| Bill Mumy | ... | Lawrence Teft | |
| Barry Robins | ... | Cotton | |
| Miles Chapin | ... | Shecker | |
| Darel Glaser | ... | Goodenow | |
| Bob Kramer | ... | Lally 1 | |
| Marc Vahanian | ... | Lally II | |
| Jesse White | ... | Sid Shecker | |
| Ken Swofford | ... | Wheaties | |
| David Ketchum | ... | Camp Director (as Dave Ketchum) | |
| Elaine Devry | ... | Cotton's Mother | |
| Wayne Sutherlin | ... | Hustler | |
| Bruce Glover | ... | Hustler | |
| William Bramley | ... | Mr. Goodenow | |
| Vanessa Brown | ... | Mrs. Goodenow | |
| Charles H. Gray | ... | Captain Cotton | |
| Vincent Van Lynn | ... | Mr. Teft | |
| June C. Ellis | ... | Mom | |
| Frank Farmer | ... | Doctor | |
| Jeff Smart | ... | Young Shooter | |
| rest of cast listed alphabetically: | |||
| Edson C. Kurose | ... | Moishe - Chauffeur (uncredited) | |
| Earl Rivard | ... | Indian Teen (uncredited) | |
| Jeff Sherman | ... | Extra (uncredited) | |
Directed by | |||
| Stanley Kramer | |||
Writing credits | ||
| Glendon Swarthout | (novel) | |
| Mac Benoff | (screenplay) | |
Produced by | |||
| George Glass | .... | associate producer | |
| Stanley Kramer | .... | producer | |
Original Music by | |||
| Perry Botkin Jr. | |||
| Barry De Vorzon | |||
Cinematography by | |||
| Michel Hugo | |||
Film Editing by | |||
| William A. Lyon | |||
Casting by | |||
| Billy Gordon | |||
Art Direction by | |||
| Lyle R. Wheeler | |||
Production Management | |||
| Ivan Volkman | .... | production supervisor | |
Art Department | |||
| Joe LaBella | .... | property master | |
Sound Department | |||
| Les Fresholtz | .... | sound | |
| Joe Kenworthy | .... | boom operator | |
| Dean Salmon | .... | boom operator | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects | |
Stunts | |||
| John Hudkins | .... | stunt coordinator | |
| Jesse Wayne | .... | stunt double | |
| George Orrison | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Al Ducharme | .... | grip | |
| Patrick Fennell | .... | assistant camera | |
| Dutch Hogue | .... | electrician | |
| Don Jacobson | .... | grip | |
| Victor King | .... | assistant camera | |
| John Livesley | .... | key grip | |
| Ralph McCarthy | .... | gaffer | |
| John Monte | .... | still photographer | |
| Harold Rabuse | .... | best boy | |
| Roger Shearman | .... | camera operator (as Roger Sherman Jr.) | |
Costume and Wardrobe Department | |||
| Seth Banks | .... | wardrobe | |
Editorial Department | |||
| Florence Williamson | .... | assistant editor | |
Music Department | |||
| Jack Hayes | .... | orchestrations | |
| Leo Shuken | .... | orchestrations | |
Transportation Department | |||
| Omar Dierkins | .... | driver | |
| Vern Jacobs | .... | driver | |
| Jim Morris | .... | driver | |
| Bruce Petty | .... | transportation captain | |
| Ronald Stinton | .... | driver | |
Other crew | |||
| Wayne Fitzgerald | .... | title designer | |
| Ron Hall | .... | craft service | |
| Al Jank | .... | wrangler | |
| Harry Kohoyda Jr. | .... | location auditor | |
| Marshall Schlom | .... | script supervisor | |
| Paul Stufloten | .... | first aid | |
| Edson C. Kurose | .... | assistant to the producer (uncredited) | |
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| Australia | Jarhead | My Own Private Idaho | Giant | George Washington |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
The recent passing of another of the 'great' directors prompted me to look back at Stanley Kramer's career. And that lead me to reflect upon my teenage experience of sitting in one of Melbourne's grand old picture houses one Saturday afternoon and viewing this movie for the first of what has now been many times.
Perhaps it was my age at the time, or my love of the outdoors, or my regular weekend hikes, or my love of animals... whatever it was, that 2 hours looking at the enormous screen was one I can recall with vivid clarity even 30 years on.
I remember how awesome the cinematography was it captured the beauty of the environment in those scenes where the misfit teenagers headed out across the plains to rescue the bison.
The music also evoked the essence of the outdoors for me. For many years after whenever I came up over a hill in the forest the Carpenters' music seemed to play in my head. It is just a shame that someone let the theme be [mis] appropriated to other less noble ends.
I have shown this movie to many teenage groups in the years since it opened. Although time has certainly moved on and much, especially the dress and manners has changed I have rarely found any teenager who has not been able to identify with the movie and the themes it seeks to explore.
Stanley Kramer made some wonderful, no some great movies. And while this may not rank as his greatest, for me it was and 'is' great as it allows this writer to revisit his teen years and relive a truly memorable period of his life.