| Bernard Verley | ... | Frédéric | |
| Zouzou | ... | Chloé | |
| Françoise Verley | ... | Hélène | |
| Daniel Ceccaldi | ... | Gérard | |
| Malvina Penne | ... | Fabienne | |
| Elisabeth Ferrier | ... | Martine (as Babette Ferrier) | |
| Tina Michelino | ... | The Passenger | |
| Jean-Louis Livi | ... | The Colleague | |
| Pierre Nunzi | ... | The Salesman | |
| Irène Skobline | ... | The Saleslady | |
| Frédérique Hender | ... | Mme. M. | |
| Claude-Jean Philippe | ... | Mr. M. | |
| Silvia Badescu | ... | The Female Student | |
| Claude Bertrand | ... | The Male Student | |
| Sylvaine Charlet | ... | The Landlady | |
| Daniele Malat | ... | The Customer | |
| Suze Randall | ... | The Au Pair | |
| Françoise Fabian | ... | Dream Sequence | |
| Marie-Christine Barrault | ... | Dream Sequence | |
| Haydée Politoff | ... | Dream Sequence | |
| Aurora Cornu | ... | Dream Sequence | |
| Laurence de Monaghan | ... | Dream Sequence | |
| Béatrice Romand | ... | Dream Sequence |
Directed by | |||
| Eric Rohmer | |||
Writing credits(in alphabetical order) | ||
| Eric Rohmer | ||
Produced by | |||
| Pierre Cottrell | .... | producer | |
| Barbet Schroeder | .... | producer | |
Original Music by | |||
| Arié Dzierlatka | |||
Cinematography by | |||
| Néstor Almendros | |||
Film Editing by | |||
| Cécile Decugis | |||
Production Design by | |||
| Nicole Rachline | |||
Costume Design by | |||
| Daniel Hechter-Vog | |||
Makeup Department | |||
| Karl Moisant | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Claude Bertrand | .... | assistant director | |
| Claudine Guillemin | .... | assistant director | |
| Lorraine Santoni | .... | assistant director | |
Sound Department | |||
| Jacques Carrère | .... | sound mixer | |
| Michel Laurent | .... | assistant sound recordist | |
| Jean-Pierre Ruh | .... | sound recordist | |
Camera and Electrical Department | |||
| Fernand Coquet | .... | electrician | |
| Bernard Prim | .... | still photographer | |
| Jean-Claude Rivière | .... | assistant camera | |
| Philippe Rousselot | .... | assistant camera | |
Editorial Department | |||
| Martine Kalfon | .... | assistant editor | |
Other crew | |||
| Albert Vasseur | .... | machinist | |
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| Love Actually | ...And They Lived Happily Ever After | Those Who Love Me Can Take the Train | Secret Things | Metroland |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Whether Frederic is on the train, at home with his wife, or trying to figure out how he'll handle the ravishing Chloe from his past life, he seems to truly appreciate the beauty that surrounds him and he wrestles with how to respond.
I was particularly taken with the scene on the train when Frederic begins to explain how he is able to remain under control in the presence of so many beautiful women in the world. Simply acknowledging such beautiful creatures seems to be enough for this man, yet when Chloe arrives on the scene we begin to wonder if Frederic will fold under pressure.
I can surely identify with what Frederic feels on the train. It happens to all of us -- we are faced with beauty, and we must respond. How we respond is what makes life worth living.