Based on the Ed Gein case, a deranged rural farmer becomes a grave robber and murderer after the death of his possessive mother whom he keeps her corpse, among others, as his companions in his decaying farmhouse
A band of satanist hippies roll into a town and begin terrorizing the local folk. They rape a local girl and her grandpa goes after them. He fails and is given LSD. This bothers his ... See full summary »
David E. Durston
Bhaskar Roy Chowdhury,
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
Against a backdrop of clashing cultures, John Myron and Angela Wilson find each other and over the years form a powerful bond. One tragic night, John rescues Angela from a wicked act of ... See full summary »
In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy ... See full summary »
Amando de Ossorio
María Elena Arpón
Deranged projectionist Mad Ron shows a movie theater full of rowdy zombies a diverse assortment of horror and exploitation film trailers from his private collection while ventriloquist Nick... See full summary »
Michael Townsend Wright
This is a straight version of the old fairy tale, with John Carradine as the Emperor. It was filmed in South Florida, with exteriors in Coral Gables and Miami's Vizcaya. The hero bests the ... See full summary »
Actors led by Alan Ormsby go to a graveyard on a remote island to perform a necromantic ritual. The ritual works and soon the dead are walking about and chowing down on human flesh. Written by
The tombstones were made out of Styrofoam. See more »
After Val shines the light on the body of Paul, she then turns back around, bringing the light with her; yet when Terry looks out, both the body and zombie are still illuminated by the same light. See more »
Is that what youngsters get up to at the local graveyard?
"Film strives for yucks, frequently succeeds. A late night fave, sporting some excellent dead rising from their graves scenes as well as a selection of groovy fashions." Cult Pics & Trash Flicks
"Campy, gory, sick and funny in about equal doses," Nigel Burrell. Is It Uncut.
There are many bad reviews written about this film that include its bad points, but here I'll focus on some of its merits
Tongue in cheek, little slapstick, creepy cemetery sequences by filmmakers with potential to prolong their careers, Children Shouldn't Play with Dead Things is a bad film, but a good bad film. Obviously ripping-off Night of the Living Dead ("That's not very original, Anya."), but perhaps inspiring The Evil Dead that would also feature a group of foolish kids awaking evil forces with the aid of an old book. Children Shouldn't Play with Dead Things was directed by Bob Clark when he worked with cult icon, Ormsby. Together they also collaborated on the moody, Monkey's Paw' inspired Dead of Night (Deathdream). After co-directing Deranged with his co-star of Children Shouldn't Play with Dead Things, Jeff Gillen, Ormsby went on to screenplay the alluring Cat People ('82) and silly Popcorn ('91). Before Clark moved on to comedies like A Christmas Story and Porkies, he directed the excellent Black Christmas ('74) and the interesting Murder by Decree ('79).
The obnoxious director, Alan (played by Ormsby himself), threatens his group of actors with unemployment unless they accompany him to a deserted island to perform some satanic rituals. After two thirds of the film, by now the cast have exhumed a corpse and attempted talking each other to death, incidents reach a peak as one of the women has a sudden break down (cue some overacting). The actors decide they've had enough and demand to leave the island immediately. It's too late to escape though, at this point you find yourself wondering if the film even feature the zombies promised in the title. The flesh hungry living dead close in on them and we're treated to the old boarding up the windows and doors routine and defending themselves from the growing horde of creatures outside.
Those merits I spoke of earlier? In my opinion, a true fan of old horror cannot truly hate this film. This predates Carpenter, Hooper, Craven and most other popular genre directors of today. It maybe difficult, but if you try overcoming the evident low budget, squinting to see what's happening past the abysmal lighting and photography and the laughable dialogue, then you'd probably enjoy the film a lot more. Ormsby himself has said that he's barely able watch Children Shouldn't Play with Dead Things anymore as he hates himself acting in it, but admits that it does have some appealing attraction, hence the cult following.
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