Conquest of the Planet of the Apes (1972)

Director:

J. Lee Thompson

Writers:

Paul Dehn (written by)
Pierre Boulle (characters)

Release Date:

30 June 1972 (USA)

Genre:

Action | Sci-Fi

Tagline:

All new! The revolt of the apes. The most awesome spectacle in the annals of science fiction!

Plot:

In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.

Plot Keywords:

Ape | Future | Rebellion | Revolution | Futuristic

Cast

  (Cast overview, first billed only)

Roddy McDowall	...	Caesar
Don Murray	...	Breck
Natalie Trundy	...	Lisa
Hari Rhodes	...	MacDonald
Severn Darden	...	Kolp
Lou Wagner	...	Busboy
John Randolph	...	Commission Chairman
Asa Maynor	...	Mrs. Riley
H.M. Wynant	...	Hoskyns (as H. M. Wynant)
David Chow	...	Aldo
Buck Kartalian	...	Frank - Gorilla
John Dennis	...	Policeman
Paul Comi	...	2nd Policeman
Gordon Jump	...	Auctioneer
Dick Spangler	...	Announcer

Runtime:

88 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

West Germany:16 (nf) | Brazil:12 | UK:12 (video re-rating) (2003) | UK:15 (video rating) | UK:AA (original rating) | Finland:K-16 | Norway:16 | Sweden:15 | USA:PG | Finland:K-18 (DVD rating) | Canada:PG (Canadian Home Video rating) | Germany:12 (re-rating) | Australia:M | Singapore:PG

Filming Locations:

Avenue of the Stars, Century City, Los Angeles, California, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The jumpsuits worn by the apes were leftover costumes from the 1964-68 Fox TV series "Voyage to the Bottom of the Sea" (1964). The Ape Management men's insignia patches and computer and electronic cabinets, all came from the Irwin Allen series, "The Time Tunnel" (1966). The large set that comprised Ape Management Center (where apes are processed and trained to become docile servants) is a re-dressed set of Adm. Matthew's office and the Triton Control complex from City Beneath the Sea (1971) (TV). Governor Breck's Ape Auction throne was first used in Taylor's spaceship in Planet of the Apes (1968). The same style chair is also used by passengers on the space-plane in "Land of the Giants" (1968).

Goofs:

Crew or equipment visible: During the scene when the apes rise up against the humans, shortly after an ape throws a flaming torch to start a fire, the camera pans back and for a brief moment you can see a metal tube mounted to the ground shooting gas to create the wall of fire.

Quotes:

MacDonald: Caesar... Caesar! This is not how it was meant to be.
Caesar: In your view or mine?
MacDonald: Violence prolongs hate, hate prolongs violence. By what right are you spilling blood?
Caesar: By the slave's right to punish his persecutor.
MacDonald: I, a decedent of slaves am asking you to show humanity.
Caesar: But, I was not born human.
MacDonald: I know. The child of the evolved apes.
Caesar: Whose children shall rule the earth.
MacDonald: For better or for worse?
Caesar: Do you think it could be worse?
[...]

Movie Connections:

Featured in "The Rotten Tomatoes Show: Watchmen/Shuttle/12 (#1.2)" (2009)

Aiming to imitate the first movie...

These movies are a mixed bag to say the least and it doesn't pay to scrutinise several incongruities...but they are enjoyable none the less.

Conquest for the Planet of the Apes, the fourth in the series, covers the 'pre-history' of the first movie, where the apes first start to gain some ascendancy in the world of humans. And like the first movie (and to a lesser degree the second) it actually strives to make a social statement AND does a decent job. Parallels are drawn between the apes struggle against slavery to humans and the struggle for civil rights of black people in America with the ape riot scene intended to imitate a famous riot in the sixties. The point is well made considering the censorship restrictions on violence and the touchy nature of the underlying subject matter - a topic well discussed today but not overtly talked about in 1972. The result is daring, well-made (the riot is stunning) and well-meaning, but sometimes a little clumsy.

Some fairly elementary things are overlooked, as well, such as the fact that in the first movie the apes were evolved by 2000 years thus excusing their very human bearing, but here, in the 'future' of 1991, they are just supposed to be apes with clothes on...doesn't quite work.

All in all, though, an entertaining film and a good showcase for Roddy McDowall's real acting abilities. 7 out of 10.