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The Valachi Papers (1972)

 -  Crime | Drama  -  6 January 1972 (France)
6.6
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Ratings: 6.6/10 from 1,587 users  
Reviews: 22 user | 10 critic

When Joe Valachi (Charles Bronson) has a price put on his head by Don Vito Genovese (Lino Ventura), he must take desperate steps to protect himself while in prison. An unsuccessful attempt ... See full summary »

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Writers:

(screenplay), (novel), 2 more credits »
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Title: The Valachi Papers (1972)

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Cast

Cast overview, first billed only:
...
Lino Ventura ...
...
Maria Reina Valachi
Walter Chiari ...
Gap
...
Gerald S. O'Loughlin ...
Ryan (as Gerald O'Loughlin)
Amedeo Nazzari ...
Gaetano Reina
Fausto Tozzi ...
Pupella Maggio ...
Letizia Reina
Angelo Infanti ...
Guido Leontini ...
Tony Bender
María Baxa ...
Donna
Mario Pilar ...
Salierno
Franco Borelli ...
Buster
Alessandro Sperli ...
Giuseppe 'Joe the Boss' Masseria (as Alessandro Sperlì)
Edit

Storyline

When Joe Valachi (Charles Bronson) has a price put on his head by Don Vito Genovese (Lino Ventura), he must take desperate steps to protect himself while in prison. An unsuccessful attempt to slit his throat puts him over the edge to break the sacred code of silence. Written by Richard Jones <rjo339@swbell.net>

Plot Summary | Add Synopsis

Taglines:

The Valachi Papers. Fact not Fiction. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »
Edit

Details

Country:

|

Language:

|

Release Date:

6 January 1972 (France)  »

Also Known As:

The Valachi Papers  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The production suddenly ended its New York leg of the production earlier than scheduled to complete the rest of the filming in Italy. Of the production's move from New York to Italy, director Terence Young said: "We had two units working five hours a day, and finished our five weeks' New York Schedule in three. We were very well treated by the New YorkIitalians . . . [but] . . . It was disturbing to have to leave New York and move to Rome earlier than we had planned. In our eighteen days on location we had shot what we had scheduled for approximately four weeks. I had been hoping we could shoot there for about another ten days. But this is a crazy business we're in. As soon as we made the move to Rome, I began to find special virtues in having made the change". See more »

Goofs

During the chase scene which takes place during the 1920s in New York, a car goes into the river and in the background the twin towers of the World Trade Center under construction can be clearly seen. This is one of the most famous period reconstruction mistakes in film history. See more »

Connections

Referenced in The Bob Newhart Show: Old Man Rivers (1973) See more »

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User Reviews

 
Best Polish mafia film I've seen
13 October 2007 | by (Philly) – See all my reviews

I give this a 7 stars because it was made the same year as Godfather I, so it didn't benefit from all the film-industry wisdom that followed that production. Rather, this is a character study of one mafioso, which is a separate issue from the operatic, all-systems-GO no-holds-barred approach Coppola was able to employ in The Godfather. it's a smaller film, and should be compared to, say, Mobsters (1991), which deals with the same period and some of the same characters as V.P. Charles Bronson's Valachi is adequate. He's a workaday, uneducated, down- home mob guy, and Bronson plays him as if he were Polish, with a job that he goes to every day, where everyone talks Italian. Because it is through his eyes that we see his world, some of the other characters become more vivid, e.g., Joseph Wiseman as Salvatore Maranzano. When I compare the casting of the incomparable Joseph Wiseman in this role as opposed to, say, Michael Gambon in the same role in Mobsters, or Anthony Quinn as an equally old-school rival in the same film, I wonder: None of these actors are Italian -American or even simply Italian; why do some of them work, and the others don't? Granted that Wiseman, Quinn and Gambon are all consummate professionals and true craftsmen as actors, if anyone mentions Salvatore Maranzano and the Castellammarese gang war of 1929, the face that will come to my mind is that of Joseph Wiseman. He and Charles Bronson make this film worth seeing.


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