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Cocksucker Blues (1972)

 -  Documentary | Music  -  April 1979 (USA)
6.6
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Ratings: 6.6/10 from 522 users  
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This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont. Because of the free-form ... See full summary »

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Storyline

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont. Because of the free-form nature of filming, Cocksucker Blues captured band members and entourage members taking part in events the Rolling Stones preferred not to publicize. It can only legally be screened with director Robert Frank in attendance. The title of the film is the same of that of a Rolling Stones song (aka Schoolboy Blues), which was written to complete the band's contractual obligations to Decca Records and specifically to be unreleasable. Written by Zack Kushner

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Documentary | Music

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April 1979 (USA)  »

Also Known As:

CS Blues  »

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Did You Know?

Trivia

The Rolling Stones were upset by this film's portrayal of them and sued to prevent its release. The film is under a court order that only allows it to be shown once a year with director Robert Frank present in person. See more »

Connections

Referenced in Let's Make Lemonade (2011) See more »

Soundtracks

Live With Me
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
See more »

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User Reviews

 
In excess
18 January 2010 | by (United Kingdom) – See all my reviews

Watched this on my Ipod on a holiday flight as a real dyed in the wool Stones fan. However, the copy I saw had obvious editing problems and may have been a rough-cut, but then again maybe not...

John Lennon once likened the madness around the Beatles mid-60's tours as like Fellini's Satyricon, well here it's certainly made flesh as we get a more candid than candid fly-on-the-wall insight into life on the road with the Rolling Stones around the time of their 1972 US tour. It's not an edifying sight, with groupies being treated as casual sex-objects to the amusement of the leering male entourage, drugs openly ingested by needle and inhalation and of course the classic "rock-star" cliché of Keith Richard ceremoniously dumping a TV out of the band's high-storey hotel window.

In between these scenes of madness are odd shots of, or sequences with celebrity hangers-on like Truman Capote and Dick Cavett, as well as star support turns Tina Turner and Stevie Wonder and endless static non-shots of Mick and a gap-toothed Keith (Bill Wyman, Mick Taylor and Charlie Watts barely get a look-in) and other grainy shots of producer Jimmy Miller well on his way to his early drug-overdose death, if the footage here is any guide. At times in fact the whole sometimes looks like some cheap, almost "snuff"-type exploitation movie.

Somehow though, the endless boozing and schmoozing doesn't affect the band on stage and they look like the great louche rockers they were by this point. Thus there's the odd occasional musical interlude where the "film" flickers to life (an exciting encore of Stevie's "Uptight" spliced with the Stones' "Satisfaction") and a rollicking "Happy" but watching this monument to decadence, hedonism and self-indulgence left me at the end actually liking the Stones less, certainly as people. No, for me the whole sex and drugs and rock roll mystique is shot to bits here and I can only hope that the Stones themselves are a bit older and wiser now.

To paraphrase John Lennon again, you shouldn't ought to have been there!


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