One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
In a dream-like sequence, a woman's eye is slit open--juxtaposed with a similarly shaped cloud obsucuring the moon moving in the same direction as the knife through the eye--to grab the ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment. Written by
Ed Cannon <email@example.com>
Luis Buñuel is credited with creating the sound effects for this film; he was almost deaf at the time. See more »
After Rafael gives the terrorist champagne, his position in the chair changes between shots. See more »
Marijuana isn't a drug. Look at what goes on in Vietnam. From the general down to the private, they all smoke.
As a result, once a week they bomb their own troops.
If they bomb their own troops, they must have their reasons.
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Leave it to Luis Bunuel to hit the head of the nail like he did here. The style and mood created by this movie is immaculate. It is a satirical look at complete bedlam through the eyes of our meticulous & pedantic champions. His camera, dialog, settings - everything stays true to his bourgeois focal point. And nowhere do you ever see them or the camera frame lose their cool
even with the world in shambles at every turn. They simply walk through
this movie the way blind persons would a construction site.
I've heard it said many times that Bunuel made the bourgeois class enemy number one throughout his lifetime - that, and the catholic church, who also receives a fair share of ridicule in the picture. While this movie is more like a dark comedy there is also, I believe, a strong spiritual/philosophical/& moral whatever statement here: That the world and all its unanswerable/unknowable/ & unwatchable chaos can not be simply pushed aside. You can not brush off the dirt and consider yourself above or separate from it. You are part of the whole, and you are most likely viewed as an ass by 95% of the rest of us to consider yourself otherwise. That IS something to laugh at. Bunuel's life and work was a heroic statement against such an unlikely target. It's Bunuel's arsenal of genius versus the impenetrable ignorance of this giant. Bunuel begrudgingly makes them the protagonists, but betrays them ever so slyly. I love it - a masterpiece.
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