Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
When fellow operatives (and childhood friends) Matthew Johnson and Melvin Johnson disappear during an undercover mission in Hong Kong, Cleopatra Jones (Tamara Dobson) travels there to find ... See full summary »
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their ... See full summary »
The story involves a white supremist plot to taint the United States water supply with a toxin that is harmless to whites but lethal to blacks. The only obstacles that stand in the way of ... See full summary »
Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black gangster, dead 4 decades. When he seems to have reappeared, once again slitting throats with his Blue straight edge razors, the two cops begin a complicated search for some answers. Written by
John Vogel <email@example.com>
This film and They Call Me Mister Tibbs! (1970) are notable as among the first sequels to a color cop movie, long before the first sequel to Dirty Harry (1971) came out. Even more remarkable, both of these films featured African-American protagonists. See more »
I think the reason I really liked this movie so much is as a child, I remember seeing "Cotton comes to Harlem" on NBC and thought, wow, two black detectives who actually did detecting and didn't do much 'shuck and jiving'. They took their business protecting the streets and the black people of Harlem seriously. Godfrey Cambridge and Raymond St. Jacques are sorely missed! The movie, "A Rage in Harlem" was sooooo awful. Why can't somebody remake THAT, instead of remakes of fairly successful movies or comics or TV shows that were at the best, minor league (Dukes of Hazzard, BeWitched). Give me a break. Somebody will try to do a remake of the Jeffersons next!MY GOD!!!
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