Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction? Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
According to director Werner Herzog, Klaus Kinski threatened to abandon the film entirely at one point during the shooting. Herzog says he threatened to kill Kinski and then turn the gun on himself if Kinski left - and later declared he was quite prepared to do so. Kinski stated in interviews that Herzog wielded a pistol to emphasize the threat, but Herzog denies this. See more »
When Pizarro sends off the expedition, he expects them to return in one week. However, when Don Pedro tells the men that they have to return by foot, he says that they could make it in two weeks "as Pizarro said". See more »
One of the reasons I go to the movies is to experience a place that I would otherwise not get to see. In Werner Herzog's astonishing "Aguirre: The Wrath of God" we are taken into the Andes region of the Middle and South Americas in the mid-16th century and are exposed to incredible images and faces. It's a haunting masterpiece that seems ageless.
At first sight, the costumes and effects seem amaturish, but quickly we realize that this makes the film superior to what it would have been if it had been made with a larger budget; it adds to the film's artistry and authenticity. Film is a visual medium and it works best when the images we see are not tied down to strictly suit the plot; this film is a feast for the eyes.
The plot, what little there is, is very simple: a crew aboard a raft are attempting to get to the City of Gold, El Dorado. Much like Coppola's "Apocalypse Now," we are taken on a mesmerizing journey into the depths of madness with the focus being primarily on mood, setting, atmosphere and images.
Klaus Kinski, in one of the best performances I've seen, embodies the insanity that comes with the quest for power. The physicality of Kinski's performance is startlingly effective - he seems drunk on his own sense of power and recalls Brando, Dean, and a young De Niro or Pacino at their most absorbed.
The music in the film inspires a sense of awe and wonder that, along with the lush landscape and vistas, succeeds in taking us to another place. These are the kinds of films I love: a director so obsessed with achieving a sensation of marvel, so ambitious in his scope that we are free to wander within the film's world as we watch the characters journey into the mysterious unknown of their mind.
There are many good, very good and great films - too many to list, in fact. What I am hoping to do is label each film I see fit as a "masterwork".
This film is a masterwork.
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