| Photos (See all 18 | slideshow) |
Directed by | |||
| Werner Herzog | |||
Writing credits(in alphabetical order) | ||
| Werner Herzog | written by | |
Produced by | |||
| Daniel Camino | .... | co-producer | |
| Werner Herzog | .... | producer | |
| Hans Prescher | .... | producer | |
| Lucki Stipetic | .... | line producer | |
Original Music by | |||
| Popol Vuh | |||
Cinematography by | |||
| Thomas Mauch | |||
Film Editing by | |||
| Beate Mainka-Jellinghaus | |||
Production Management | |||
| Gustavo Cerff Abulu | .... | unit manager (as Gustavo Cerff Arbulú) | |
| Walter Saxer | .... | production manager | |
| Lucki Stipetic | .... | production manager | |
Sound Department | |||
| Bob Oliver | .... | synchronisation | |
| Herbert Prasch | .... | sound | |
Special Effects by | |||
| Juvenal Herrera | .... | special effects | |
| Miguel Vázquez | .... | special effects (as Miguel Vazquez) | |
Camera and Electrical Department | |||
| Francisco Joán | .... | second cinematographer | |
| Orlando Macchiavello | .... | second cinematographer | |
| Ovidio Ore | .... | assistant camera | |
Other crew | |||
| Ina Fritsche | .... | co-worker | |
| Martje Grohmann | .... | production assistant | |
| Georg Hagmüller | .... | co-worker (as Dr. Georg Hagmüller) | |
| René Lechleitner | .... | co-worker | |
| Gerd Martienzen | .... | voice dubbing: Klaus Kinski (uncredited) | |
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| Cabeza de Vaca | Let Joy Reign Supreme | Fellini Satyricon | Andrei Rublev | The Motorcycle Diaries |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb West Germany section |
Stunning, dreamlike film documents (in a somewhat documentary style), the story of Don Lope de Aguirre (Klaus Kinski), who leads a group of Spanish conquistadors into the depths of the jungle in search for El Dorado, the mythical city of gold. Beautiful cinematography and locations place the viewer into the heart of the jungle, where they witness firsthand Aguirre's descent into madness. Continually interesting and exciting, it features some of the greatest images ever committed to film, most notably the opening and closing shots of the movie.