Alice (Fiona Fullerton) falls down a rabbit hole and into a magical dream world populated by surreal characters and bewildering adventures. It's a journey of self-discovery for Alice as she...
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A modern adaptation of the classic children's story 'Alice through the Looking Glass' written by Lewis Carol, which continued on from the popular 'Alice in Wonderland' story. This time ... See full summary »
Alice (Fiona Fullerton) falls down a rabbit hole and into a magical dream world populated by surreal characters and bewildering adventures. It's a journey of self-discovery for Alice as she searches for a way out of Wonderland and encounters many bizarre creatures such as the White Rabbit (Michael Crawford), the March Hare (Peter Sellers), the Queen of Hearts (Flora Robson), and the Dormouse (Dudley Moore). Musical highlights include the inspiring song "The Me I Never Knew." Written by
Alice's singing is performed by Natalie Farmer and not by Fiona Fullerton. See more »
As Alice grows larger in the White Rabbit's home, some items on the side table disappear between shots, and the vase of flowers on the table in the center of the room vanish between shots as well. See more »
Please, Mr. Dodgson. Just once more.
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This adaptation of Lewis Carroll's weird and wonderful book tries hard to do justice to its source, but doesn't quite get there. The music by John Barry is saccharine and unmemorable for the most part; although things do pick up when the Mock Turtle and Gryphon (Michael Hordern and Spike Milligan, inspired casting!) lead Alice in a mad dance.
Young Fiona Fullerton looks the part and sings well - she'd go on to front a number of musicals - but the other characters just stop on the wrong side of odd and scary, making them not frightening in the least. The White Rabbit (Michael Crawford) dashes around, the Mad Hatter, March Hare, and Dormouse have their odd tea party (Robert Helpmann, Peter Sellers, and Dudley Moore in another highlight of the film), the Duchess's baby turns into a pig (the Duchess is played by Peter Bull, who turned in a number of grotesque female roles in cinema), and the Queen of Hearts orders everyone's heads off (a waste of Flora Robson's talents).
The film needed a bit of imagination to take off (for another interpretation of the creatures, see the 1980s film 'Dreamchild', with horrific creations from Jim Henson's workshop); as it is, it passes the time but has little fizz.
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