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Chandler (1971)

GP  -  Drama | Crime  -  1 December 1971 (USA)
4.3
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Ratings: 4.3/10 from 216 users  
Reviews: 10 user | 1 critic

A hardboiled aging private eye is hired to find and protect a missing government witness sought after by the gangsters. The witness is a beautiful French woman and even the cops can't be trusted. The case is tough, but so is Chandler.

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Title: Chandler (1971)

Chandler (1971) on IMDb 4.3/10

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Cast

Cast overview, first billed only:
...
Chandler
...
Katherine Creighton
...
Ross J. Carmady
...
Charles 'Chuck' Kincaid (as Mitchell Ryan)
...
John Melchior
...
Bernie Oakman
Richard Loo ...
Leo
...
Selma
...
Sal Sachese (scenes deleted)
Walter Burke ...
Zeno
Marianne McAndrew ...
Angel Carter
...
Smoke
Lal Baum ...
Waxwell
Charles Shull ...
Binder Ransin
...
Rudy, Bartender
Edit

Storyline

A hardboiled aging private eye is hired to find and protect a missing government witness sought after by the gangsters. The witness is a beautiful French woman and even the cops can't be trusted. The case is tough, but so is Chandler.

Plot Summary | Add Synopsis

Taglines:

Chandler is a private eye. It's a hard way to make a living... and an easy way to die.

Genres:

Drama | Crime

Certificate:

GP | See all certifications »
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Details

Country:

Language:

Release Date:

1 December 1971 (USA)  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

According to "Uprising at MGM," a Time Magazine article of Dec. 27, 1971, director Paul Magwood and producer Michael Laughlin placed a black-bordered ad in the Hollywood Reporter apologizing for the movie, claiming that MGM studio chief James T. Aubrey had severely re-cut Chandler (1971) and added previously deleted scenes, in Aubrey's judgment, to simplify the plot. Aubrey also allegedly changed the film score from 1940s-type music to something more contemporary. The producer and director also claimed that Magwood was denied entry to the editing room while Aubrey revised the film. See more »

Goofs

Taxi sign over the yellow car Chandler is waiting is waiting in, just before the chase scene; is probably supposed to look like the T tipped over. But, it's set to high for that to be true. See more »

Quotes

Chandler: What can I do for you, angel?
Angel Carter: How did you know my name was Angel? Angel Carter.
See more »

Connections

Featured in Warren Oates: Across the Border (1993) See more »

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User Reviews

 
Missed the Plot But Couldn't Have Cared
3 July 2013 | by (United States) – See all my reviews

TCM did recently show this movie on a typically lazy summer afternoon before the 4th, and from the start, I was looking for some type of story line in which to sink my interest in, but things turned out murky. Its big draw was that it starred the much under-appreciated Warren Oates as some kind of detective who starts asking the big redeeming questions after he can't bring himself to carry out the job of tailing a mysterious woman for a corporate interest. When that plot line eventually became evident, I had the misfortune of falling asleep for just a few moments, and upon awakening, became even less involved as Oates wandered from scene to scene with the intent of discovering why the woman (the capable Leslie Caron) was on everyone's mind. My fault, sure, for nodding off, but unless the viewer is into speculation, this idea is never really revealed which leads to one guessing why her character is so central to the film's plot. Also disconcerting is how effortlessly the scenes wander between Carmel, Calif. and Los Angeles. The film's geography apparently has the two locales next door to one another, but they're not. The action moves too conveniently between them. And when Oakes and Caron end up with an inoperable vehicle yards from the Pacific Ocean under Big Sur's famed Bixby Creek Bridge after appearing to only have pulled off a main highway and onto a dirt road the night before, it appeared as if the producers wanted to get some grand photogenic shot near the end of this floundering mess. For whatever reason, too little too late. Nitpicking, yes, but I'm trying to find something worthy to write about what could have been a very good flick with just a little more pertinent exposition, and if I could, I would have had another joyous detective movie from the glorious '70s to chew on and enjoy.


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