| George Lazenby | ... | Franco Serpieri | |
| Anita Strindberg | ... | Elizabeth Serpieri | |
| Adolfo Celi | ... | Serafian | |
| Dominique Boschero | ... | Ginevra Storelli | |
| Peter Chatel | ... | Philip Vernon | |
| Piero Vida | ... | Journalist | |
| José Quaglio | ... | Bonaiuti | |
| Alessandro Haber | ... | Father James | |
| Nicoletta Elmi | ... | Roberta Serpieri | |
| Rosemarie Lindt | ... | Gabriella | |
| Giovanni Forti Rosselli | ... | Francois Roussel | |
| Sandro Grinfan | |||
| Carlo Hollesch | |||
| George Willing | |||
| Vittorio Fanfoni | |||
| Luigi Antonio Guerra | |||
| rest of cast listed alphabetically: | |||
| Filippo Perego | ... | Andrea - Bonaiuti's Manservant (uncredited) | |
Directed by | |||
| Aldo Lado | |||
Writing credits(in alphabetical order) | ||
| Francesco Barilli | ||
| Massimo D'Avak | ||
| Aldo Lado | ||
| Ruediger von Spiess | ||
Produced by | |||
| Ovidio G. Assonitis | .... | associate producer | |
| Enzo Doria | .... | producer | |
| Giorgio Carlo Rossi | .... | associate producer | |
| Pietro Sagliocco | .... | associate producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Franco Di Giacomo | |||
Film Editing by | |||
| Angelo Curi | |||
Production Design by | |||
| Gisella Longo | |||
| Alessandro Parenzo | |||
Art Direction by | |||
| Gisella Longo | |||
| Alessandro Parenzo | |||
Makeup Department | |||
| Teresa Cicchetti | .... | hair stylist | |
| Franco Schioppa | .... | makeup artist | |
Production Management | |||
| Gastone De Mattia | .... | unit manager | |
| Claudio Grassetti | .... | production supervisor | |
| Mauro Porru | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Vittorio De Sisti | .... | second unit director | |
Sound Department | |||
| Nick Alexander | .... | dubbing editor: English version | |
| Luciano Anzellotti | .... | sound effects | |
| Dino Fonzetti | .... | sound mixer | |
| Bernardino Fronzetti | .... | sound mixer (as Dino Fronzetti) | |
Camera and Electrical Department | |||
| Gastone Coppa | .... | key grip | |
| Valerio Garzia | .... | chief electrician | |
| Giuseppe Lanci | .... | camera operator | |
| Mauro Marchetti | .... | assistant camera | |
| Carlo Tafani | .... | second camera operator | |
| Gianfranco Transunto | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Elisabetta Costantini | .... | seamstress | |
Editorial Department | |||
| Maria Pia Appetito | .... | assistant editor | |
| Alessandra Olsoufieff | .... | assistant editor | |
Music Department | |||
| Nicola Samale | .... | conductor | |
Other crew | |||
| Aldo Sassi | .... | production secretary | |
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| The Cat o' Nine Tails | The Bloodstained Shadow | Torso | The Bird with the Crystal Plumage | Black Belly of the Tarantula |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section |
WHO SAW HER DIE? (1972) *** George Lazenby, Anita Strindberg, Peter Chatel, Adolfo Celi. In this engaging giallo directed by Aldo Lado, George Lazenby plays Franco Serpieri, a well-known Venetian sculptor. After Serpieri's young daughter is murdered, he grows impatient with the efforts of the police and tries to find the killer himself, with some help from his estranged wife (Strindberg). The film sticks to a familiar formula: the likely suspects are killed off one by one, and the last man (or woman) standing is revealed as the murderer. But the process feels clumsier than it ought to here, and since the killer turns out to be one of the film's least developed characters, the ending is less than satisfying. Fortunately, though, painterly cinematography and an intriguing score by the brilliant Ennio Morricone help compensate for the weaknesses of the script. Recommended.