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A.A.A. Masseuse, Good-Looking, Offers Her Services (1972)
"A.A.A. Massaggiatrice bella presenza offresi..." (original title)

 |  Thriller  |  28 July 1972 (Italy)
5.3
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Ratings: 5.3/10 from 53 users  
Reviews: 3 user | 4 critic

The customers of a masseuse fall prey to a mysterious serial killer, one by one.

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(screenplay), (story), 1 more credit »
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Title: A.A.A. Masseuse, Good-Looking, Offers Her Services (1972)

A.A.A. Masseuse, Good-Looking, Offers Her Services (1972) on IMDb 5.3/10

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Cast

Cast overview, first billed only:
Simonetta Vitelli ...
Paola (as Simone Blondel)
Jerry Colman ...
Franco - Boyfriend of Paola
Raffaele Curi ...
Marco - Boyfriend of Cristina
Carlo Gentili ...
Santino
Ettore Manni ...
Police Commissioner
...
Enrico Graziani (as Hunt Powers)
Giancarlo Prete ...
1st client of Cristina
Franco Ressel ...
D'Angelo
Paola Senatore ...
Cristina Graziani
Mario Valdemarin ...
Fabretto
Howard Ross ...
Oskar
Armando Bottin
Enzo Pulcrano ...
Man in billiard-room (as Paul Crain)
Giorgio Gravina
Carla Mancini ...
(credit only)
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Storyline

The customers of a masseuse fall prey to a mysterious serial killer, one by one.

Plot Summary | Add Synopsis

Genres:

Thriller

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Details

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Language:

Release Date:

28 July 1972 (Italy)  »

Also Known As:

Caresses à domicile  »

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User Reviews

 
Who is killing the clients of beautiful call girl Paola Senatore?
6 February 2014 | by (United States) – See all my reviews

"A.A.A. Masseuse" is a solid and entertaining giallo, done in a straightforward and low-key style. Despite the call-girl occupation of the lead character and plenty of footage showing most but not all of her nude, the film is actually tastefully done and does not come across as exploitative.

Ms. Senatore plays Cristina, an 18-year old girl, rather headstrong, who wants to be on her own and not with her parents, especially her father. He's a good breadwinner but won't let her lead her own life. So she leaves. She goes to live with a friend, Paola, who has a boyfriend, Franco. The story moves quickly at times. Cristina places an ad in the paper and almost immediately is turning a trick for money. After 2 or 3 johns, she joins up with a pimp-manager who has contacts with a wealthy circle. Cristina is level-headed and doesn't let him take advantage of her.

The movie is critical of these older, leering voyeur types with their fetishes, who are hot for the bloom and soft skin of this pliant and youthful woman with a nice figure.

The giallo pattern sets in. A masked figure with a razor arrives shortly after she has serviced a professor and dispatches him adroitly.

The police have no leads. But after a second and third such slaying, more information surfaces and Cristina is questioned. As we head into the last part of the film, one can guess pretty well what lies ahead, but it's not so easy to guess the murderer. The story has an abundance of possibles, Paola, Franco, her pimp, her father, and her boyfriend. In one way or another, each could have a motive and each could have found where she was going.

This is an unpretentious mystery with the assets of Senatore's beauty, a light touch, an oblique takedown of those who rent this girl's services, and even a little bit of consideration of why some girls will go for what seems to be the easy money.


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