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The Valachi Papers (1972)

R  |   |  Crime, Drama  |  6 January 1972 (France)
6.6
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Ratings: 6.6/10 from 1,800 users  
Reviews: 24 user | 11 critic

When Joe Valachi (Charles Bronson) has a price put on his head by Don Vito Genovese (Lino Ventura), he must take desperate steps to protect himself while in prison. An unsuccessful attempt ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Maria Reina Valachi
Walter Chiari ...
Gap
...
Gerald S. O'Loughlin ...
Ryan (as Gerald O'Loughlin)
Amedeo Nazzari ...
Gaetano Reina
Fausto Tozzi ...
Pupella Maggio ...
Letizia Reina
Angelo Infanti ...
Guido Leontini ...
Tony Bender
María Baxa ...
Donna
Mario Pilar ...
Salierno
Franco Borelli ...
Buster
Alessandro Sperli ...
Giuseppe 'Joe the Boss' Masseria (as Alessandro Sperlì)
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Storyline

When Joe Valachi (Charles Bronson) has a price put on his head by Don Vito Genovese (Lino Ventura), he must take desperate steps to protect himself while in prison. An unsuccessful attempt to slit his throat puts him over the edge to break the sacred code of silence. Written by Richard Jones <rjo339@swbell.net>

Plot Summary | Add Synopsis

Taglines:

The Valachi Papers. Fact not Fiction. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

6 January 1972 (France)  »

Also Known As:

Cosa Nostra  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The nick-name of Dominick Petrilli (Walter Chiari) was "The Gap", who got this alias after losing two front teeth in a fight as a child, whilst the nick-names of Joseph Valachi (Charles Bronson) were "Joe Cargo" and "Joe Valachi". See more »

Goofs

After Maranzano's death, when Valachi is offered a hideout in the attic, during the conversation between him and the mother of the deceased, the window down the middle is seen to be a shade of black, but the next scene you find that there is daylight gleaming through it. See more »

Connections

Referenced in Munich (2005) See more »

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User Reviews

 
It probably didn't help that this came out the same year as "The Godfather".
19 April 2011 | by (Bradenton, Florida) – See all my reviews

I truly think if this film had come out earlier it would today be thought of as a better film. After all, it's FAR better than its current rating of 6.8. That's because 1972 was the same year that "The Godfather" debuted and the utter greatness of "The Godfather" probably overwhelmed "The Valachi Papers"---as both touch on very similar subject matter. The main difference is that "The Godfather" was based fictionalized characters and had a true elegance about the film. "The Valachi Papers" in contrast was a much more straight forward story based on real mob figures--and it's a dandy film.

The film begins in the early 1960s. Mobster Joseph Valachi is in prison and multiple attempts are made on his life. It seems that someone in the organization has talked--and the mob of bosses, Genovese (Lino Ventura) believes it was Valachi. And, not surprisingly, a contract has been placed on Valachi's head. This has the unintended consequence of forcing Valachi to to authorities. Almost all the rest of the film consists Valachi giving his story to the government agent. What follows is a very long story about Valachi's earliest days in the mob (about 1930) up to the arrest that brought him to prison--and a bit beyond.

The story is helped a lot by the films's length--a little over two hours. You'd need at least this much to tell such a long and complicated story. It also helps that Charles Bronson is given some excellent support. Among the many wonderful actors, one really surprised me--Lino Ventura. I've seen him in many French films (mostly Pierre Melville productions) and have LOVED his acting--he plays a great mobster--cold and tough. I never realized that he spoke English so well--everything I've seen him in up until now has been in French. Here, he very credibly plays an Italian-American! The script also was quite good. While not quite as human and interesting as "The Godfather", it sure was good...very, very good.

There's almost nothing negative I could say about the film other than very minor things. Bronson was too old for this role. When the film began he was supposed to be 27--but looked about twice that. Also, a few times anachronistic elements somehow made their way in--such as cars that were from the wrong time period. But, as I said, this is all very minor.Aside from this, a top quality production that deserves more recognition. Gritty, exciting and fascinating as well.

By the way, although IMDb lists the movie as being rated PG, the version I saw was way too bloody and filled with nudity to have been rated PG. The lesbian scene along would have merited a rating of R. Perhaps this was a director's cut or perhaps it was not rated PG or perhaps there were just multiple versions.


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