WW-II 1941: Shortly after Pearl Harbor the Japanese attack the Philippine islands. A group of Polo playing soldiers and their families are surprised far off in the countryside. Lt. Bailey ... See full summary »
16-year old Anastasia and her adopted brother Damir live on a Greek island with their pervy grandfather. She dreams about having a large antique bathtub and he dreams about running a sea-side resort. They begin to fall for each other.
Clyde King, a toy store employee whose hobbies include making wooden toys and stalking women, is coveted by the female owner of one of the biggest toy companies in the world. She is ... See full summary »
A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownest to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. ... See full summary »
When hot-headed Dan out-drives the thoroughly vicious Tony in a motorcycle race and wins a brand new bike, he sets in motion a chain of events that includes one blazing gas station and a disastrous rock slide.
In the small western town Vinegarroon the conflict between cattle and sheep breeders escalates. When a stranger appears in the town, the ranchers suspect he's a gun man, hired by the sheep ... See full summary »
"Victormin" may think he's the only person who ever saw this film. But I saw it as well. I saw it on television about twenty or thirty years after HE saw it. What "Victormin" says about the film is correct. It is a concise, tightly presented feature. But I wouldn't label it as a product that came "out of Hollywood." It is definitely a West Coast product, yet it was produced far from the Hollywood mainstream. In fact I'd say that it's a production that emerged from the seedy underbelly of the film industry. (Despite its Christian theme, and despite the fact that Don Murray and David Nelson are such fine, upstanding exemplars of middle-class rectitude.) What I like about the project is that it has two directors to handle the two elements or "sides" of the story. Sex-obsessed skank (and I say it in a kind way) John Derek is there to show us the tough, gritty background of the Tom Harris character, and squeaky-clean David (son of Ozzie) Nelson is there to detail Harris's redemption. John Derek does double duty, working as cinematographer, and his washed-out "California sunshine" photography is effective. "Confessions of Tom Harris" is a "religious" picture, sure. But above and beyond that, it's a tough, kickin' indie flick with BALLS.
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