Depressed about death and growing old, Fred and his drinking buddies determine to think young and go for the gusto by throwing a wild party, inviting topless waitress Fast Fanny and four of her fast ...
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
One of television's all-time classic sitcoms, the Norman Lear-produced "Sanford and Son" debuted just three days after the one-year anniversary of Lear's fabulously successful, "All in the Family." Fred Sanford is a cantankerous 65-year-old, black, widowed junk dealer living in Los Angeles' Watts neighborhood. Helping him is his restless son, 34-year-old Lamont; Fred's beloved wife and Lamont's mother, Elizabeth, had died more than 20 years earlier. Fred's schemes and bigotry especially toward Julio, a Puerto Rican who was Lamont's friend, whites and other minorities often frustrated Lamont. Fred also showed overt disdain for his sister-in-law, Aunt Esther (the feeling was mutual). Many times, Lamont threatened to leave for meaningful work, but Fred faked a heart attack each time ("Oh, this time its real, I'm a-comin' 'Lizabeth!") as a sympathy ploy to get his son to stay. By 1977, Fred and Lamont had sold their business (stars Foxx and Wilson wanted to leave the series); it became ... Written by
Brian Rathjen <firstname.lastname@example.org>
The original idea for the show was that it would feature two Italian men because the network didn't think that black characters would work. A test screening was held with Paul Sorvino and Barney Hughes in the roles but the scene didn't work. Eventually, the network relented and let the characters be black. See more »
The exterior shot of the Sanford house/junk shop as seen in the opening credits does not match the exterior of the house/junk shop as it appeared on the show. In the opening credits shots, the house's front door is seen almost flush against the street with a very small front yard and little to no junk out in front of the house. In the show however, the Sanfords have a huge front yard with piles and piles of junk scattered about and the street is very far from the front door. See more »
I told you, I don't want no dentist to be fooling around in my mouth.
Because they make me nervous. All them drills and chisels and screw drivers they be sticking down your mouth. They don't even care if they hurt you or not, they just yank you and thank you.
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During the end credits of the episode "The Headache" (4.21), Fred and Lamont's voices can be heard. They're doing a soap opera cliffhanger parody. (Eg. Fred: "Will Lamont leave home?" Lamont: "Will you be quiet?") See more »
I guess that "Sanford and Son" must have been the first show that portrayed black ghetto life. No matter, it's hilarious. Dad Fred essentially spends every episode lounging around his house, calling his son Lamont "dummy" and threatening to bust people's lips. Lamont remains eternally embarrassed about Fred's antics, especially whenever Fred comments on how ugly he considers the sister-in-law, Aunt Esther, to be. And it's always great when the two cops (one white and the other black) come to the house, and the white cop acts like a dork, forcing the black cop to have to identify it.
Anyway, it was part of the new wave of really funny shows in the early 1970's that portrayed stuff that TV shows previously were uncomfortable portraying ("All in the Family" of course led the way). It would have been neat if Fred Sanford and Archie Bunker could have ever met. That would have made for some crazy dialogue. Four stars.
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