| Photos (See all 13 | slideshow) |
| Hiroshi Ishikawa | ... | Gengo Kotaka | |
| Yuriko Hishimi | ... | Tomoko Tomoe | |
| Minoru Takashima | ... | Shosaku Takasugi | |
| Tomoko Umeda | ... | Machiko Shima | |
| Toshiaki Nishizawa | ... | Kubota, Head of Children's Land | |
| Zan Fujita | ... | Fumio Sudo | |
| Kunio Murai | ... | Takashi Shima | |
| Gen Shimizu | ... | Commander of Defense Forces | |
| Koreyoshi Nakamura | ... | Priest (as Zeko Nakamura) | |
| Kuniko Ashihara | ... | Middle-Aged Woman | |
| Akio Murata | ... | Editor of Comics Magazine | |
| Noritake Saito | ... | Henchman | |
| Yasuhiko Saijô | ... | Henchman | |
| Naoya Kusakawa | ... | Henchman | |
| Wataru Ômae | ... | Henchman | |
| Haruo Nakajima | ... | Gojira / Background Comic Editor / JSDF Officer | |
| Kenpachiro Satsuma | ... | Gaigan (as Kengo Nakayama) | |
| Koetsu Omiya | ... | Angirasu / Laser Radar Operator | |
| Kanta Ina | ... | Kingugidora |
Directed by | |||
| Jun Fukuda | |||
Writing credits(in alphabetical order) | ||
| Takeshi Kimura | story "Gojira tai Uchu Kaijû" | |
| Shin'ichi Sekizawa | ||
Produced by | |||
| Tomoyuki Tanaka | .... | producer | |
Cinematography by | |||
| Kiyoshi Hasegawa | |||
Film Editing by | |||
| Yoshio Tamura | |||
Production Design by | |||
| Yoshifumi Honda | |||
Production Management | |||
| Takahide Morichi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fumisake Okada | .... | assistant director | |
Sound Department | |||
| Fumio Yanoguchi | .... | sound recordist | |
Special Effects by | |||
| Toshiro Aoki | .... | special effects sets | |
| Saburo Doi | .... | mat processing | |
| Yasuyuki Inoue | .... | special effects art director | |
| Fumio Nakadai | .... | operations | |
| Teruyoshi Nakano | .... | director of special effects | |
| Takesaburo Watanabe | .... | mechanical effects | |
Visual Effects by | |||
| Fumio Nakadai | .... | miniature set operation | |
| Yoshiyuki Tokumasa | .... | optical photography | |
| Yoshiyuki Tokumasa | .... | optical printing (as Toshiyuki Tokusawa) | |
| Sokei Tomioka | .... | special effects cameraman | |
Stunts | |||
| Haruo Nakajima | .... | stunt choreographer | |
Camera and Electrical Department | |||
| Kojiro Sato | .... | lighting technician | |
Music Department | |||
| Akira Ifukube | .... | composer: stock music | |
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| Ghidorah, the Three-Headed Monster | Destroy All Monsters | King Kong vs. Godzilla | Invasion of Astro-Monster | Terror of Mechagodzilla |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
After the interesting but none too successful experiments Godzilla's Revenge and Godzilla Vs Hedorah,Toho made this film,which sometimes feels like an attempt to make a 60s Monster Zero-type film on a fraction of the budget. Obviously,it's not a good film in the traditional sense,but all the 70s Godzilla films,despite their childishness,cheapness,shoddy effects work,samey plots,and 'wacky' ideas {in this one ,Godzilla and his mate Angilas TALK to each other in the non-Japanese version,whilst the Japanese version has speech bubbles instead!}etc,are fun to watch,and Godzilla Vs Gigan is no exception.
The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.
Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.