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Aguirre, the Wrath of God (1972)

Aguirre, der Zorn Gottes (original title)
Not Rated | | Adventure, Biography, Drama | 3 April 1977 (USA)
In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.

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4 wins & 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Del Negro ...
...
Peter Berling ...
Cecilia Rivera ...
Daniel Ades ...
Edward Roland ...
Alexandra Cheves ...
(as Alejandro Chavez)
Armando Polanah ...
Daniel Farfán
Julio E. Martínez ...
(as Julio Martinez)
Alejandro Repullés ...
Indianern der Kooperative Lauramarca
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Storyline

A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction? Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

On this river, God never finished his creation. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

3 April 1977 (USA)  »

Also Known As:

Aguirre, the Wrath of God  »

Filming Locations:

 »

Box Office

Budget:

$370,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Werner Herzog talks about in his commentary how he had to manipulate star Klaus Kinski into getting the performance he wanted in the films they worked on together. For example, Kinski wanted to express Aguirre's madness at the end of the film through very loud shouting and be very obvious. Herzog had him do this for an hour and a half until Kinski grew tired and couldn't perform that way. So he was very quiet and much more contained, which is the performance that exists in the film's ending. See more »

Goofs

When Pizarro sends off the expedition, he expects them to return in one week. However, when Don Pedro tells the men that they have to return by foot, he says that they could make it in two weeks "as Pizarro said". See more »

Quotes

Brother Gaspar de Carvajal: 'Thou lettest man flow on like a river, and Thy years know no end. As for man, his days are like grass as a flower on the field, so he blossoms. For the wind passeth over it, and it is gone, and the place thereof shall know it no more.' You know, my child, for the good of our Lord, the Church was always on the side of the strong.
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Connections

Featured in I Am My Films - A Portrait of Werner Herzog (1978) See more »

Soundtracks

Aguirre, Der Zorn Gottes (Lacrime Di Re)
Written by Florian Fricke
Performed by Popol Vuh
Published by Edition Intro Meisel
Courtesy of Gammarock Music
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User Reviews

Director Herzog is not a cheerleader for humans.
31 August 2004 | by (Ronn Ives/FUTURES Antiques, Norfolk, VA.) – See all my reviews



"Aguirre, the Wrath of God": Werner Herzog is one of my all-time favorite film makers, and this is one of my favorite films by him. Actually taken from the diary of the priest who accompanied Pizarro's expedition in 1560, Herzog recreates the pretentious and self-deluded search for the "Lost City of Gold - Eldorado".

Herzog likes true stories...ones that are bizarre in their own right, but with his direction and personal vision, they become profound (and never optimistic). The camera work is always interesting (he single-handedly "patented" camera shots that don't sweep - they ("you") stare and stare - and stare - at a thing or person or place until it becomes abstract, intense, beautiful, threatening, profound), the scoring is always appropriate yet never expected, and his casting, often using the unique talents of the late Klaus Kinski, guarantee nothing less than an intense experience...even in a film like "Aguirre", which SLOWLY claws and slogs it's way along each and every slippery, dangerous, foreign mile of jungle.

It is clear Herzog 'focuses' on the ridiculously high beliefs humans create for and hold of themselves - that they could actually "own" anything, "conquer" anything, outwit that which they do not understand, and by sheer Will cause anything they deem important, to exist. Herzog is NOT a cheerleader for the history of humans, but he is a ponderer... and we are fortunate he does it on film.


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