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Two thousand years ago, the people of Rome are so blasée, so used to violence, that entertaining them becomes a political problem. Someone suggests, after a hectic girl fight in a kitchen ... See full summary »
Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
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The plight of a common thief is complicated when he hides out with a country family that mistakes him for the new preacher in town. The mistaken identity transforms the perpetrator in ways he did not expect.
Terry, a social-climbing young woman accidentally gets caught up in the activities of two revolutionaries, Blossom and Django, and finds herself in a concentration camp for women. In the center of the camp is a towering wooden machine ("The Big Bird Cage") in which the women risk their lives processing sugar as the evil warden looks on. The prisoners are subjected to sadistic cruelty from the guards and fellow prisoners, and all attempts at escape are dealt with...permanently. Terry's only hope for escape lies in Blossom and her revolutionary allies. Written by
Jonathan Ruskin <JonRuskin@aol.com>
First of all, I would like to say that I find Leonard Maltin's review of this film rather inaccurate. "Amusing SPOOF of prison films"? Calling "The Big Bird Cage" a spoof is like calling "Die Hard" a spoof of action films because it contains some wisecracks and comic-relief characters. That said, I found this film inferior to its predecessor in pretty much every aspect. It is more exploitative, the direction has no pace, the characters are not as strongly drawn and Roberta Collins is sorely missed (Candice Roman is a pretty blonde, but not as pretty as Roberta). Pam Grier's dominating presence (especially in the scene where she proclaims herself the leader of the prison camp) is not only the best, but one of the few things that this film has going for it. (**)
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