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The film version of the Broadway musical comedy of the same name. In the days leading up to July 4, 1776, Continental Congressmen John Adams and Benjamin Franklin coerce Thomas Jefferson into writing the Declaration of Independence as a delaying tactic as they try to persuade the American colonies to support a resolution on independence. As George Washington sends depressing messages describing one military disaster after another, the businessmen, landowners and slave holders in Congress all stand in the way of the Declaration, and a single "nay" vote will forever end the question of independence. Large portions of spoken and sung dialog are taken directly from the letters and memoirs of the actual participants. Written by
Dave Heston <heston@iName.com>
The original Broadway production of the musical "1776" opened at the 46th Street Theater on March 16, 1969 and ran for 1217 performances. William Daniels (portraying John Adams (MA)), Howard Da Silva (portraying Dr. Benjamin Franklin (PA)), Ken Howard (portraying Thomas Jefferson (VA)), Roy Poole (portraying Stephen Hopkins (RI)), Virginia Vestoff (portraying Abigail Adams), David Ford (portraying Congressional President John Hancock (MA)), Ron Holgate (portraying Richard Henry Lee (VA)), William Duell (portraying Andrew McNair, Congressional Custodian),Ralston Hill (portraying Congressional Secretary Charles Thomson), Jonathan Moore (portraying Dr. Lyman Hall (GA)) and Charles Rule (portraying Joseph Hewes (NC)) all recreated their roles in the movie. The original Broadway production won 1969 Tony Awards for Best Musical, Best Featured Actor in a Musical (Ron Holgate) and Best Direction (Peter H. Hunt also directed the Broadway musical), and received nominations for Best Featured Actress in a Musical (Virginia Vestoff), and Best Scenic Design. William Daniels was also nominated for his role of John Adams in the Best Featured Actor category, but declined to compete because he felt Adams was a Leading role. See more »
Southern delegates sing about "moving to the right", but "right/left" political labels originated in the French Revolutionary Assembly of 1789. See more »
[Adams stands with the Liberty Bell, lost in thought]
Mr. Adams? Mr. Adams? Mr. Adams! Well, there you are. Didn't you hear me calling, Mr. Adams? You could have shouted down something, save me climbing up four flights. A man that likes to talk as much as you do, I think...
[Adams turns and gives McNair a hard stare]
What do you keep coming up here for, Mr. Adams? Afraid someone's gonna steal our bell?
Well, no worry. Been here more than fourteen years and it ain't been ...
[...] See more »
The theatrical version has no credits at the beginning other than "Columbia Pictures presents" and the film's title. The Director's Cut and the extended laserdisc edition includes a main title sequence at the opening. See more »
As a person who has gained a college degree in History, I first fell in love with this movie when I saw it as the stage play with the Broadway cast in my junior year in high school, in 1976. The movie is surprisingly accurate with direct quotations from key congressional members, such as Adams, Franklin and Jefferson as borne out in David McCullough's "John Adams." Yes, there were a few licenses taken with history such as the dramatic scene with Wilson,Dickinson, and Franklin when Wilson is forced to decide the entire question of independence on his vote. But it is these few licenses that bring out the true seriousness of the founding of our nation. One particular scene that I am glad was restored from Jack L. Warner's shameful caving in to Richard Nixon is the piece "Cool, Cool, Considerate Men." That piece clearly fleshed out the Conservative's viewpoint in Congress. William Daniels is perfect for the part of John Adams. His Boston twang (even though he was born in New York) is excellent. One cast change that I am glad they made is putting Blythe Danner in the role of Martha Jefferson in the movie version, in place of Betty Buckley. No offense to Ms. Buckley, I love her as an actress in her roles, but her voice comes across too nasal and strident in her singing of Tom's qualities. (I own the stage play LP to make this comparison) The rest of the cast is perfect. Donald Madden was excellent as John Dickinson, even if you can forgive his singing voice in "Cool, Considerate Men." I will always think of Howard Da Silva and Ken Howard as Ben Franklin and Thomas Jefferson, respectively. All in all, it is a movie that should be seen by everyone in their High School History or Civics class.
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