Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black ... See full summary »
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
Steve Jackson and Wardell Franklin sneak out of their houses to visit Madame Zenobia's: a high-class but illegal nightclub. During their visit, however, the place is robbed and they are ... See full summary »
Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
At first, Dr. Sidney Schaefer feels honored and thrilled to be offered the job of the President's Analyst. But then the stress of the job and the paranoid spies that come with a sensitive ... See full summary »
Theodore J. Flicker
Noble nightclub owner Samson does his best to keep his neighborhood clean of crime and drugs. When vicious mobster Johnny Nappa tries to muscle in on Samson's territory, Samson takes a brave stand against Nappa and his flunkies.
Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black gangster, dead 4 decades. When he seems to have reappeared, once again slitting throats with his Blue straight edge razors, the two cops begin a complicated search for some answers. Written by
John Vogel <email@example.com>
This film and They Call Me Mister Tibbs! (1970) are notable as among the first sequels to a color cop movie, long before the first sequel to Dirty Harry (1971) came out. Even more remarkable, both of these films featured African-American protagonists. See more »
Gravedigger Jones & Coffin Ed Johnson strike again in Come Back, Charleston Blue
Just watched this sequel to Cotton Comes to Harlem on YouTube. Once again, Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) are trying to make it safe to live in the streets of Harlem but there's someone running drugs there and the possibility of the title character returning to exact vengeance...While I thought CCTH was pretty entertaining, this one to me was a bit more funny and lively especially with help from Donny Hathway's score and supervision of it by Quincy Jones. I especially liked the performance of Minnie Gentry as Her Majesty who expects her late husband Charleston Blue to return any minute now though probably realizes he may never. Still, she likes to live in the past. Also returning is Dick Sabol as the dumb white cop Jerema though he's a bit more sympathetically treated here. Really, all I'll say now is I highly recommend Come Back, Charleston Blue. P.S. Since this is Black History Month, I'd like to cite other players of color that appeared here: Peter DeAnda as Joe, Percy Rodrigues as Bryce, Jonelle Allen as Carol, Maxwell Glanville as Caspar, Toney Brealond as a drag queen, Tim Pelt as Earl J, Marcia McBroom as a girl barber, Adam Wade as Benjy, Dorothi Fox as a streetwalker, and Theodore Wilson as the cemetery guard. Both Ms. Allen and Wilson previously appeared in Cotton Comes to Harlem as a secretary and Barry, respectively. Oh, and a year later, Ms. Gentry (who's Terrence Howard's great-grandmother) would also be in Black Caesar as Momma Gibbs.
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