In this action-packed romantic adventure story, a beautiful woman must perform feats of bravery in order to inherit a $28 million fortune and win the man she loves. Lots of stunts featuring... See full summary »
Lee Van Cleef,
One of Tanaka's underlings has stolen a rare statuette that he had planned to use as a peace offering between the local Yakusa and Chinese Tong. He hires two private investigators to ... See full summary »
A spaghetti western in which three adventurers team up during the Mexican Revolution. Mary O'Donnell, a radical Irish journalist, wants to foment a peasant revolt in Mexico. She enlists the... See full summary »
After a stagecoach is robbed and the passengers murdered, a long and tangled series of surprise attacks a murderous double-crosses leaves the coach's strongbox in the hands of the killer ... See full summary »
Mann is a gunman informed by a childhood friend that his father was murdered years earlier by his mother and her lover. To make matters worse, Mann's sister, who is in love with his friend,... See full summary »
Robber Roy King loses his wife, Alicia, to revolutionary Montero. Despite their rivalry they collaborate in an attempt to rob the Mexican government of one million dollars. Written by
TOM SELDON <Sabata@Premier.co.uk>
This eccentric Euro-Western has more in common with the revisionist, light-hearted approach of BUTCH CASSIDY AND THE SUNDANCE KID (1969) than with any of the sadistic Italian fare shot around the same time and on the same locations. A great, eclectic cast (Lee Van Cleef, James Mason, Gina Lollobrigida, Sergio Fantoni, Jess Hahn, Simon Andreu, Eduardo Fajardo, Gianni Garko, Diana Lorys) finds itself somewhat stranded - and in the case of Mason, evidently embarrassed - in the face of the film's bizarre changes of mood, some of which work (there are a few enjoyably comical action sequences) and some of which don't (why the director chose to overdose on the "freeze-frame" stuff at the beginning is anyone's guess); in light of all this, the involvement of talented Hollywood veterans Philip Yordan, Irving Lerner and Bernard Gordon is even more baffling. All in all, however, BAD MAN'S RIVER emerges as a surprisingly pleasant, if ultimately forgettable, diversion.
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