1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail... See full summary »
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
As a man leaves his wife and daughter, a series of brief conversations, observed gestures, chance encounters and impulsive acts, tell the story of the relationships that flounder and thrive in the wake of this decision.
Four chapters based on the birth of a 'secret child', or a film, with chapter titles: "La séction Césarienne" (Caesarian section: a descriptive detail introducing the mother); "Le dernier ... See full summary »
Henri de Maublanc,
A man and a woman live in a clothes-cabinet, literally; they contemplate leaving, but never do. For a time only their voices are heard, until they try to have some light, and open the door.... See full summary »
Amidst my usual apathy, often charged at its highest while watching some mediocre films or others that are quite good but sometimes lacking of good rhythm becoming painfully distractive things, "Le Cicatrice Intérieure" managed to do some good without demanding much.
On the surface this is hauntingly beautiful, very mesmerizing and very attractive to look at; deep inside within its few spoken words in three languages and in the echoes of nature, the story tries to be poetic, with some brainy meaning but no, it's pure boloney. It's very pretentious yet it's not something harmful. And c'mon it only takes 55 minute to make its case.
The story (if there is one) revolves around a woman (Nico) trapped in the desert trying to get out of there along with a man (played by the film's director/writer Philiippe Garrel), a devil (also him), and one archer (Pierre Clementi, completely naked in all of the scenes he's in) who shares some messages with her. There's other characters, talks about faith, some randomness that knows no limits and that's my take on the plot.
I'm not gonna be cruel with this picture due to reasons. It looks like a long student project made in the 1970's, taking advantage of the whole counterculture already existent, and looks like something made out of improvisation after improvisation. It goes like this: everyone involved were under the influence of substances and they came up with this thing. Simple as that. It's not bad, just doesn't make much sense unless you're in the state the makers were, flying high as a kite, alternating illusion with reality, having visions of another world.
Despite this theory of mine, "La Cicatrice Intérieure" ("The Inner Scar") is fun to watch. Mysterious, a little bit engaging but complicated to understand. Garrel knows how to produce mythical images and hypnotic moments of pure beauty (I discovered this film after one gif of a scene with a horseman and his horse surrounded on a circle of fire and a kid watching them), it's fine but too bad that in this case he didn't knew how to develop substantial ideas worthy of praise and debate. It's filled of symbols but they don't arouse anything valuable or of interest. I can say he's a better director now, his "La Naissance de L'amour" was one of those surprising works where you ask yourself deep questions you've never thought of before.
Surreal at its average level, "La Cicatrice Intérieure" is a watchable piece for those who have patience to endure its enigmatic moving images. I liked it but I really wanted more. Didn't die of boredom like most people but haven't got rewarded with the effort. OK, only for the beauty, sometimes that's all we need to move through life once in a while. 6/10
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