| Index | 9 reviews in total |
8 out of 8 people found the following review useful:
Shaw Brothers Mania: The Boxer From Shan Tung, 28 May 2004
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Author:
Miyagis_Sweaty_wifebeater (sirjosephu@aol.com) from Sacramento, CA
The Boxer From Shan Tung (1972) is a rags to riches story about a
country bumpkin who aspires to become the greatest gangster of his era.
Ma Yong Zhen makes a name for himself from the ground up by getting the
poor and the down trodden to become a part of his "empire". But like
all fast rising gangsters they have to fall sometime. The battle in the
Tea House has to be the single greatest piece of action film-making I
have ever seen. The usual Shaw Brothers players can be found in this
two hour plus epic of bloodletting proportions. Kuan Tai Chen stars as
Ma Yong Zhen. As usual he makes a great lead actor. He always sports a
smile and never let his personal situations bring him down. Kuan also
makes a credible butt kicking fighter. David Chiang has an extended
cameo as Tan Si, a fellow gangster who becomes a mentor/friend to Ma.
Feng Ku co-stars as one of the 4 Champions of Shan Tung, Wang Chung and
Hark-On Fung have small roles as Tan Si's henchmen. Ching Li co-stars
as the Tea House singer who falls for the mack-daddy charm of Ma Yong
Zhen.
Check out the remastered print from Celestial Films. Not only is the
film restored to it's original running time but the picture is in
pristine condition and the English subs are excellent. Get ready for
some action packed, bone crunching excitement!! Another winner from
Chang Cheh and the Shaw Brothers!
Highest recommendation possible.
7 out of 7 people found the following review useful:
Gangsters meet kung fu in the streets of Shanghai, 8 May 2001
Author:
Brian Camp from Bronx, NY
BOXER FROM SHANTUNG (aka KILLER FROM SHANTUNG, 1972) successfully
combines gangster and kung fu genres to create a compelling two-hour
rags-to-riches tale of a poor drifter in early 20th century Shanghai
who rises up in the local mob by virtue of his kung fu skills. Ma Yung
Chen (played by Chen Kuan-Tai) so impresses the local bosses that he is
quickly given his own teahouse and protection racket, yet he remains
loyal to his friends, including a hapless little sidekick, and friendly
to the poor. He has a run-in with another local gangster, Tan (David
Chiang in an extended cameo), but they soon develop mutual respect.
The kung fu comes in when Ma is confronted by rival gangster Yang,
whose henchmen consist of the Four Champions. When Ma beats three of
the Champions in their very first encounter, an enmity develops that
finally culminates in a massive brawl at a neutral teahouse where Ma
takes on dozens of Yang's thugs. In this remarkable fight scene, Ma is
hit with an ax but continues to fight up and down the two stories of
the building with the ax imbedded in his stomach. It's all shot in the
Shaw Bros. studio and backlot in Hong Kong, with some additional work
on HK locations familiar to kung fu fans.
Chen Kuan-Tai (EXECUTIONERS FROM SHAOLIN) was bigger and
stronger-looking than most Shaw Bros. kung fu stars and carries the
right air of brute force and intimidation in what is essentially the
role of a petty gangster. Yet his broad smile, outgoing manner and
protective nature give his rough-hewn character a likability that
attracts audience sympathy. Ma is not just a standard vengeance-seeking
kung fu student forced to learn new styles to beat a more powerful
opponent. He is more at loose ends, trying to find his way in the world
and not necessarily on the straight and narrow path.
Aside from Chen and David Chiang, the few familiar kung fu faces in the
cast include Cheng Kay Yeh (as Chen's sidekick), Ku Feng (as one of the
champions) and Wang Ching. Top-billed actress Ching Li co-stars as
Chen's love interest, a singer in the restaurant he runs, although her
role is less significant than the billing would indicate. The film was
directed by kung fu specialist Chang Cheh, with Pao Hsueh Li given a
co-directing credit. The action directors are an impressive lot and
include Tang Chia, Liu Chia Liang (Lau Kar Leung), and Liu Chia Yung.
ADDENDUM: A follow-up of sorts is the similarly-styled MAN OF IRON
(1972), also reviewed on this site, which also co-stars Chen Kuan Tai
and Ching Li, but gives Ms. Ching a larger, more interesting role.
QUEEN BOXER (1974), also reviewed on this site, is an unofficial
non-Shaw sequel to SHANTUNG and focuses on the sister of Ma Yung Chen
as she arrives in Shanghai and begins a quest for vengeance. She is
played by the phenomenal kung fu diva, Chia Ling (billed as Judy Lee).
In December 2003, Celestial/IVL released a restored, remastered,
letter-boxed, subtitled Region 3 DVD of BOXER FROM SHANTUNG. That's the
one to see.
6 out of 7 people found the following review useful:
A masterpiece, and possibly the best of it's kind..., 5 April 2007
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Author:
Labia_Mirage from Deutschland
Before the advent of DVD media, films such as Cheng Cheh's "Boxer From Shantung" could only be seen in severely butchered form, complete with laughable and awful dubbing, fair to poor picture quality, always in "pan and scan" format with a percentage of the picture chopped out, and in most cases, with the harder violence removed as well. Finally "Ma Yong Zhen" can be seen the way director Cheh envisioned his passionate "rags to riches" epic, with "epic" being a suitable word as this film is quite big in scope, and surpasses the 2 hour mark. The tale itself is a familiar one to be sure; a young, ambitious street urchin uses his unique boxing skills and mental cunning to climb the bloody ladder of success, and fortune. But this tale has rarely been filmed so eloquently. There is so much to praise here, beginning with cinematography; forget comparing this film with the endless and uninspired kung-fu pictures made through the 60's to 70's. For the look of "Ma Yong Zhen" is that of a mostly beautiful art-house style production. This can finally be seen in it's original aspect ratio of 2,35 widescreen, and the difference is hardly describable. For years apparently, this was only released widely with a running time of just over 90 minutes, but the wonderful DVD from "Celestial Pictures" restores the feature to it's 124 minute running time. The lead character, played by Chen Kuan-tai, is really superb in his role as the ambitious 'Ma'. He possesses a strange, utterly unique physical beauty which somehow elicits sympathy from the viewer. The film reminded me a bit of 1983's "Scarface", as the stories, as well as the extreme violence are similar themes within both pictures. However Chen's character never loses touch with his own humanity, unlike Tony Montana, who became a monster. And I must agree with another poster who described the feeling of "sadness" that envelops the film. Much of it is quiet, subdued, featuring some haunting, and totally unobtrusive musical score. Of course this is misleading, as the film explodes with a brand of violence hard to describe, for the films breathtaking climax. That new DVD also features the original Mandarin language audio track, and hearing the original language is the only way to see this. There are English subtitles as well. Recommended viewing for anyone curious to see a how a traditional kung-fu film can be transformed into a work of art.
4 out of 4 people found the following review useful:
Better than average, 4 April 2003
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Author:
henry-girling from London, England
'Ma yong zhen' or 'Boxer from Shantung' in the dubbed videocassette
version
I viewed is a long film but engrossing, showing the rise of Ma Yung Chen
from lowly labourer to gang boss.
The film has a strange melancholy air, ending with some of the characters
fleeing from Shanghai as war approaches. The music has also a sad feel to
it. Avarice is the main driving force of most of the characters as they go
about their business but over all there is a doomed air.
Kuan Tai Chen who plays Ma Yung Chen (very well) has a pleasant appealing
smile but there is something sad in him too. His yearning to be somebody
is
touching. He is plausible in the fight scenes too, particularly the
tremendous gory fight at the end, which seems to go on endlessly like a
nightmare you can't wake up from. David Chiang as usual is great, though
not
on the screen long enough. The 'four champions' in the film include the
Shaw
Brothers regular Feng Ku who is always good value.
I believe John Woo worked as an assistant director on the film and is a
fan
of the director, Cheh Chang. Compare the end of this film with the end of
Woo's 'The Killer'.
There is a lot of combat in this film but it sits well with the narrative
and the characters. Some martial art films are all fighting and no plot
but
'Boxer from Shantung' has both in equally good measures.
2 out of 3 people found the following review useful:
Rags to riches... but is it all that it's made out to be??, 25 December 2007
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Author:
sidyaqub from United Kingdom
This 1970's Shaw Brothers studio epic from legendary director Chang
Cheh still seems to be as increasingly watchable to this day.
Chen Kuan Tai stars as Ma Yong Zhen, a street urchin in 1930's Shanghai
who gets by washing carriages for the upper-class. But he desires more,
he wants to have his own power, wealth and status in the city of
Shanghai. After a couple of errands with the Four Dragon's gang, Ma
gets the recognition he yearns for and is seen as a saviour to the poor
and begins his parade by taking over districts in Shanghai. Soon the
power and status he has craved for begins to crumble the
inner-happiness he has longed for.
The film has proved to be very influential to this day, as John Woo was
assistant director and the Four Dragon's gang was also used in Stephen
Chow's 'Kung Fu Hustle' (but known as the Axe Gang), the finale of Ryo
Seung Wan's 'City of Violence' also bears resemblance to the finale of
'Ma Yong Zhen'. Chen proves to be a worthy lead as his appearance and
performance comes as very empathetic and proves quite adequately in
fight sequences. Chang Cheh regular David Chiang plays a small role but
sadly shows very little martial arts skills. The fights are somewhat
average, if not very bloody but the story line, the central
performances, the cinematography and the music score make this film
stand out as an evergreen classic. What drew me into this film was it's
cool and slick opening sequence (kind of like Chang Cheh's 'Vengeance')
it creates the atmosphere of mystery, danger, rage and excitement.
All I can say is if you can see a worthy version of this movie (sadly
there's no DVD released in the UK yet) go and see it. But I'm sure
other DVD distributors in other countries have released the full uncut
version of this classic.
Sort of a big deal and worth seeing, 12 May 2012
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Author:
petep from Naperville, IL
This is basically a kung fu Scarface type of story. Chen Kuan Tai gets an "Introducing" credit in what I believe to be his first starring role. He was great, and gets even better in future movies. David Chiang has a key role and as always was the coolest guy on screen. The version I saw was uncut, which is my favorite word for movies, though it did feel a bit long. I don't think anything was worth cutting out though. I feel sorry for those stuck with a version shorter by a half hour. My favorite supporting actor of the era, Ku Feng, was in this too, but if I told you I watched 2 Shaw Brothers movies today and he was in both... well, this shouldn't be a surprise. That guy worked his ass off and the odds of such an occurrence are quite high!
Echoes of Duel of the Iron Fist..., 28 February 2012
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Author:
poe426 from USA
*** This review may contain spoilers ***
Ma (Chen Kuan Tai) settles in at a local flop house where he's befriended by a "little hillbilly" named Xiao. Ere long, our hero begins to pine for some of the better things in life- and, when he sees Tan (David Chiang) being treated like royalty, he decides that THAT's the way to go. Not unlike DUEL OF THE IRON FIST, THE BOXER FROM SHANGTUNG is a Triad movie loaded with hatchet-wielding hatchet men (led, in this case, by Ku Feng as Boss Yang). Along the way to becoming Tan's man in the area, Ma defeats a Russian wrestler. When Tan is ambushed and murdered, Ma sends Xiao packing and sets out to avenge his idol. As in many of Chang Cheh's movies, women are left sidelined watching the action (or seen leaving town, as in this case). While I've seen no trailers proudly proclaiming "No women in this one!", they might just as well have done one: Ma seems FAR more interested in Tan than the young lady who pines for him in the movie. Chang Cheh (thankfully) milks the gory finale for all it's worth (even literally bringing down the Green Lotus Teahouse, the way Jackie Chan would in THE LEGEND OF THE DRUNKEN MASTER). Another ten for Chang Cheh.
4 out of 15 people found the following review useful:
Better than average kung-fu film. Heavy influences on Tarantino's Kill Bill., 17 August 2004
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Author:
The-Gent from Sydney, Australia
One of those films that you find in a "Everything here $1..." bin at your video store. It's dated, the video and sound quality are poor, the acting is typically sh*thouse and the storyline has been done 100 times before. But being somewhat of a fan of kung-fu films, I try to see anything no matter how bad it looks. The Boxer From Shantung is no classic of the genre, but it does provide some excitement, some innovative concepts and some of your standard Shaw Brothers kick ass action, so it can't be a complete waste. One thing that came straight to mind when I saw the 'House of Blue Leaves' chapter in Kill Bill vol. 1 was this film. The Boxer From Shantung inspired the sequence where the crazy 88s come rushing into the club through any entrance available. Admittedly though, Tarantino did it better. Also, the lead actor Kuan Tai Chen kept reminding me of Charles Bronson, he looks like him but it's mostly his mannerisms. He went on to star in many more Shaw Brothers films (see: The Flying Guillotine). 7/10 -- but only because I'm partial to kung-fu films.
2 out of 12 people found the following review useful:
prologue 6 epilogue are quite fine, between them is a good film, but not an outstanding one, 2 February 2005
Author:
mj970128-1 from Germany
Occasionally too gluey Eastern about the rising of Ma Yongzhen [ Chen
Kuan Tai, in the German title he's giving a pirate, not a boxer ] , who
hast to recognize later, the air up there is quite thin. The formal
data's of the movie are quite impressing: John Woo as assistant
director, Chen Kuan Tai became one the Top Actors thru it, it's with
KING BOXER and FIST OF FURY one of THE influential movies of the time,
followed by a somehow sequel [ IRON MAN ] and a remake [ Corey Yuen
Kwai's HERO, with Takeshi Kaneshiro and the then-comeback of Yuen Biao
].
An epic is aimed, the premise is well, but due to the missing pace and
the lacking dramatic and elaboration it isn't reached. The action
scenes are either rigid or way too exaggerated, and some sequences
could have been cut; a running time of 2hrs is too much for that. For
example the Wrestling episode, which is terribly long, but also some
sections with Ching Li as eye-catcher and secret love interest of Ma
Yongzhen, which adds nothing at all to the film. So there's only
struggle to the next, the opponents are always increasing, Ma himself
is little impressed by that. At the end he runs around a tea house,
collapsing it and beating the sh*t out of estimated 200 thugs, and
already has an Axe cut in his belly. Thats too silly.
Movie has sure his strengths, production values is as high as the body
count, Chen Kuan Tai does very well in his first leading role, there's
an expanded cameo of David Chiang and the gangster story is something
new, compared to the usual revenge - plot. The prologue and epilogue
are quite fine, between them is a good film, but not an outstanding
one.
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