When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic ... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Based on "Sister of the Road," the fictionalized autobiography of radical and transient Bertha Thompson as written by physician Dr. Ben L. Reitman, 'Boxcar' Bertha Thompson, a woman labor organizer in Arkansas during the violence-filled Depression of the early '30's meets up with rabble-rousing union man 'Big' Bill Shelly and they team up to fight the corrupt railroad establishment and she is eventually sucked into a life of crime with him. Written by
Martin Scorsese got hired by Roger Corman, I presume, to make this "based on true story" movie of a boxcar thief and robber named Bertha whom with some other robbers stole their way into a small piece in history but got into strife towards the end. It isn't one of his best pictures since he really was just the director and the script and the actors did more work than he needed to do on the picture. Like The Color of Money, it's a film that if he didn't direct it it wouldn't of made much of a difference in the outcome.
Still, give credit where credit is due, and those (very few I might think) that heard what Cassavettes said to Scoresese after the movie got released (he told Marty that it was a piece of s*** and to work on something better- which he did with Mean Streets) should disregard it. Overall, Boxcar Bertha is a watchable and good piece of cinema with some decent performances and an overall feel that works in it's "tradition of Bonnie & Clyde" genre. Hershey and Carradine are also good. Just don't expect anything ground-breaking, unlike the next 5 out of 6 movies Scorsese would make in the next eight years after this. B+
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