One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
In this film inspired by the ancient erotic and mysterious tales of the Middle East, the main story concerns an innocent young man who comes to fall in love with a slave who selected him as... See full summary »
A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of ... See full summary »
An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. ... See full summary »
Vittorio De Sica
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment. Written by
Ed Cannon <email@example.com>
In his autobiography, _My Last Sigh_, Luis Buñuel said he had difficulty finding a title for the film. On the last day of writing the script, he came up with _A bas Lénine, ou la Vierge à l'écurie_ - Down with Lenin, or The Virgin in the Manger. Someone suggested _Le Charme de la Bourgeoisie_, and the adjective "discret" was eventually added. Buñuel said he and co-writer Jean-Claude Carrière never once thought of the word "bourgeoisie" while working on the screenplay. See more »
After Rafael gives the terrorist champagne, his position in the chair changes between shots. See more »
Finally, if you think about it, the only solution to starvation and poverty is in the hands of the army. You'll realize it in Miranda, when you have to open your pretty thighs to an infantry battalion.
See more »
The Discreet Charm of the Bourgeoisie is not about something in particular . It doesn't have a plot and doesn't really need one. It is about the constant interruptions that ruin the dinners of some french bourgeoisie friends, interruptions mostly surreal and absurd. The movie is not as shocking and acid as Bunuel's earlier work but it is more chiseled and as weird and witty as those . Also, the dream sequences are made exceptionally.
The film satirizes french bourgeoisie but as I said it is not really an acid satire but a surreal comedy/drama that doesn't really have to make sense. Dream in dream sequences are often used to express the character's unrests and troubles. The movie is somehow similar to The Exterminating Angel where the characters, after they eat cannot leave the room even though there is nothing stopping them. Here, different situations interrupt the characters from eating. These situations are absurd and illogic, just like the ones in The Exterminating Angel.
The situations are absolutely amazing and Bunuel once again makes a statement. The bourgeoisie characters are shown as false and hypocritical as they are funny to the viewers. The movie is complex and unusual and different from anything you've ever seen.
Watch it! It's worth it.
18 of 26 people found this review helpful.
Was this review helpful to you?