Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
On the 100th anniversary of the founding of a watchmaking company in Geneva, Charles Dé the founder's 50-year-old grandson has had it: he speaks eccentrically to a reporter, recognizing his... See full summary »
Two men, arty though somewhat staid, are drawn to the spirited and quixotic Rosemonde, a young working-class woman whom they meet because they're writing a teleplay about a minor but ... See full summary »
L'Astragale is a 2015 French drama film directed by Brigitte Sy. It is the second film adaptation of the 1965 semi-autobiographical novel L'Astragale by Albertine Sarrazin, after Guy Casaril's L'Astragale.
After the death of his mother, middle-aged insurance employee inherits her small cottage surrounded by a garden. Selling the cottage which is situated on unexploited ground near the center ... See full summary »
The friendship of three Texas Ranchers. Later their ranch was destroyed by Cotrell, of the Union army,and his band of outlaw raiders. The original title was "Distant Drums", this was a description of Civil War army deserters.
As he sets off for the countryside outside Geneva, taxi-driver Hector hears a gunshot and notices a shadowy figure slipping away from the scene. His next passenger is James, who needs to go... See full summary »
To describe what happens in it is difficult to condense, there are a few men and a few women in the Swiss countryside, their encounters are aleatoric, and playful. Of all the players Jean-Luc Bideau seems to be having the biggest hoot.
The movie seems to be about everything and nothing, it has its moments of banality, and its moments of charm, and hints of huge significance. Could it be that this movie is about the replacing of old systems of living with existential anarchy, about the promise and pratfalls of doctrinal feminism, about the disintegration of solidarity and its associated tragedies and misunderstandings? It seems to be about all these things and none, almost Dadaist at moments, it's like Alain Tanner on weed. Despite its absolute modernity of attitude it warmly utilises quite a lot of flagrantly beautiful classical music such as Brahms' Second Intermezzo from his Opus 117. Old and new emotional wisdom dancing around one another.
I had to think about this one for a long time before I realised I loved it. It is full of gemstones, humorous little motifs that last a few seconds and yet hint at vast subject areas. Really I think this movie is still way ahead of not just its time, but this time. It is very difficult to tell whether it is reactionary or revolutionary, or dandelion seeds on a breeze. Quite apt that I saw this movie by fluke.
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