceships in the TV series Babylon 5 (1994). See more »
Throughout the film, the apes have human-looking feet, and not the ape-shaped feet as in the earlier films. This is most apparent when the apes are strapped to the electrical torture device, to which the feet are visibly bound. See more »
[referring to cigarettes]
Funny, now that I know these things won't kill me, I don't enjoy them.
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Conquest Of The Planet Of The Apes is actually a good movie. One could argue that it's a case of good writing in the face of a pathetically low budget, ala Star Trek. The "future city" in the film was actually a then-new business complex in L.A., on the verge of completion. The producers lucked out and got permission to shoot there. This was good, because the studio had alloted said producers a ridiculously low budget, something like 1.7 million dollars, to make the movie. The tiny budget especially shows through in the special effects and the props: check out the "authenticator", used to make Ricardo Montalban's character tell the truth to the goverment heavies, which looks like a dining room hanging lamp with a blue bulb inside. Money problems aside, Conquest Of The Planet Of The Apes is still entertaining, and makes some pointed observations about real-life society in the process. Just overlook the only-in-'72 turtlenecks, afros and push-button phones with the cords removed. :-).
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