IMDb > Asylum (1972/I)
Asylum
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Asylum (1972/I) More at IMDbPro »


Overview

User Rating:
6.5/10   3,130 votes »
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Up 247% in popularity this week. See why on IMDbPro.
Director:
Writer:
Robert Bloch (written by)
Contact:
View company contact information for Asylum on IMDbPro.
Release Date:
17 November 1972 (USA) See more »
Genre:
Tagline:
See what the author of "Psycho" is up to now! See more »
Plot:
In order to secure a job at a mental institution a young British psychiatrist must interview four patients inside the asylum. Full summary » | Add synopsis »
Awards:
2 wins See more »
User Reviews:
Another superb horror anthology from Amicus! See more (59 total) »

Cast

  (in credits order) (verified as complete)

Barbara Parkins ... Bonnie (segment: "Frozen Fear")

Richard Todd ... Walter (segment: "Frozen Fear")

Sylvia Syms ... Ruth (segment: "Frozen Fear")

Peter Cushing ... Smith (segment: "The Weird Tailor")
Barry Morse ... Bruno (segment: "The Weird Tailor")
Ann Firbank ... Anna (segment: "The Weird Tailor")
John Franklyn-Robbins ... Stebbins (segment: "The Weird Tailor")

Britt Ekland ... Lucy (segment: "Lucy Comes to Stay")

Charlotte Rampling ... Barbara (segment: "Lucy Comes to Stay")
James Villiers ... George (segment: "Lucy Comes to Stay")
Megs Jenkins ... Miss Higgins (segment: "Lucy Comes to Stay")

Herbert Lom ... Byron (segment: "Mannikins of Horror")
Patrick Magee ... Dr. Rutherford (segment: "Mannikins of Horror")
Geoffrey Bayldon ... Max (segment: "Mannikins of Horror")

Robert Powell ... Dr. Martin (segment: "Mannikins of Horror")
Sylvia Marriott ... Asylum Head Nurse (segment: "Mannikins of Horror")

Daniel Johns ... Otto the Dummy (segment: "The Weird Tailor") (as Daniel Jones)
Frank Forsyth ... Asylum Gatekeeper (segment: "Mannikins of Horror")
Tony Wall ... New Houseman (segment: "Mannikins of Horror")

Directed by
Roy Ward Baker 
 
Writing credits
Robert Bloch (written by)

Produced by
Gustave M. Berne .... executive producer (as Gustave Berne)
Max Rosenberg .... producer (as Max J. Rosenberg)
Milton Subotsky .... producer
 
Original Music by
Douglas Gamley 
 
Cinematography by
Denys N. Coop (director of photography) (as Denys Coop)
 
Film Editing by
Peter Tanner 
 
Casting by
Ronnie Curtis 
 
Art Direction by
Tony Curtis 
 
Makeup Department
Roy Ashton .... chief make-up
Joan Carpenter .... chief hairdresser
 
Production Management
Teresa Bolland .... production manager
 
Second Unit Director or Assistant Director
Anthony Waye .... assistant director
 
Art Department
Fred Carter .... set dresser
 
Sound Department
Norman Bolland .... sound mixer
Bob Jones .... dubbing mixer (as Robert Jones)
Clive Smith .... sound editor
Mike Tucker .... boom operator (uncredited)
 
Special Effects by
Ernie Sullivan .... special effects (uncredited)
 
Camera and Electrical Department
Neil Binney .... camera operator
Bob Jordan .... focus puller (uncredited)
 
Costume and Wardrobe Department
Bridget Sellers .... wardrobe mistress
 
Music Department
Douglas Gamley .... music arranger
 
Other crew
Pamela Davies .... continuity
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies
  • G.S.E.  titles (as G.S.E. Ltd)

Additional Details

Also Known As:
"House of Crazies" - USA (reissue title)
See more »
Runtime:
88 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:

Did You Know?

Trivia:
The movie started shooting in early April of 1972 and was playing in West End cinemas 15 weeks later.See more »
Goofs:
Continuity: In the first story, when the parts of the dismembered corpse are moving around, two right hands appear, one crawling on the floor and the second reaching down for Bonnie's face.See more »
Quotes:
[Smith orders an expensive suit, but tells the tailor he can only work on the garment after midnight]
Smith:I happen to believe in astrology...
See more »
Movie Connections:
Featured in Monster Mania (1997) (TV)See more »
Soundtrack:
A Night on Bald MountainSee more »

FAQ

Are these based on short stories?
See more »
8 out of 9 people found the following review useful.
Another superb horror anthology from Amicus!, 31 July 2009
Author: manchester_england2004 from Manchester, England, UK

ASYLUM is the fifth in a series of seven Amicus horror anthologies. If THE MONSTER CLUB is included as part of the series, this would make eight movies. Although, that movie is very different from the others.

I look upon the Amicus anthologies with great memories as I used to love them when I was in my teens. My feelings for them today are just as strong.

ASYLUM may no longer be my favourite of the Amicus horror anthologies. But it is the first one I saw and as such holds a special place in my heart.

There are three identifiable stories in this movie. Although, unlike the other Amicus anthologies, the linking story is much more prominent and as such acts as a fourth.

The movie starts with Robert Powell as a young doctor driving to an Dunsmoor Asylum, an asylum for the incurable insane. The opening credits play over his journey with the famous "A Night on Bald Mountain" used for the score. With a magnificent example of classical music being used to score the movie, I knew it was going to be an enjoyable experience.

When Powell arrives at the asylum, he finds out that the head of the institution, Dr. Starr, has himself now become an inmate. His associate, Dr. Rutherford, sets Powell a test to judge his ability to take the job. The test - meet the inmates and identify which one is Dr. Starr.

Powell then goes up to meet the inmates and is introduced to the orderly, played by Geoffrey Bayldon. I loved Bayldon's performance here and consider it to be one of the best of his career. At 85 and still going strong, I wish him a happy life in the remainder of his retirement.

Each of the three stories begins with Powell introducing himself to the inmates.

The first story involves Barbara Parkins who has made plans to run off with her lover, played by Richard Todd. Unfortunately, Todd's wife, played by Sylvia Syms, stands in the way. Todd decides to kill his wife, dismember her body and wrap each part up neatly in brown paper. The body parts are then left in a freezer in the cellar. Unfortunately, Todd's wife won't let him leave quite so easily! This story moves along slowly at times but features good performances by the three actors.

The second story involves Barry Morse as a tailor facing eviction from his shop because he can't afford to pay the rent. A sinister customer, played to perfection by the late great Peter Cushing, asks him to make a suit from unusual material. Cushing tells him that the suit is a gift for his son. But it turns out his son is dead! I will spoil no more but I will state that I really enjoyed this story and fail to understand why it is so heavily bashed by IMDb users. The story is worth seeing just for Cushing's performance alone. But Barry Morse should be given recognition for giving the performance of his career as the somewhat nervous tailor trying hard to get the suit finished in time.

The third story sees Charlotte Rampling returning home after a stay in a mental hospital. Her brother, played superbly by the great professional, James Villiers, acts caring for his sister but has a sinister side that makes the audience question his loyalties. Anyway, Rampling sees her friend, Lucy, played by Britt Ekland, after taking some pills. Ekland persuades Rampling to run off with her and leave her brother behind. This story takes a series of twists and turns before reaching its disturbing conclusion. Rampling's performance as a young woman with a seemingly split personality is easily one of the best in the movie.

The remainder of the movie takes place in the asylum and this constitutes the final story. Powell meets a seemingly calm rational doctor, played by the great Herbert Lom, one of my all-time favourite actors. Lom has created a series of mechanical figures, including one of himself. He tries persuading those around him that he can bring the figure to life but everyone thinks he's crazy. But could he be right? Watch and see.

The linking story works so well due to the superb performance delivered by Robert Powell. His performance as a seemingly confident yet naive young doctor was genuinely believable and he held my attention in every scene he was in.

Patrick Magee should not be forgotten either. His performance as the aging experienced doctor was believable because he was seen to have flaws that remind us all that experience is not something to be relied upon as a sole strength when dealing with tough challenges.

Roy Ward Baker directs the movie and many of his styles are evident here. He makes excellent use of "A Night on Bald Mountain" to score the movie, ensuring it fits with the somewhat Gothic setting. His other choices of music have an orchestral Gothic style that ensure consistency and help build suspense and tension, something particularly evident in the final story. Baker makes excellent use of camera angles to hook the audience with something quirky or sinister, draw them in slowly and then deliver a sudden shock out of nowhere. These styles were also used on many of his other movies but it is here where it works best.

The scripting is carefully put together so the movie distances itself from its four predecessors. The choice of using part of the linking story to act as the final story was a wise decision since it's actually better than the other three.

Overall, ASYLUM is a must-see for fans of the Amicus anthologies, fans of other Amicus movies or fans of portmanteau horror movies. If my summary provides the movie with enough appeal in your eyes, check it out. You'll enjoy it!

Was the above review useful to you?
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Message Boards

Discuss this movie with other users on IMDb message board for Asylum (1972)
Recent Posts (updated daily)User
Does anyone no who did the music for this film please deathsyndicate
opening song? Blood-Freak
Rate each segment michael_myers_II
Needed a touch more blood edwstraker
Amazing dmhead777
I know most of the music was Mussorgsky but... mjr3090
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