In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
In 2074, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to 'close the loop' by transporting back Joe's future self.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
Cornelius and Zira's son Caesar leads apes to revolution in this installment of the apes saga. Dogs and cats have been wiped out by a plague and now apes are household pets that are treated like slaves. Caesar has the intelligence to fight this oppression. Written by
Josh Pasnak <email@example.com>
An original script draft showed more of the rapid evolution of the apes from primitive to intelligent and showed the progression of apes from pets to slaves. See more »
When Caesar is being tortured, you can see a small rectangular hole in his mask at the rear of the upper lip, presumably for the actor to breathe through. See more »
The King is dead. Long live the King! Tell me Breck, before you die - how do we differ from the dogs and cats that you and your kind used to love? Why did you turn us from pets into slaves?
Because your kind were once our ancestors. Because man was born of apes, and there's still an ape curled up inside of every man. You're the beast in us that we have to whip into submission. You're the savage that we need to shackle in chains. You taint us, Caesar. You poison our guts. When we hate you, we're...
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These movies are a mixed bag to say the least and it doesn't pay to scrutinise several incongruities...but they are enjoyable none the less.
Conquest for the Planet of the Apes, the fourth in the series, covers the 'pre-history' of the first movie, where the apes first start to gain some ascendancy in the world of humans. And like the first movie (and to a lesser degree the second) it actually strives to make a social statement AND does a decent job. Parallels are drawn between the apes struggle against slavery to humans and the struggle for civil rights of black people in America with the ape riot scene intended to imitate a famous riot in the sixties. The point is well made considering the censorship restrictions on violence and the touchy nature of the underlying subject matter - a topic well discussed today but not overtly talked about in 1972. The result is daring, well-made (the riot is stunning) and well-meaning, but sometimes a little clumsy.
Some fairly elementary things are overlooked, as well, such as the fact that in the first movie the apes were evolved by 2000 years thus excusing their very human bearing, but here, in the 'future' of 1991, they are just supposed to be apes with clothes on...doesn't quite work.
All in all, though, an entertaining film and a good showcase for Roddy McDowall's real acting abilities. 7 out of 10.
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