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Brother John (1971)

6.6
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Ratings: 6.6/10 from 350 users  
Reviews: 11 user | 10 critic

An angel comes to Earth to see if the human race is worth saving.

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Title: Brother John (1971)

Brother John (1971) on IMDb 6.6/10

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Cast

Cast overview, first billed only:
...
John Kane
...
Doc Thomas
...
Lloyd Thomas
...
Louisa MacGill
Ramon Bieri ...
Orly Ball
Warren J. Kemmerling ...
George
...
Charley Gray
P. Jay Sidney ...
Rev. MacGill
Richard Ward ...
Frank
...
Henry Birkardt
...
Miss Nettie
...
Cleve
Howard Rice ...
Jimmy
Darlene Rice ...
Marsha
Harry Davis ...
Turnkey
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Storyline

A mysterious man John Kane (Sidney Poitier) who, when he returns to his hometown in Alabama for his sister's funeral, is thought to be an outside labor agitator - until it's revealed that he's really a heavenly messenger. The plot revolves around a strike at the town's big factory. Written by alfiehitchie

Plot Summary | Add Synopsis

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and some language | See all certifications »
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Details

Country:

Language:

Release Date:

15 August 1971 (Sweden)  »

Also Known As:

Bruder John  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

John Kane: I have seen... people. Swarming all over the world... like maggots on a rotten apple, getting ready to leap off the earth. First to the moon, and then to the stars.
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Connections

Referenced in McCloud: Top of the World, Ma! (1971) See more »

Soundtracks

Children of the Summer
Music by Quincy Jones and lyrics by Ernie Sheldon
Performed by Clydie King
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User Reviews

 
"You sure are a strange breed of cat!"
15 August 2009 | by (las vegas, nv) – See all my reviews

Odd Ernest Kinoy screenplay involving a mysteriously reticent black man of very few words returning to his Southern hometown for the funeral of his sister, dating a pretty schoolteacher but also getting involved in heated racial confrontations between the black residents and the redneck law. Peculiar, offbeat to say the least, yet hardly engrossing or emotional aside from the two big confrontations (one racially-charged, the other over a woman). Will Geer gives an irritatingly obtuse, owl-like performance as the doctor who originally delivered "Brother John", and who now senses something magical about him. In the lead, Sidney Poitier holds the screen with resplendence; he still has all the charisma and inner-fire of his popular 1960s roles, and allows us to see it (or perceive it) at perfectly-timed intervals. However, this cloudy mood piece--with timely undercurrents of oppression--isn't an exciting or gripping picture. Some have lauded the film for its dreamy ambiance, others will feel this approach ultimately works against the characters. A mixed-bag, though one with a beautiful score by Quincy Jones and expressive Gerald Perry Finnerman cinematography. ** from ****


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