Overview
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Original Air Date:
17 September 1972
(Season 2, Episode 1)
Plot:
An amoral conductor murders the gifted pianist with whom he is having an affair. Lt. Columbo is on the case.
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Awards:
Nominated for 2 Primetime Emmys.
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User Comments:
A Columbo adventure that hits the right notes in most places!
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Additional Details
Runtime:
90 min | USA:120 min (including commercials)
Color:
Color (Technicolor)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
This is the debut episode for Dog, Columbo's pet basset hound.
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Goofs:
Continuity: Alex Benedict has long hair, in the Maestro tradition: curling over his ears, covering his neck, flipping up in back and generally flying around in disarray. But there is a memorable (and largely irrelevant) scene where Columbo visits Alex Benedict's home, and ends up asking about how much he pays in taxes, how big the house is, etc. In this scene,
John Cassavetes' hair is visibly shorter than before or afterwards - trimmed farther up on his ears, neatly poufed all around, and shaved in back to expose his neck. The likely explanation is a bit of "Columbo" history: this scene was probably part of the extra footage added after the network ordered director Cassavetes to lengthen the episode, from 90 minutes to 2 hours, and Cassavetes apparently got a haircut before the additional scene was shot.
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A slightly unoriginal plot aside, this is a well-unravelled, holding Columbo story, highlighted by some thoughtfully conceived and executed sequences involving real-life friends Peter Falk and John Cassavetes; a fact which unquestionably amplifies the script's effectiveness.
Ordinarily, the quality of the sequences of banter between detective and villain is a significant yardstick in the overall success of the episode; in this case, despite this characteristic, other scenes could have been expanded to better effect - no motive is really ever discussed and Columbo seems to latch onto the villain with less evident evidence than in some other experiences (the important factors about the pink carnation are not significantly developed until later).
One other slight fault is that there are less pieces of evidence to grab hold of here, but in one respect, the script-writer is very clever in intimating that the carnation is going to play an important part in this story, but the nailing of the villain is perhaps not as straightforward as one might have expected.
Generally, a very pleasing episode, which is not as predictable as one may think.