In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society, but one man believes them to be a threat to the human race.
One decade after a worldwide series of ape revolutions and a brutal nuclear war among humans, Caesar must protect survivors of both species from an insidious human cult and a militant ape faction alike.
J. Lee Thompson
Cornelius and Zira's son Caesar leads apes to revolution in this installment of the apes saga. Dogs and cats have been wiped out by a plague and now apes are household pets that are treated like slaves. Caesar has the intelligence to fight this oppression. Written by
Josh Pasnak <email@example.com>
When the chimpanzee cook is adding kerosene to a frying pan over a flame, it ignites in flames as he pulls it back off the flame. The flames can be seen going over his hands and up around his head. Probably not what they had planned for, but looked good on film. See more »
Incorrectly regarded as a goof: Armando calls the son of Zira and Cornelius "Caesar" at the first of the film rather than his given name, "Milo". Since this name was well known to the authorities as that of one of the three chimps that had arrived from space in the previous film, this was a wise move. Since Caesar was able to read, he managed to locate his name in Governor Breck's book although he made it seem as if he chose it at random as an illiterate ape would. See more »
But now... now we will put away out hatred. Now we will put down our weapons. We have passed through the Night of the Fires. And who were our masters are now our servants. And we, who are not human, can afford to be humane. Destiny is the will of God. And, if it is man's destiny to be dominated, it is God's will that he be dominated with compassion and understanding. So, cast out your vengeance. Tonight, we have seen the birth of the Planet of the Apes!
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The 20th Century-Fox logo does not appear on this film. See more »
Conquest Of The Planet Of The Apes is actually a good movie. One could argue that it's a case of good writing in the face of a pathetically low budget, ala Star Trek. The "future city" in the film was actually a then-new business complex in L.A., on the verge of completion. The producers lucked out and got permission to shoot there. This was good, because the studio had alloted said producers a ridiculously low budget, something like 1.7 million dollars, to make the movie. The tiny budget especially shows through in the special effects and the props: check out the "authenticator", used to make Ricardo Montalban's character tell the truth to the goverment heavies, which looks like a dining room hanging lamp with a blue bulb inside. Money problems aside, Conquest Of The Planet Of The Apes is still entertaining, and makes some pointed observations about real-life society in the process. Just overlook the only-in-'72 turtlenecks, afros and push-button phones with the cords removed. :-).
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