Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
A vicious Kansas City slaughterhouse owner and his hick family are having a bloody "beef" with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
The story involves a white supremist plot to taint the United States water supply with a toxin that is harmless to whites but lethal to blacks. The only obstacles that stand in the way of ... See full summary »
In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police? Written by
Ken Miller <firstname.lastname@example.org>
This was the first film shot with the Arriflex 35 BL camera. See more »
At 7mins 57secs into the movie a patrolman runs out of an alley and alongside a parked blue station wagon, in a failed attempt to stop the robbers. He clearly has wires trailing from his pants leg and leading behind the car. Most likely they were attached to and used to activate the exploding blood packs hidden under his jacket. See more »
Whether or not you call it blaxploitation this is one of the toughest and most powerful crime movies of the early 1970s.
Whether you regard 'Across 110th Street' as a genuine blaxploitation movie or not (I don't) there's no denying it's one of the toughest and most powerful crime movies of the early 1970s, easily as good as the better known 'Serpico' or 'Dirty Harry'. Anthony Quinn and Yaphet Kotto both give excellent performances as the NYC cops who have different approaches to trying to bring to justice some petty crooks who have ripped off the Mob. I was also impressed by Tony Franciosa who I knew from his later work in Argento's 'Tenebre'. I love that movie but always thought Franciosa was its weak point. In this movie he is one of the strengths. Paul Benjamin is also very good as one of the thieves. In fact, this movie is full of great acting, a tough and realistic script, taut direction from Barry Shear (who also made the 60s exploitation classic 'Wild In The Streets'), and a wonderful theme song from Bobby Womack, later recycled by Quentin Tarantino for 'Jackie Brown'. Highly recommended.
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