In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
The world is shocked by the appearance of two talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
10 Years after a disease that spread around the globe, Apes who have survived the disease go head-to-head with a group of human survivors and a traitor who is hell bent on destroying humans and apes, triggering the unbalanced war for peace.
Cornelius and Zira's son Caesar leads apes to revolution in this installment of the apes saga. Dogs and cats have been wiped out by a plague and now apes are household pets that are treated like slaves. Caesar has the intelligence to fight this oppression. Written by
Josh Pasnak <firstname.lastname@example.org>
Much of the film was shot in and around the University of California, Irvine campus, which was designed by futurist architect William L. Pereira, and was only six years old at the time of filming. Much of the production centered around the Social Science complex, which was designed by A.C. Martin & Associates and was still under construction during filming. See more »
During the scene when the apes rise up against the humans, shortly after an ape throws a flaming torch to start a fire, the camera pans back and for a brief moment you can see a metal tube mounted to the ground shooting gas to create the wall of fire. See more »
But now... now we will put away out hatred. Now we will put down our weapons. We have passed through the Night of the Fires. And who were our masters are now our servants. And we, who are not human, can afford to be humane. Destiny is the will of God. And, if it is man's destiny to be dominated, it is God's will that he be dominated with compassion and understanding. So, cast out your vengeance. Tonight, we have seen the birth of the Planet of the Apes!
See more »
These movies are a mixed bag to say the least and it doesn't pay to scrutinise several incongruities...but they are enjoyable none the less.
Conquest for the Planet of the Apes, the fourth in the series, covers the 'pre-history' of the first movie, where the apes first start to gain some ascendancy in the world of humans. And like the first movie (and to a lesser degree the second) it actually strives to make a social statement AND does a decent job. Parallels are drawn between the apes struggle against slavery to humans and the struggle for civil rights of black people in America with the ape riot scene intended to imitate a famous riot in the sixties. The point is well made considering the censorship restrictions on violence and the touchy nature of the underlying subject matter - a topic well discussed today but not overtly talked about in 1972. The result is daring, well-made (the riot is stunning) and well-meaning, but sometimes a little clumsy.
Some fairly elementary things are overlooked, as well, such as the fact that in the first movie the apes were evolved by 2000 years thus excusing their very human bearing, but here, in the 'future' of 1991, they are just supposed to be apes with clothes on...doesn't quite work.
All in all, though, an entertaining film and a good showcase for Roddy McDowall's real acting abilities. 7 out of 10.
7 of 10 people found this review helpful.
Was this review helpful to you?