Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black ...
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Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
A beautiful black gangster's moll flees to Harlem with a trunkload of gold after a shootout, unaware that the rest of the gang, and a few other unsavoury characters, are on her trail. A ... See full summary »
In contrast to most of the violence-laden "blaxploitation" films of the period, this low-budget effort eschews exploitation for humanity and domestic drama. Leonard Jackson plays a barber ... See full summary »
Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black gangster, dead 4 decades. When he seems to have reappeared, once again slitting throats with his Blue straight edge razors, the two cops begin a complicated search for some answers. Written by
John Vogel <email@example.com>
This film and They Call Me Mister Tibbs! (1970) are notable as among the first sequels to a color cop movie, long before the first sequel to Dirty Harry (1971) came out. Even more remarkable, both of these films featured African-American protagonists. See more »
[Carol sees Gravedigger Jones and Coffin Ed Johnson sitting at her table]
I thought you said I should be seen with the right people, Uncle Caspar?... Does that include a couple of Uncle Tom cops?
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Gravedigger Jones & Coffin Ed Johnson strike again in Come Back, Charleston Blue
Just watched this sequel to Cotton Comes to Harlem on YouTube. Once again, Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) are trying to make it safe to live in the streets of Harlem but there's someone running drugs there and the possibility of the title character returning to exact vengeance...While I thought CCTH was pretty entertaining, this one to me was a bit more funny and lively especially with help from Donny Hathway's score and supervision of it by Quincy Jones. I especially liked the performance of Minnie Gentry as Her Majesty who expects her late husband Charleston Blue to return any minute now though probably realizes he may never. Still, she likes to live in the past. Also returning is Dick Sabol as the dumb white cop Jerema though he's a bit more sympathetically treated here. Really, all I'll say now is I highly recommend Come Back, Charleston Blue. P.S. Since this is Black History Month, I'd like to cite other players of color that appeared here: Peter DeAnda as Joe, Percy Rodrigues as Bryce, Jonelle Allen as Carol, Maxwell Glanville as Caspar, Toney Brealond as a drag queen, Tim Pelt as Earl J, Marcia McBroom as a girl barber, Adam Wade as Benjy, Dorothi Fox as a streetwalker, and Theodore Wilson as the cemetery guard. Both Ms. Allen and Wilson previously appeared in Cotton Comes to Harlem as a secretary and Barry, respectively. Oh, and a year later, Ms. Gentry (who's Terrence Howard's great-grandmother) would also be in Black Caesar as Momma Gibbs.
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