The Assassination
(1972)
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The Assassination
(1972)
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| Cast overview, first billed only: | |||
| Jean-Louis Trintignant | ... |
François Darien - un intellectuel instable
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| Michel Piccoli | ... |
Le colonel kassar - le ministre de l'intérieur d'un pays du maghreb
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| Jean Seberg | ... |
Edith Lemoine - une infirmière gauchiste
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| Gian Maria Volonté | ... |
Sadiel - un leader progresste maghrebin
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| Michel Bouquet | ... |
Maïtre Lempereur - un avocat corrompu
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Bruno Cremer | ... |
Maître Michel Vigneau - l'avocat de Sadiel
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Daniel Ivernel | ... |
Antoine Acconetti - un truand
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| Philippe Noiret | ... |
Pierre Garcin - le responsable de l'information à l'ORTF
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François Périer | ... |
Le commissaire René Rouannat - un flic honnête
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| Roy Scheider | ... | ||
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Jacques François | ... |
Lestienne - le chef des services secrets français
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Jean Bouise | ... |
Un policier français haut placé qui couvre l'affaire
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Denis Manuel | ... |
Azam - un étudiant maghrebin
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Marc Mazza |
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Jacques Richard |
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Sadiel, rebel leader in a North African state, takes refuge in Switzerland in the aftermath of a coup. Aware of the threat posed by Sadiel, the ruthless Colonel Kassar contacts the French security services to help in capturing the political activist. A police informer, Darien, is forced to lure Sadiel to Paris, allegedly to make a television coverage about the Third World. Arriving in Paris, Sadiel is captured and delivered to his opponents. Disgusted by the way he has been manipulated, Darien tries to turn back the clock, unknowing who's dealing with. Written by Anonymous
Perhaps it's because the version of this film I saw was only 93 minutes and dubbed into English, but this French/Italian/German spy thriller is doomed by a screenplay and a director that never clarifies the parties concerned. Whilst references are made to Algeria, the Black Panthers, Communists, students, French police and Secret Service, the CIA, Palestine, Jordan, Egypt, Vietnam, and even the Gestapo, since the political allegiances are obtuse, it's hard to care about a kidnapping or a protagonist on the run.
Roy Scheider's presence is presumably for the American market, and though he has what amounts to a cameo, he at least appears to be speaking in his own voice - even with bad lip-synching. A brunette and dubbed Jean Seberg has more screen time. She even gets a tender moment with an extreme close-up, but her role remains thankless, for the most part, and she isn't particularly good in what she has to do.
The only suggestion of humor in the whole treatment is the convenient appearance of a tram and a bus to rescue Jean-Louis Trintignant from two different chases.
Director Yves Boisset stages a riot with convincing mob pandemonium, and presents a tracking shot of a wall of phone tappers. There are two good edits - one from flying wild birds to pellet shooting, and the other from Scheider on the phone saying "Of course I'm not going to tell anyone" to the conversation being tapped. The discordant music of Ennio Morricone is a good addition to the chase scenes, however a stabbing uses orange colored blood, and the New Year's Eve setting is never exploited.