Dr. Peter Carey is a pathologist at a Boston hospital. The daughter of the hospital's Chief of Staff dies after an illegal abortion goes wrong, and Carey's friend and colleague Dr. David ... See full summary »
Dr. Peter Carey is a pathologist at a Boston hospital. The daughter of the hospital's Chief of Staff dies after an illegal abortion goes wrong, and Carey's friend and colleague Dr. David Tao is accused of performing the abortion. Carey doesn't buy it, and so he digs deeper, angering the girl's father in the process. Questions abound: Who performed the abortion? Was the girl really pregnant? And what does it have to do with stolen morphine, blackmail attempts, and a mysterious and dangerous masseur? Written by
Blake Edwards disowned the final film due to constant studio interference. He originally planned to leave the project during production but after MGM threatened to destroy his career, he finished filming and quit the day production ended. See more »
When Dr. Carey drives erratically to intimidate his passenger into telling him what she knows about the murder, her passenger side window alternates between completely open and completely closed. See more »
There's nothing wrong with him that retirement and a healthy bowel movement wouldn't cure.
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This little known medical thriller seems like a second cousin to "Coma" and fans of that film should enjoy this one as well. Coburn is a free-living pathologist hired on at a large Boston hospital who almost immediately finds himself trying to disprove a murder rap placed on one of his colleagues. A fellow doctor (Hong, in one of his more substantial roles) is accused of performing an illegal abortion on a fifteen-year-old girl, which led to her death. That the girl is the daughter of the Chief of Staff is no small complication! Coburn must put all the pieces together to find out what actually happened while fending off his protective and commandeering boss (O'Herlihy.) He still finds time, however, to play with O'Neill (whose thankless part only offers one or two decent moments.) Some of the situations and dialogue are inherently "70's", but it is still engrossing entertainment. Coburn has one scene with the great Allen. This effortlessly sophisticated and witty actress partakes in some snappy repartee with him and sparks fly in the well written scene. Coburn also has a memorable run-in with Dreier who nonchalantly simmers some sauce while discussing his niece's death. The subject matter of the film is a bit unsettling and gets increasingly so (and more violent) as it nears its pretty gory climax. Some will view this as a good thing, others may be put off. One scene involving a masseuse and client is quite tense. This leads to some bloodletting and then a nail-biting, if a bit far-fetched, finale. Aubrey is the daughter of Phyllis Thaxter and looks much like her. Blake Edwards' daughter Jennifer has a small, but featured role as the dead girl's roommate. TV fans will note the presence of Hillerman and Mandan as doctors on staff. One complaint: With all the dramatics and hysterics during the resolution, it can be hard to hear what actually happened! Keep the remote handy for a rewind.
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