On the 100th anniversary of the founding of a watchmaking company in Geneva, Charles Dé the founder's 50-year-old grandson has had it: he speaks eccentrically to a reporter, recognizing his... See full summary »
After the death of his mother, middle-aged insurance employee inherits her small cottage surrounded by a garden. Selling the cottage which is situated on unexploited ground near the center ... See full summary »
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
Lucienne Delamare and Pierre Maury are having an affair. Lucienne's husband Paul is the mayor, and a French deputy. Pierre's wife Clotilde has been weak and sickly for years. Lucienne's ... See full summary »
Herbert Von Krantz, a nuclear scientist, has discovered the "Canceler", a device capable of neutralizing any kind of atomic bomb. Concerned to keep his invention secret, he cuts himself off... See full summary »
CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 60's through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.
1944, a french Normandy village occupied by the germans troops, its mayor, doctor as well, Mr Leproux is caught between a rock and a hard place. The Nazis search a british pilot wounded, ... See full summary »
To describe what happens in it is difficult to condense, there are a few men and a few women in the Swiss countryside, their encounters are aleatoric, and playful. Of all the players Jean-Luc Bideau seems to be having the biggest hoot.
The movie seems to be about everything and nothing, it has its moments of banality, and its moments of charm, and hints of huge significance. Could it be that this movie is about the replacing of old systems of living with existential anarchy, about the promise and pratfalls of doctrinal feminism, about the disintegration of solidarity and its associated tragedies and misunderstandings? It seems to be about all these things and none, almost Dadaist at moments, it's like Alain Tanner on weed. Despite its absolute modernity of attitude it warmly utilises quite a lot of flagrantly beautiful classical music such as Brahms' Second Intermezzo from his Opus 117. Old and new emotional wisdom dancing around one another.
I had to think about this one for a long time before I realised I loved it. It is full of gemstones, humorous little motifs that last a few seconds and yet hint at vast subject areas. Really I think this movie is still way ahead of not just its time, but this time. It is very difficult to tell whether it is reactionary or revolutionary, or dandelion seeds on a breeze. Quite apt that I saw this movie by fluke.
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