Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror.
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to talk or walk, and bearing a strange note.
In Berlin, an alcoholic man, recently released from prison, joins his elderly friend and a prostitute in a determined dream to leave Germany and seek a better life in Wisconsin.
During the 1800s, paroled Brazilian bandit Cobra Verde is sent to West Africa with a few troops to man an old Portuguese fort and to convince the local African ruler to resume the slave trade with Brazil.
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
Director:
Werner Herzog
Stars:
Werner Herzog,
Klaus Kinski,
Claudia Cardinale
A documentary on the chaotic production of Werner Herzog's epic Fitzcarraldo (1982), showing how the film managed to get made despite problems that would have floored a less obsessively ... See full summary »
Director:
Les Blank
Stars:
Werner Herzog,
Klaus Kinski,
Claudia Cardinale
A devastating and heartrending take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzlies in Alaska.
Director:
Werner Herzog
Stars:
Timothy Treadwell,
Amie Huguenard,
Werner Herzog
A medieval love story with lots of adventures. The times are troubled - there's a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A ... See full summary »
Director:
Grigori Kromanov
Stars:
Aleksandr Goloborodko,
Igrida Andrina,
Elza Radzina
Semi-autobiographical story by Oskar Luts about friendship, love and life in a small Estonian country boarding school in the late 1800s. Followed by Suvi (1976) and Sügis (1990).
A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction? Written by
Chris Makrozahopoulos <makzax@hotmail.com>
Although plot details and many of the characters in "Aguirre, the Wrath of God"(1972) come directly from Werner Herzog's own imagination, historians have pointed out that the film fairly accurately incorporates some 16th-century events and historical personages into a fictional narrative. The film's major characters, Aguirre, Ursúa, Don Fernando, Inez and Florés, were indeed involved in a 1560 expedition that left Peru to find the city of El Dorado. Commissioned by Peru's governor, Ursúa organized an expeditionary group of 300 men to travel by way of the Amazon River. He was accompanied by his mixed-race mistress, Doña Inez. At one point during the journey, Aguirre, a professional soldier, decided that he could use the 300 men to overthrow the Spanish rule of Peru. Aguirre had Ursúa murdered and proclaimed Fernando as "The Prince of Peru". Fernando himself was eventually murdered when he questioned Aguirre's scheme of sailing to the Atlantic, conquering Panama, crossing the isthmus and invading Peru. Many others who attempted to rebel against Aguirre were also killed. The surviving soldiers conquered Isla Margarita off the coast of Venezuela and made preparations to attack the mainland. However, by that time Spanish authorities had learned of Aguirre's plans, and when the rebels arrived in Venezuela, government agents offered full pardons to Aguirre's men. All of them accepted the deal. Immediately prior to his arrest, Aguirre murdered his daughter Florés, who had remained by his side during the entire journey. He was then captured and dismembered. Herzog's screenplay merged this 1560 expedition with the events of an earlier Amazonian journey, that took place in 1541 and 1542. Like Ursúa, Gonzalo Pizarro and his men entered the Amazon basin in search of El Dorado. Various troubles afflicted the expedition and, sure that El Dorado was very close, Pizarro set up a smaller group led by Francisco de Orellana to break off from the main force and forge ahead, then return with news of what they had found. This group utilized a brigantine to journey down the river. Accompanying Orellana was Spanish Dominican friar Gaspar de Carvajal, who kept a journal of the group's experiences. The historic Gaspar de Carvajal (1500-1584) had settled in Peru and dedicated himself to the conversion of the Indians. While Carvajal's diary does indeed exist, the content as presented in the film is mostly invented by writer/director Herzog himself. See more »
Goofs
In the first scene of the movie the characters was walking on Huayna Picchu on 1560, but this location was discovered only in 1911 by the American historian Hiram Bingham. See more »
Aguirre, Der Zorn Gottes (Lacrime Di Re)
Written by Florian Fricke
Performed by Popol Vuh
Published by Edition Intro Meisel
Courtesy of Gammarock Music See more »
"Aguirre, the Wrath of God": Werner Herzog is one of my all-time favorite film makers, and this is one of my favorite films by him. Actually taken from the diary of the priest who accompanied Pizarro's expedition in 1560, Herzog recreates the pretentious and self-deluded search for the "Lost City of Gold - Eldorado".
Herzog likes true stories...ones that are bizarre in their own right, but with his direction and personal vision, they become profound (and never optimistic). The camera work is always interesting (he single-handedly "patented" camera shots that don't sweep - they ("you") stare and stare - and stare - at a thing or person or place until it becomes abstract, intense, beautiful, threatening, profound), the scoring is always appropriate yet never expected, and his casting, often using the unique talents of the late Klaus Kinski, guarantee nothing less than an intense experience...even in a film like "Aguirre", which SLOWLY claws and slogs it's way along each and every slippery, dangerous, foreign mile of jungle.
It is clear Herzog 'focuses' on the ridiculously high beliefs humans create for and hold of themselves - that they could actually "own" anything, "conquer" anything, outwit that which they do not understand, and by sheer Will cause anything they deem important, to exist. Herzog is NOT a cheerleader for the history of humans, but he is a ponderer... and we are fortunate he does it on film.
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"Aguirre, the Wrath of God": Werner Herzog is one of my all-time favorite film makers, and this is one of my favorite films by him. Actually taken from the diary of the priest who accompanied Pizarro's expedition in 1560, Herzog recreates the pretentious and self-deluded search for the "Lost City of Gold - Eldorado".
Herzog likes true stories...ones that are bizarre in their own right, but with his direction and personal vision, they become profound (and never optimistic). The camera work is always interesting (he single-handedly "patented" camera shots that don't sweep - they ("you") stare and stare - and stare - at a thing or person or place until it becomes abstract, intense, beautiful, threatening, profound), the scoring is always appropriate yet never expected, and his casting, often using the unique talents of the late Klaus Kinski, guarantee nothing less than an intense experience...even in a film like "Aguirre", which SLOWLY claws and slogs it's way along each and every slippery, dangerous, foreign mile of jungle.
It is clear Herzog 'focuses' on the ridiculously high beliefs humans create for and hold of themselves - that they could actually "own" anything, "conquer" anything, outwit that which they do not understand, and by sheer Will cause anything they deem important, to exist. Herzog is NOT a cheerleader for the history of humans, but he is a ponderer... and we are fortunate he does it on film.